PIFcamp

PIFcamp is a week-long international gathering (or hack-camp) that facilitates explorations into the various intersections of art and technology. Held in the stunning Alpine valley of the Soča river, in the Triglav National Park, the core of this fundamentally open-ended project consists of hands-on workshops, presentations, field trips and – most importantly – spontaneous collaborations and skills exchanges

Of key importance is active involvement of the participants, who are invited to contribute their ideas, skills and ambitions into the collective creative endeavour. The camp is organised by the Ljudmila Art and Science Laboratory and the Projekt Atol Institute.

PIFcamp 2015 by Ljudmila on Vimeo

Context and background

First held in 2015, PIFcamp is an extension of the artistic, educational and awareness raising endeavours conducted by the Ljudmila lab and the Projekt Atol Institute. Both are involved in new media art and technology related activities and have been running a joint programme of workshops, artist residencies and art projects since 2012.

Initially, the gathering was established as a part of the Changing Weathers project. Co-funded by the Creative Europe programme, this project is coordinated by Projekt Atol and features partners from Norway (Hilde Methi), Finland (the Finnish Bioart Society), Latvia (RIX-C), the Netherlands (Sonic Acts), Austria (Time’s Up) and Slovenia (Ljudmila). Its basic aim is to facilitate responses towards the precarious geophysical, geopolitical and technological predicaments of our time.

Concept

With PIFcamp's fundamental principles being DIY (do-it-yourself), DIWO (do-it-with-others) and DITO (do-it-together), the meeting is foremost a platform for distributing knowledge, ideas and experiences. Styling itself as a hack camp, PIFcamp sees hacking as a broad set activities that disrupt the regular patterns of uses and treatments of technology.

Programme

Each year, a select number of artists and researchers is invited to hold workshops, theoretical lectures and on-sight briefings. Other participants are equally invited to share their knowledge, and the roles of mentors and apprentices frequently change and overlap. Consequently, the outcomes and topics of the camp are only partially predefined.

Some of the creative fields tackled at PIFcamp have been DIY synthesizer-making, e-textiles and wearable electronics, artefacts and systems that interact with nature, light installations, bio-hacking, and music.

The participants

The meeting is open to anyone yet limited to about 50 people. The organisers are looking for hackers, makers, DIY enthusiasts, scientists, programmers, noise freaks, new media artists, obsolete and new technology geeks, bio-artists, and so on. A short proposal on what one wants to develop or learn during PIFcamp is needed from those applying to attend.

Some of the hosted artists and researchers have been the Swiss bio-hacker Marc Dusseiller (also of BioTehna), who conducted different experiments on local plants, from sound analysis to chlorophyll extraction; Lynne Bruning (US), who utilised embroidery, lace making, and sewing to make wearable electronics and eTextiles; Peter Edwards aka Casper Electronics (US), who dealt with DIY electronics for music making; Václav Peloušek (Bastl Instruments, CZ), who worked on modular synthesizers; and Leslie Garcia and Paloma Lopez (MX), who explored the relationships between waveforms, living matter and the way in which sound frequencies affect and create physical forms. The local Dario Cortese led a field workshop on collecting edible wild plants.

Numerous other artists applied by themselves, among them Tom O'Dea (IR), Sebastian Frisch (DE), Robertina Šebjanič, Marko Peljhan, Tilen Sepič and many others.

External links

PIFcamp

Contents

Context and background

Concept

Programme

The participants

See also

External links

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Financed by