Revija Praznine
Topniška 33a, SI-1000 Ljubljana
Published byUmetniško izobraževalno društvo Praznine
Frequencybiannually
Difference between revisions of "Depot:Praznine Magazine"
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==Topics and authors== | ==Topics and authors== | ||
| − | Very consciously ran as an interdisciplinary vehicle, the journal presents not only theory and research on architecture, but also philosophical texts on art in general, critiques of particular artworks, sociological reflections on urban management, reflection with photography as the medium itself, and so on – provided that spatiality serves | + | Very consciously ran as an interdisciplinary vehicle, the journal presents not only theory and research on architecture, but also philosophical texts on art in general, critiques of particular artworks, sociological reflections on urban management, reflection with photography as the medium itself, and so on – provided that spatiality serves as the main axis of thought. Some pieces can also come in the form of interviews, and others can be derived from recent graduation theses or research projects. |
| − | + | Its authors mostly come from they younger generation of Slovene architects (the magazine itself was established by a group of students at the [[Faculty of Architecture, University of Ljubljana|Faculty of Architecture]]), humanities researchers and various other practitioners or students of art and architecture. Some of the writers appearing in the magazine a bit more regularly are [[Boris Beja]], [[Miloš Kosec]], [[Kaja Kraner]], [[Izidor Barši]] and [[Tomo Stanič]]. | |
A regular feature are translations of either classical authors such as Walter Benjamin, Sigmund Kracauer, Theodor W. Adorno, Gilles Deleuze or Frederic Jameson, and of more contemporary pieces by the likes of Douglas Spencer, Keti Chukhrov, and Silvia Groaz. | A regular feature are translations of either classical authors such as Walter Benjamin, Sigmund Kracauer, Theodor W. Adorno, Gilles Deleuze or Frederic Jameson, and of more contemporary pieces by the likes of Douglas Spencer, Keti Chukhrov, and Silvia Groaz. | ||
Revision as of 07:00, 1 June 2016
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Topics and authors
Very consciously ran as an interdisciplinary vehicle, the journal presents not only theory and research on architecture, but also philosophical texts on art in general, critiques of particular artworks, sociological reflections on urban management, reflection with photography as the medium itself, and so on – provided that spatiality serves as the main axis of thought. Some pieces can also come in the form of interviews, and others can be derived from recent graduation theses or research projects.
Its authors mostly come from they younger generation of Slovene architects (the magazine itself was established by a group of students at the Faculty of Architecture), humanities researchers and various other practitioners or students of art and architecture. Some of the writers appearing in the magazine a bit more regularly are Boris Beja, Miloš Kosec, Kaja Kraner, Izidor Barši and Tomo Stanič.
A regular feature are translations of either classical authors such as Walter Benjamin, Sigmund Kracauer, Theodor W. Adorno, Gilles Deleuze or Frederic Jameson, and of more contemporary pieces by the likes of Douglas Spencer, Keti Chukhrov, and Silvia Groaz.
Praznine publishing
As some topics and texts call for their own publication, Praznine also runs (since 2014) its own book series called Drugi prostori ([Other spaces]). It, for example, features a book by the young writer and architect Miloš Kosec on ruins as architectural objects, and a book of translated interviews (or discussions) between the French architect Jean Nouvel and the philosopher Jean Baudrillard.
See also
External links
... more about "Praznine Magazine"
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Praznine Magazine (roughly translated as the The Voids Magazine) is a journal for thinking about space, architecture and art within a contemporary social context. +
Praznine Magazine (roughly translated as the The Voids Magazine) is a journal for thinking about space, architecture and art within a contemporary social context. +
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