Difference between revisions of "Muzeum Institute"

Latest revision as of 15:33, 16 September 2021

Talking House - Theory Open I - The Shirt of Saint Francis installation by Barbara Novakovič Kolenc at Museum of Modern Art, 2003

Established in 1995, the Muzeum Institute is a non-for-profit institution for art production, mediation, and publishing. The organisation developed out of Muzeum Theatre (1993), a conceptual theatre company under the direction of Barbara Novakovič Kolenc; theatre production remains the core of the organisation's activities. Muzeum has produced a dozen performances conceived and directed by authors coming from non-theatre fields (architecture, dance, light design, art history, visual arts) investigating theatre language anew.

Muzeum has been also involved in different visual art and multidisciplinary European projects. Muzeum was also a partner in the 3-year project ECLAP (European Collected Library of Artistic Performance) which endeavours to create a digital library of performance-related material linked to Europeana, the European Digital Library.

Theatre production

Between 1993 and 2000 Barbara Novakovič Kolenc conceived and directed five stage performances: Cricket in the Fist [Čriček v pesti], Lo Scrittore, Emilia [Emilija], The Girl and the Double Bass [Deklica in kontrabas], and Paracelsus & Frankenstein, each of them exploring individual fields of art, namely fine art, architecture, dance, music, and movement. The subsequent synthesis performance All Together Now [Vse najboljše] was staged at the Slovene National Theatre Opera and Ballet Ljubljana, featuring a cast of actors from an old people's home, and was presented at the Manifesta 3 in Ljubljana (2000). Barbara Novakovič Kolenc directed Racine's Berenice in the framework of the Slovene National Theatre Drama Ljubljana repertory in 2000.

Cricket in the Fist by Muzeum Theatre, staged at the VIBA Studio, St. Joseph's Church, 1994. "The image simbolizes theatrical and art historical iconography as a time machine travelling back into middle age, to the gesture of the written word." Performing: Barbara Novakovič and Ivan Peternelj

In the period 2000–2004 Muzeum produced a series of performances under the title Project 1–5, which investigated theatre language through the input of architects, dancers, theatre theoreticians, light designers or art historians, who were involved in stage direction for the first time (Matej Filipčič, Rok Oman, Primož Jesenko, Majda Gregorič Trost, Lela B. Njatin, Rok Vevar).

Barabara Novakovič Kolenc's 2006 performances Molière and the Rodin II received excellent reviews; especially Rodin II installation with performance in collaboration with the Sonček - Cerebral Palsy Association of Slovenia was presented yearslong at several festivals and venues in Slovenia and abroad. In 2007–2009 the Winter's Uncle trilogy was conceived: A Winter's Tale [Zimska pravljica], based on the play by Shakespeare, which was staged at Križanke, while in 2008 Uncle Vanya and the 12 bouquets [Striček Vanja in 12 šopkov] based on Chekhov.

Lea Menard in Uncle Vanya and the 12 bouquets directed by Barbara Novakovič Kolenc. Produced by Muzeum Institute and staged at the Stara Elektrarna - Old Power Station and Casemate at Ljubljana Castle in 2008

The performance The Repository WUST (Winter's Uncle and Summer Tale) [FUNDUS ZS PP (Zimski striček in Poletna pravljica)], created by B. Novakovič Kolenc and Sanja Nešković Peršin (2009) featured artefacts from the City Museum of Ljubljana and selected contemporary visual art as a set (Zora Stančič, Polona Maher, Damijan Kracina, Katarina Toman Kracina, Nataša Skušek, Mladen Stropnik, Sašo Vrabič, Matic Sonnenwald and Živa Žitnik). In performance tourings, artefacts were site specific – in 2010 the performance was presented at KiBela Art Space in Maribor and the Museum of Contemporary Art of Vojvodina in Novi Sad.

The Repository WU ST produced by Muzeum Institute, Jakopič Gallery, 2009. A dance-theatre performance with the City Museum of Ljubljana artefacts and works by contemporary authors (e.g. Polona Maher in the centre of the picture)

In 2008 Barbara Novakovič Kolenc put on stage (for the first time in Slovenia) Daniil Harms's play Elisabeth Bam [Jelizaveta Bam]. The performance was staged at Stara Elektrarna - Old Power Station where in 2010 also a dance-theatre performance Julie (after A. Strindberg) was put on stage by Sanja Nešković Peršin (with a set design by Son:DA, hosted also by BITEF Theatre in Belgrade, Serbia. 33 Turns, the next performance conceived by Sanja Nešković Peršin, was staged in Španski borci Culture Centre in 2011. Milan Tomašik's performance Off-Beat, co-produced by Muzeum, Phileas Productions, Brussels, and Dance Theatre Ljubljana, toured internationally.

