Difference between revisions of "Studio Metro"
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[[Studio Metro]] was founded back in [[established::1982]] as a response to the than available recording infrastructure and conditions, which were according to the founders - both of them musicians - quite unsatisfactory. The studio opted to solve that and now engages in mastering, mixing and recording for various authors and bands from Slovenia, Croatia, Macedonia, Germany, USA, Switzerland, Bosnia and Herzegovina, Norway and Spain. Their clients include several record labels from Slovenia ([[Dallas Records]], [[Nika Records]]) as well as abroad. | [[Studio Metro]] was founded back in [[established::1982]] as a response to the than available recording infrastructure and conditions, which were according to the founders - both of them musicians - quite unsatisfactory. The studio opted to solve that and now engages in mastering, mixing and recording for various authors and bands from Slovenia, Croatia, Macedonia, Germany, USA, Switzerland, Bosnia and Herzegovina, Norway and Spain. Their clients include several record labels from Slovenia ([[Dallas Records]], [[Nika Records]]) as well as abroad. | ||
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Some of the more notable Slovene musicians that recorded at Studio Metro were [[Big Foot Mama]], [[LeeLooJamais]], [[Demolition Group]], [[Elvis Jackson]], [[Dežurni krivci]], [[Lolita]], [[Zmajev rep]], [[Res Nullius]], [[Perpetuum Jazzile]], [[Vlado Kreslin]] and [[Zoran Predin]]. As of their regular or occasional foreign clients, there are many very successful rock, pop and other acts such as Severina, Zdravko Čolić, Racija, Let 3, Plavi Orkestar, Tamara Obrovac, Petar Grašo, Gibonni, Bijelo Dugme, Ceca Ražnjatović, Toše Proeski, Danijela, Hladno Pivo, Parni Valjak, Rambo Amadeus, The Bambi Molesters, Vlatko Stefanovski and The Walkabouts. | Some of the more notable Slovene musicians that recorded at Studio Metro were [[Big Foot Mama]], [[LeeLooJamais]], [[Demolition Group]], [[Elvis Jackson]], [[Dežurni krivci]], [[Lolita]], [[Zmajev rep]], [[Res Nullius]], [[Perpetuum Jazzile]], [[Vlado Kreslin]] and [[Zoran Predin]]. As of their regular or occasional foreign clients, there are many very successful rock, pop and other acts such as Severina, Zdravko Čolić, Racija, Let 3, Plavi Orkestar, Tamara Obrovac, Petar Grašo, Gibonni, Bijelo Dugme, Ceca Ražnjatović, Toše Proeski, Danijela, Hladno Pivo, Parni Valjak, Rambo Amadeus, The Bambi Molesters, Vlatko Stefanovski and The Walkabouts. | ||
− | + | They also collaborate with the [[School of Audio Engineering (SAE) Institute, Slovene Branch|SAE Institute Ljubljana]] as lecturers and offer practical lessons and recording hours to the students of this institute and also of the [[Multimedia Institute and Academy|Multimedia Institute and Academy (IAM)]]. The rather impressive list of their clients is mainly due to the knowledgeable crew of the studio, with another reason also being their innovative technical solutions and some unique, self-developed equipment pieces. In 2007, due to their repute, they were visited by the editors of the American audio magazine Tape Op which than included a multi-page coverage of the studio and the people working there. | |
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Revision as of 20:59, 20 August 2013
Some of the more notable Slovene musicians that recorded at Studio Metro were Big Foot Mama, LeeLooJamais, Demolition Group, Elvis Jackson, Dežurni krivci, Lolita, Zmajev rep, Res Nullius, Perpetuum Jazzile, Vlado Kreslin and Zoran Predin. As of their regular or occasional foreign clients, there are many very successful rock, pop and other acts such as Severina, Zdravko Čolić, Racija, Let 3, Plavi Orkestar, Tamara Obrovac, Petar Grašo, Gibonni, Bijelo Dugme, Ceca Ražnjatović, Toše Proeski, Danijela, Hladno Pivo, Parni Valjak, Rambo Amadeus, The Bambi Molesters, Vlatko Stefanovski and The Walkabouts.
They also collaborate with the SAE Institute Ljubljana as lecturers and offer practical lessons and recording hours to the students of this institute and also of the Multimedia Institute and Academy (IAM). The rather impressive list of their clients is mainly due to the knowledgeable crew of the studio, with another reason also being their innovative technical solutions and some unique, self-developed equipment pieces. In 2007, due to their repute, they were visited by the editors of the American audio magazine Tape Op which than included a multi-page coverage of the studio and the people working there.