Difference between revisions of "Noordung Cosmokinetic Cabinet"
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[[Dragan Živadinov]] launched the project [[Noordung Cosmokinetic Cabinet]] in [[established::1991]]. The project is the retrogarde actualisation of the ideas of the Slovene space scientist [[Herman Potočnik Noordung]] (1892–1929), who published his book ''The Problems of Space Travel'' in 1929 in Berlin, in which he develops the concept of satellites. See also [[Herman Potočnik Noordung and Vitanje]]. | [[Dragan Živadinov]] launched the project [[Noordung Cosmokinetic Cabinet]] in [[established::1991]]. The project is the retrogarde actualisation of the ideas of the Slovene space scientist [[Herman Potočnik Noordung]] (1892–1929), who published his book ''The Problems of Space Travel'' in 1929 in Berlin, in which he develops the concept of satellites. See also [[Herman Potočnik Noordung and Vitanje]]. | ||
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==Overview== | ==Overview== | ||
In the 1990s [[Dragan Živadinov|Živadinov]] dedicated himself to telecosmism and telelogy, and together with [[Dunja Zupančič]] and [[Miha Turšič]] initiated the project ''Noordung 1995:2045, Biomechatronic projectile'', which is engaged in research into post-gravitational art with the help of high-technology tools and the logic of suprematism and constructivism. The first Noordung show, ''One Versus One'', opened on 20 April 1995 with the intention that a re-staging will take place every 10 years, the next show being on 20 April 2015, and the final one taking place on 20 April 2045. The place of those actors who die in the meantime will be taken by a remote-controlled symbol, their spoken text represented by sounds (melody for women, rhythm for men). During the last reprise, [[Dragan Živadinov|Živadinov]], since 1998 a candidate cosmonaut, will use a spacecraft to convey 14 satellites/umbots into geostatic orbit, from where they will transmit to Earth the signals representing the roles played. This action is intended to finally abolish mimetic theatre and establish the rule of non-corporeal art. (For spin-off projects see [[Delak Institute]].) | In the 1990s [[Dragan Živadinov|Živadinov]] dedicated himself to telecosmism and telelogy, and together with [[Dunja Zupančič]] and [[Miha Turšič]] initiated the project ''Noordung 1995:2045, Biomechatronic projectile'', which is engaged in research into post-gravitational art with the help of high-technology tools and the logic of suprematism and constructivism. The first Noordung show, ''One Versus One'', opened on 20 April 1995 with the intention that a re-staging will take place every 10 years, the next show being on 20 April 2015, and the final one taking place on 20 April 2045. The place of those actors who die in the meantime will be taken by a remote-controlled symbol, their spoken text represented by sounds (melody for women, rhythm for men). During the last reprise, [[Dragan Živadinov|Živadinov]], since 1998 a candidate cosmonaut, will use a spacecraft to convey 14 satellites/umbots into geostatic orbit, from where they will transmit to Earth the signals representing the roles played. This action is intended to finally abolish mimetic theatre and establish the rule of non-corporeal art. (For spin-off projects see [[Delak Institute]].) | ||
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On 15 December 1999 [[Dragan Živadinov|Živadinov]] created ''Gravitation Zero – Noordung Biomechanics'', the first performance organised in zero gravity space, co-ordinated by [[Projekt Atol Institute]], with the aim of researching the revolutionary changes taking place in the human body in a situation of a weightless theatre. The performance, which dealt with the problems of the time/space paradigm and the subject as an actor and performer in the electronic era, took place in the Russian cosmonaut training aircraft in the skies above Moscow. In 2005 a further Noordung production entitled ''Supremat'' was performed at Helix as a part of the NSK event held in Dublin to celebrate European enlargement. [[Dragan Živadinov|Živadinov]], [[Dunja Zupančič|Zupančič]], and [[Miha Turšič|Turšič]] are also presenting a series of informances in which they explore the systems of post-gravitational art. | On 15 December 1999 [[Dragan Živadinov|Živadinov]] created ''Gravitation Zero – Noordung Biomechanics'', the first performance organised in zero gravity space, co-ordinated by [[Projekt Atol Institute]], with the aim of researching the revolutionary changes taking place in the human body in a situation of a weightless theatre. The performance, which dealt with the problems of the time/space paradigm and the subject as an actor and performer in the electronic era, took place in the Russian cosmonaut training aircraft in the skies above Moscow. In 2005 a further Noordung production entitled ''Supremat'' was performed at Helix as a part of the NSK event held in Dublin to celebrate European enlargement. [[Dragan Živadinov|Živadinov]], [[Dunja Zupančič|Zupančič]], and [[Miha Turšič|Turšič]] are also presenting a series of informances in which they explore the systems of post-gravitational art. | ||
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== See also == | == See also == | ||
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==External links== | ==External links== | ||
− | * [http://www.postgravityart. | + | * [http://www.postgravityart.eu Postgravityart.eu website] |