Daniil Harms' Jelizaveta Bam, directed and performed by Barbara Novakovič Kolenc. Produced by Muzeum Institute, Stara Elektrarna - Old Power Station, 2008

Since 2010 Muzeum has been developing the ŠIFT TEATER I and the ŠIFT TEATER II platforms.

The relation between the abstraction in theatre and visual arts has been exlored in the second part of the Source Image Trilogy, The Museum of Letters, 2013 Cankarjev dom, feature the selected letters written by painters of the 18th and 19th Century.

The third part of the trilogy ŠIFT TEATER II, The Theatre of Letters, was based on the text by Pablo Picasso Desire Caught by the Tail, and staged at the Jakopič Gallery in 2014.

Pablo Picasso's Desire Caught by the Tail directed by Barbara Novakovič Kolenc, as the last part of her Source Image trilogy produced by Muzeum Institute, staged at the Jakopič Gallery, 2014. From left to right: Ivan Peternelj, Mateja Rebolj, Sanja Nešković Peršin

The premiere of the ABC oder Krieg, quasi una fantasia, directed by Barbara Novakovič Kolenc, took place in 2015. It was co-produced by Prešeren Theatre Kranj, Cankarjev dom and Opera & Theatre Madlenianum, Belgrade, and it toured to Belgrade, Montenegro and Vršac. A new drama text which was written by Ivo Svetina is set in Vienna in the 1830s when Jernej Kopitar, France Prešeren and Matija Čop were involved in the battle known as the Alphabet War, in the presence of Vuk Karadžić and his daughter Mina.

Ivo Svetina's play ABC oder KRIEG, quasi una fantasia directed by Barbara Novakovič Kolenc, set in the 1830s in Vienna, a meeting place of literary personalities France Prešeren, Matija Čop, Jernej Kopitar, Vuk Karadžić. Production: Muzeum Institute, Prešeren Theatre Kranj, Cankarjev dom, and Opera & Theatre Madlenianum, Belgrade, 2015. From left to right: Vesna Pernarčič, Borut Veselko, Peter Musevski, Ivan Bakjarev, Jure Ivanušič, Aleksandra Balmazović

Ivo Svetina's The Birth of Venus premiered in November 2018 at the Kosovel Culture House Sežana, and in January 2019 at the Kino Šiška Centre for Urban Culture.

In the period 2016-2019 the Muzeum new dance and drama productions take place: the Spinoza Project and the Dynamics of Space Trilogy. The latest MUZEUM project is Venus I/II.

Goce Smilevski: SPINOZA by knapeci on YouTube

In the years 2019-2021 the Sleep project evolves, including the Forms, Landscapes, Creatures solo performance (2019) and The Slumberland (2020), a dance performance for children and adults inspired by cartoon Little Nemo in Slumberland by Winsor McCay.

Dezela sanj  / The Slumberland by Barbara Novakovič Kolenc on Vimeo

Visual arts projects

Some Muzeum performances have been staged in gallery spaces. For example, the 2004 production Rodin (directed by Boris Mihalj) at the Museum of Modern Art and the 2010 production The Repository WUST, and the 2014 Desire Caught by the Tail directed by Barbara Novakovič Kolenc at the Jakopič Gallery. The Source Image - The Library of Letters (Shift Theatre II) project was premiered in the warehouses at Vilharjeva Street, Ljubljana, in November 2012.

The Muzeum Institute also actively engages in visual arts projects. In 2002–2003 it presented the auteur fine art projects Talking House - Theory Open I, II, III: The Shirt of Saint Francis at the Museum of Modern Art, Saint Lazarus at the City Art Gallery Ljubljana and Saint Teresa at Kapelica Gallery, all conceived by Barabara Novakovič Kolenc.

In December 2014 a documentary exhibition Time Folding – Muzeum Theatre – 20 Years was set up at the Jakopič Gallery in Ljubljana.

