Topografije zvoka
Stari trg 21, SI-1000 Ljubljana
Organised byŠKUC Association
Frequencyannual
Festival dates28.9.2018 – 4.10.2018
Difference between revisions of "Topographies of Sound Festival"
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== Background == | == Background == | ||
| − | The International Sound Arts Festival Topographies of Sound was created in [[established::2017]] to improve the representation of women artists in contemporary sound arts. The emphasis of the festival on gender difference reveals the specific historical, political, cultural and biographical contexts of sound artworks, points to the social positions of women authors and the conditions of their work, and at the same time, unveils the gender-unbalanced social realities. The festival seeks to avoid the classical concert form, mainly through the contextualisation of artworks through topical discussions, including the philosophy and sociology of sound and music. Artistic director [[Nina Dragičević]] launched the festival as a logical continuation of her monograph ''The Famous Unknown: Sound Artists in the Construction of Society'', published in 2016. | + | The International Sound Arts Festival Topographies of Sound was created in [[established::2017]] to improve the representation of women artists in contemporary sound arts. The emphasis of the festival on gender difference reveals the specific historical, political, cultural and biographical contexts of sound artworks, points to the social positions of women authors and the conditions of their work, and at the same time, unveils the gender-unbalanced social realities. The festival seeks to avoid the classical concert form, mainly through the contextualisation of artworks through topical discussions, including the philosophy and sociology of sound and music. Artistic director [[Nina Dragičević]] launched the festival as a logical continuation of her monograph ''The Famous Unknown: Sound Artists in the Construction of Society'', published in 2016. The festival is organised by [[ŠKUC Association]]. |
== Programme == | == Programme == | ||
| − | One of main emphases of the festival is on the contextualisation of sound artworks. Sonority is a central and all-encompassing form of sociality, also subjectivation, therefore it is crucial how we listen, interpret and speak about sound arts. The first edition of the Topographies of Sound Festival in 2017 was named ''Contexts'' and presented sound artists [[Bogdana Herman]], [[Ida Hiršenfelder]], [[Saša Spačal]] (Agapea), [[Katarina Radaljac]] and Sorrel Hays. The second edition of the festival (2018) called ''Becoming Sound'', features sound artists Eliane Radigue, [[Rosanda Sajko Korun]], [[Larisa Vrhunc]], [[Irena Z. Tomažin]], Kara Blake, Ivana Maričić, [[Robertina Šebjanič]] and [[Nina Dragičević]]. | + | One of main emphases of the festival is on the contextualisation of sound artworks. Sonority is a central and all-encompassing form of sociality, also subjectivation, therefore it is crucial how we listen, interpret and speak about sound arts. |
| + | |||
| + | The first edition of the Topographies of Sound Festival in 2017 was named ''Contexts'' and presented sound artists [[Bogdana Herman]], [[Ida Hiršenfelder]], [[Saša Spačal]] (Agapea), [[Katarina Radaljac]] and Sorrel Hays. The second edition of the festival (2018) called ''Becoming Sound'', features sound artists Eliane Radigue, [[Rosanda Sajko Korun]], [[Larisa Vrhunc]], [[Irena Z. Tomažin]], Kara Blake, Ivana Maričić, [[Robertina Šebjanič]] and [[Nina Dragičević]]. | ||
Revision as of 09:48, 17 July 2018
Contact
Background
The International Sound Arts Festival Topographies of Sound was created in 2017 to improve the representation of women artists in contemporary sound arts. The emphasis of the festival on gender difference reveals the specific historical, political, cultural and biographical contexts of sound artworks, points to the social positions of women authors and the conditions of their work, and at the same time, unveils the gender-unbalanced social realities. The festival seeks to avoid the classical concert form, mainly through the contextualisation of artworks through topical discussions, including the philosophy and sociology of sound and music. Artistic director Nina Dragičević launched the festival as a logical continuation of her monograph The Famous Unknown: Sound Artists in the Construction of Society, published in 2016. The festival is organised by ŠKUC Association.
Programme
One of main emphases of the festival is on the contextualisation of sound artworks. Sonority is a central and all-encompassing form of sociality, also subjectivation, therefore it is crucial how we listen, interpret and speak about sound arts.
The first edition of the Topographies of Sound Festival in 2017 was named Contexts and presented sound artists Bogdana Herman, Ida Hiršenfelder, Saša Spačal (Agapea), Katarina Radaljac and Sorrel Hays. The second edition of the festival (2018) called Becoming Sound, features sound artists Eliane Radigue, Rosanda Sajko Korun, Larisa Vrhunc, Irena Z. Tomažin, Kara Blake, Ivana Maričić, Robertina Šebjanič and Nina Dragičević.
Venues
The festival takes place in the early autumn every year at various locations in Ljubljana, for instance, at Škuc Gallery, Cankarjev dom, in 2018, also at Radio Slovenia Third Channel - ARS.
See also
External links
... more about "Topographies of Sound Festival"
2,017 +
30.9.2017 – 4.10.2017, 28.9.2018 – 4.10.2018, 16.9.2019 - 20.9.2019, 15.9.2020 - 19.9.2020, 4.8.2021 - 6.8.2021, 6.9.2022 - 8.9.2022 +
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20,220,906 +
The International Sound Arts Festival Topographies of Sound … The International Sound Arts Festival Topographies of Sound – a cycle of sound performances, concerts, listening-rooms, lectures and discussions – presents contemporary, so-called electro-acoustic forms of sound arts.lled electro-acoustic forms of sound arts. +
The International Sound Arts Festival Topographies of Sound – a cycle of sound performances, concerts, listening-rooms, lectures and discussions – presents contemporary, so-called electro-acoustic forms of sound arts. +
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