− | * [http:// | + | * [http://noordung.blogspot.si Noordung projects since 2007] |
− | *[http:// | + | * [http://sites.artsblock.ucr.edu/free-enterprise/cosmokinetial-kabinet-noordung-postgravityart About Cosmokinetic Cabinet on UCR ARTSblock] |
− | * [http:// | + | * [http://archive.eyebeam.org/taxonomy/term/3435 About postgravity art on Eyebeam] |
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* [http://theinfluencers.org/en/dragan-zivadinov-noordung Informance of Dragan Živadinov at The Influencers Festival in Barcelona] (2005) | * [http://theinfluencers.org/en/dragan-zivadinov-noordung Informance of Dragan Živadinov at The Influencers Festival in Barcelona] (2005) | ||
* [http://elmcip.net/critical-writing/technodispositifs-contemporary-art-practice-fifty-year-theater-performance-noordung (Techno)dispositifs in Contemporary Art Practice: Fifty-year Theater Performance Noordung 1995-2045 by Dragan Živadinov] by [[Bojan Anđelković]] | * [http://elmcip.net/critical-writing/technodispositifs-contemporary-art-practice-fifty-year-theater-performance-noordung (Techno)dispositifs in Contemporary Art Practice: Fifty-year Theater Performance Noordung 1995-2045 by Dragan Živadinov] by [[Bojan Anđelković]] |
Latest revision as of 12:59, 16 February 2021
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3 Aug 2013
13 Oct 2013
Free Enterprise: The Art of Citizen Space Exploration, a joint exhibition co-curated by Marko Peljhan, featuring also Slovene artists and organisations Cultural Centre of European Space Technologies (KSEVT), Trieste Constructivist Cabinet, Nejc Trošt, Noordung Cosmokinetic Cabinet, Projekt Atol Institute
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19 Jan 2013
18 May 2013
USA Riverside (CA) California Museum of Photography,Culver Center of the Arts & Sweeney Art Gallery
Free Enterprise: The Art of Citizen Space Exploration, a joint exhibition also featuring Slovene artists and organisations: Cultural Centre of European Space Technologies (KSEVT), Trieste Constructivist Cabinet, Nejc Trošt, Noordung Cosmokinetic Cabinet, Projekt Atol Institute, and curated by Marko Peljhan
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21 May 2012
28 May 2012
Postgravity Art, an informance by Dragan Živadinov, Miha Turšič and Dunja Zupančič (Noordung Cosmokinetic Cabinet)
at the Media Festival Platform Moscow
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20 Mar 2012
21 Apr 2012
Neue Slowenische Kunst 1984-1992 exhibition curated by Michele Drascek, presenting Laibach, Irwin, Novi kolektivizem (NK) and Scipion Nasice Sisters Theatre
Background
Dragan Živadinov, one of the founders of Neue Slowenische Kunst (1985), founded Scipion Nasice Sisters Theatre in 1984 and in the years 1985–1986 directed a number of cult performances (Hinkemann, Marija Nablocka, Baptism Under Triglav). After the self-destruction of Scipion Nasice Sisters Theatre, the Red Pilot Cosmokinetic Theatre was founded in 1987, which evolved into the Noordung Cosmokinetic Cabinet.
Overview
In the 1990s Živadinov dedicated himself to telecosmism and telelogy, and together with Dunja Zupančič and Miha Turšič initiated the project Noordung 1995:2045, Biomechatronic projectile, which is engaged in research into post-gravitational art with the help of high-technology tools and the logic of suprematism and constructivism. The first Noordung show, One Versus One, opened on 20 April 1995 with the intention that a re-staging will take place every 10 years, the next show being on 20 April 2015, and the final one taking place on 20 April 2045. The place of those actors who die in the meantime will be taken by a remote-controlled symbol, their spoken text represented by sounds (melody for women, rhythm for men). During the last reprise, Živadinov, since 1998 a candidate cosmonaut, will use a spacecraft to convey 14 satellites/umbots into geostatic orbit, from where they will transmit to Earth the signals representing the roles played. This action is intended to finally abolish mimetic theatre and establish the rule of non-corporeal art. (For spin-off projects see Delak Institute.)
On 15 December 1999 Živadinov created Gravitation Zero – Noordung Biomechanics, the first performance organised in zero gravity space, co-ordinated by Projekt Atol Institute, with the aim of researching the revolutionary changes taking place in the human body in a situation of a weightless theatre. The performance, which dealt with the problems of the time/space paradigm and the subject as an actor and performer in the electronic era, took place in the Russian cosmonaut training aircraft in the skies above Moscow. In 2005 a further Noordung production entitled Supremat was performed at Helix as a part of the NSK event held in Dublin to celebrate European enlargement. Živadinov, Zupančič, and Turšič are also presenting a series of informances in which they explore the systems of post-gravitational art.
See also
- Delak Institute
- Herman Potočnik Noordung and Vitanje
- Cultural Centre of European Space Technologies (KSEVT)
- Projekt Atol Institute
- NSK State
External links
- Postgravityart.eu website
- Noordung projects since 2007
- About Cosmokinetic Cabinet on UCR ARTSblock
- About postgravity art on Eyebeam
- Informance of Dragan Živadinov at The Influencers Festival in Barcelona (2005)
- (Techno)dispositifs in Contemporary Art Practice: Fifty-year Theater Performance Noordung 1995-2045 by Dragan Živadinov by Bojan Anđelković