Time Folding - Muzeum Theatre - 20 Years, an exhibition curated by Barbara Novakovič Kolenc, opened extensive document and source archives of the Muzeum Institute. Jakopič Gallery, 2015

The Architecture of Dreams installations (2020) and the dance performance "Time of Tenderness" (2021) marked the 25 years of Muzeum Theatre.

ArhitekturaSanj-Knjiga by Barbara Novakovič Kolenc on Vimeo

Čas nežnosti / Time of Tenderness by Barbara Novakovič Kolenc on Vimeo

International visual and performing arts projects

Muzeum Theatre productions have been presented in Austria, the United Kingdom, the Czech Republic, Slovakia, Hungary, Mongolia, Croatia, Albania, Armenia, Serbia, Italy, Macedonia, Israel and Montenegro. The Museum Institute is a member of the Informal European Theatre Meeting (IETM).

Muzeum has also produced various international visual arts projects, notably Map to Paradise from Ljubljana (2000), a site-specific installation at Ljubljana Castle by Peter Greenaway, and the accompanying Peter Greenaway film retrospective.

In June 2005 the Ljubljana events within the international project The Gesture in the Cultural Heritage of Europe took place, while in Autumn 2005 the Muzeum Institute participated in the international co-curatorial and multidisciplinary project Continental Breakfast [Kontinetalni zajtrk]. The Ljubljana component of the project was entitled Memory (W)hole and comprised an international symposium, a site-specific exhibition, and art performances at Ljubljana Castle. New variants of the Memory (W)hole exhibition were subsequently presented at the Skopje Museum of Modern Art in Macedonia and at the Museum of Contemporary Arts in Banja Luka (Bosnia and Herzegovina).

Come, my beloved and dine with me, installation by Alevtina Kakhidze at the Continental Breakfast in Ljubljana - Memory (W)hole exhibition, 2005

In 2007 an international exhibition entitled Paperwork was presented at the City Museum of Ljubljana.

In the period 2010–2011 the Muzeum Institute was one of co-organisers of the EU Culture supported project Focus on Art and Science in the Performing Arts: European contemporary production. In April and November 2010 the residencies and presentations of international authors were organised in Ljubljana, while Miha Erman, author of a selected Slovene production for the project Focus, participated in a residency in Italy and presented his work at Fabbrica Europa Festival in Florence, Italy. In May 2011 Muta Imago and Masque Teatro presented their recent production to Ljubljana audience within Muzeum's ŠIFT TEATER II platform.

Besides theatre and visual arts projects the Muzeum Institute has initiated and been involved in a number of international cultural policy projects (e.g. Mobile Theatre Network and MTN Loops, 1999–2001).

In 2015 and 2019 Barbara Novakovič Kolenc curated the Slovene section for the Prague Quadrennial of Performance Design and Space (PQ). More details see at Prague Quadrennial of Performance Design and Space chapter.

Slovene contribution at the the 13th Prague Quadrennial of Performance Design and Space (PQ curated by Barbara Novakovič Kolenc in June 2015. A flyer cover image.

A part of the Warped Space installation representing Slovenia at the Prague Quadrennial of Performance Design and Space 2019: a book triptych with projected images of selected set and costume designs by Angelina Atlagić, Uroš Belantič, Mateja Bučar & Vadim Fiškin, Leo Kulaš and NUMEN. Curated by Barbara Novakovič and produced by Muzeum Institute.

ECLAP

Together with 20 partners comprising leading national performing arts institutions, universities and research institutes from 13 European countries, Muzeum Institute is a member of the ECLAP consortium. ECLAP is co-funded by the European Union ICT Policy Support Programme as part of the Competitiveness and Innovation Framework Programme, Theme CIP-ICT-PSP.2009.2.2.

ECLAP aims to create a considerable, and hitherto missing, online archive for all the performing arts in Europe and to provide solutions and tools to help performing arts institutions to enter the digital Europe by building a network of important European performing arts institutions and archives and publishing content collections on Europeana. Through ECLAP portal users will not only be able to see the work of Dario Fo, Odin Teatr, and Jerzy Grotowski online, but be also able to enrich, contextualise, annotate and aggregate that content; and even distribute and access all content via different devices such as PCs, tablets and smartphones. ECLAP also intends to provide an important digital tool through the usage and exploitation of e-learning facilities.

ECLAP also organises workshops and conferences, to actively foster networking and strengthen links among the performing arts institutions throughout Europe and at an international level. ECLAP is also developing best practice guidelines which can be a model for future projects funded through the European Commission. All interested institutions and stakeholders are invited to register, to use and to be an active part of the ECLAP programme and collaboration framework.

Muzeum publishing

Since 2000 Muzeum has published the Muzeum Newsletter. Other publications have included Mobile Theatre Network Calendar 1999, Mobile Theatre Network – Strategies for Establishing Distribution Networks for Independent Performing Arts in Central and Eastern Europe (a symposium in 1999), Peter Greenaway's Book (a book of theoretical texts by Slovene authors on the work of Peter Greenaway), Peter Greenaway: Map to Paradise from Ljubljana (a book of the event documentation) and the Memory (W)hole - Continental Breakfast Ljubljana and Paperwork exhibition catalogues.

External links

Gallery

Talking House - Theory Open I - The Shirt of Saint Francis installation by Barbara Novakovič Kolenc at Museum of Modern Art, 2003

Cricket in the Fist by Muzeum Theatre, staged at the VIBA Studio, St. Joseph's Church, 1994. Barbara Novakovič and Ivan Peternelj as protagonists and founders of the Muzeum Theatre.

Cricket in the Fist by Muzeum Theatre, staged at the VIBA Studio, St. Joseph's Church, 1994. "The image simbolizes theatrical and art historical iconography as a time machine travelling back into middle age, to the gesture of the written word." Performing: Barbara Novakovič and Ivan Peternelj

Lo Scrittore directed by Barbara Novakovič Kolenc, produced by Muzeum Theatre. Slovene National Theatre Drama Ljubljana, 1995. (From left to right: Sanja Nešković Peršin, Janja Majzelj, Petra Govc, Mateja Rebolj)

Lo Scrittore directed by Barbara Novakovič Kolenc, produced by Muzeum Theatre. Slovene National Theatre Drama Ljubljana, 1995. (From left to right: Mateja Rebolj, Janja Majzelj, Sanja Nešković Peršin, Petra Govc)

Emilija theatre performance featuring the story of the legendary Emilija Kraus from Idrija and Napoleon I, conceived by Barbara Novakovič Kolenc, produced by Muzeum Institute at SNG Drama Ljubljana, 1996

Emilija was based on the biography of Emilija Kraus, born in Idrija in 1785, who according to legend should accompany Napoleon I. Produced by Muzeum Institute at SNG Drama Ljubljana, 1996

Emilija featured the legendary story of Emilija Kraus who should accompany Napoleon I. on his military campaign in Russia. The performance was produced by Muzeum Institute and staged at SNG Drama Ljubljana in 1996

The girl and a doublebass by Barbara Novakovič Kolenc, produced by Muzeum Institute, Mladinsko Theatre, 1998. "The girl and the mother travel together trough time."

Paracelsus and Frankenstein by Barbara Novakovič Kolenc, leaflet. Produced by Muzeum Institute, 1999

Paracelsus and Frankenstein performance by Barbara Novakovič Kolenc, Muzeum Institute at Cankarjev dom 1999 (From left: Barbara Novakovič Kolenc, Mateja Rebolj, Sanja Nešković Peršin, Petra Govc)

Paracelsus and Frankenstein performance by Barbara Novakovič Kolenc, Muzeum Institute at Cankarjev dom 1999. Sanja Neškovič Peršin in the role of Peter Schlemichl.

All Together Now, performers' group portrait. A synthetic performance produced by Muzeum Institute in co-operation with Old People's Home Center – Tabor. Slovene National Theatre Opera and Ballet Ljubljana, 2000.

Talking House - Theory Open II, St. Lazarus installation conceived by Barabara Novakovič, City Art Gallery Ljubljana, produced by Muzeum Institute and Racing Pigeons Breeders Association, 2002

Mindful of solitude, an installation with a performance conceived by Majda Gregorič Trost. Produced by Muzeum Institute at Muzeum of Modern Art, 2003

Come, my beloved and dine with me, installation by Alevtina Kakhidze at the Continental Breakfast in Ljubljana - Memory (W)hole exhibition, 2005

Come, my beloved and dine with me, installation drawing by Alevtina Kakhidze, Continental Breakfast in Ljubljana - Memory (W)hole exhibition, 2005

Words of wisdom, installation by Kiril Prashkov at the Continental Breakfast in Ljubljana - Memory (W)hole exhibition, 2005

Rodin II directed by Barbara Novakovič Kolenc, Muzeum Institute in cooperation with Center Sonček - Cerebral Palsy Association of Slovenia. Stara Elektrarna - Old Power Station, Ljubljana, 2006

Daniil Harms' Jelizaveta Bam, directed and performed by Barbara Novakovič Kolenc. Produced by Muzeum Institute, Stara Elektrarna - Old Power Station, 2008

Daniil Harms' Jelizaveta Bam, a poster for the performance. Daniil Harms' text was staged in Slovenia for the first time. Produced by Muzeum Institute, 2008

Lea Menard in Uncle Vanya and the 12 bouquets directed by Barbara Novakovič Kolenc. Produced by Muzeum Institute and staged at the Stara Elektrarna - Old Power Station and Casemate at Ljubljana Castle in 2008

The Repository WU ST produced by Muzeum Institute, Jakopič Gallery, 2009. A dance-theatre performance with the City Museum of Ljubljana artefacts and works by contemporary authors (e.g. Polona Maher in the centre of the picture)

33 Turns performance by Sanja Nešković Peršin, produced by Muzeum Institute, Španski borci Culture Centre, 2011

Off-beat performance by Milan Tomášik dealing with the origin of dance, with baroque music by Janez Krstnik Dolar(1620n&dash;1673). Co-produced by Muzeum Institute, Dance Theatre Ljubljana and Phileas Production (Belgium), 2011

Petra Govc and Ivan Peternelj in Desire Caught by the Tail, directed by Barbara Novakovič Kolenc and staged at the Jakopič Gallery, 2014. A play written by Pablo Picasso in 1941 in Paris, was tranlated into Slovene by Jana Pavlič.

Pablo Picasso's Desire Caught by the Tail directed by Barbara Novakovič Kolenc, as the last part of her Source Image trilogy produced by Muzeum Institute, staged at the Jakopič Gallery, 2014. From left to right: Ivan Peternelj, Mateja Rebolj, Sanja Nešković Peršin

Pablo Picasso's Desire Caught by the Tail directed by Barbara Novakovič Kolenc at the Jakopič Gallery, 2014. From left to right: Petra Govc, Ivan Peternelj, Sanja Nešković Peršin and Mateja Rebolj.

Ivo Svetina's play ABC oder KRIEG, quasi una fantasia directed by Barbara Novakovič Kolenc, set in the 1830s in Vienna, a meeting place of literary personalities France Prešeren, Matija Čop, Jernej Kopitar, Vuk Karadžić. Production: Muzeum Institute, Prešeren Theatre Kranj, Cankarjev dom, and Opera & Theatre Madlenianum, Belgrade, 2015. From left to right: Vesna Pernarčič, Borut Veselko, Peter Musevski, Ivan Bakjarev, Jure Ivanušič, Aleksandra Balmazović

Time Folding - Muzeum Theatre - 20 Years, an exhibition curated by Barbara Novakovič Kolenc, opened extensive document and source archives of the Muzeum Institute. Jakopič Gallery, 2015

Time Folding - Muzeum Theatre - 20 Years, an overview of the 44 events produced by Muzeum Institute in the period 1994–2014, exploring the relations and borders between individual spheres of arts and humanities. Jakopič Gallery, 2015

Time Folding - MUZEUM Theatre - 20 Years curated by Barbara Novakovič Kolenc, Jakopič Gallery, 2015

Time Folding - Muzeum Theatre - 20 Years, an opening of an exhibition dedicated to Muzeum Institute creative contribution 1994-2014. Jakopič Gallery, 2015

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 The relation between the abstraction in theatre and visual arts has been exlored in the second part of the Source Image Trilogy, ''The Museum of Letters'', 2013 [[Cankarjev dom]], feature the selected letters written by painters of the 18th and 19th Century.
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 The third part of the trilogy ŠIFT TEATER II, ''The Theatre of Letters'', was based on the text by Pablo Picasso ''Desire Caught by the Tail'', and staged at the [[Jakopič Gallery]] in 2014.