Difference between revisions of "PIFcamp"

Revision as of 18:07, 25 July 2016

PIFcamp is a week-long international gathering (or hack-camp) that facilitates explorations into the various intersections of art and technology. Held in the stunning Alpine valley of the Soča river, in the Triglav National Park, the core of this fundamentally open-ended project consists of hands-on workshops, presentations, field trips and – most importantly – spontaneous collaborations and skills exchanges

Of key importance is active involvement of the participants, who are invited to contribute their ideas, skills and ambitions into the collective creative endeavour. The camp is organised by the Ljudmila Art and Science Laboratory and the Projekt Atol Institute.

PIFcamp 2015 by Ljudmila on Vimeo

Context and background

First held in 2015, PIFcamp is an extension of the artistic, educational and awareness raising endeavours conducted by the Ljudmila lab and the Projekt Atol Institute. Both are involved in new media art and technology related activities and have been running a joint programme of workshops, artist residencies and art projects since 2012.

Initially, the gathering was established as a part of the Changing Weathers project. Co-funded by the Creative Europe programme, this project is coordinated by Projekt Atol and features partners from Norway (Hilde Methi), Finland (the Finnish Bioart Society), Latvia (RIX-C), the Netherlands (Sonic Acts), Austria (Time’s Up) and Slovenia (Ljudmila). Its basic aim is to facilitate responses towards the precarious geophysical, geopolitical and technological predicaments of our time.

Concept

With PIFcamp's fundamental principles being DIY (do-it-yourself), DIWO (do-it-with-others) and DITO (do-it-together), the meeting is foremost a platform for distributing knowledge, ideas and experiences. Styling itself as a hack camp, PIFcamp sees hacking as a broad set activities that disrupt the regular patterns of uses and treatments of technology.

Programme

Each year, a select number of artists and researchers is invited to hold workshops, theoretical lectures and on-sight briefings. Other participants are equally invited to share their knowledge, and the roles of mentors and apprentices frequently change and overlap. Consequently, the outcomes and topics of the camp are only partially predefined.

Some of the creative fields tackled at PIFcamp have been DIY synthesizer-making, e-textiles and wearable electronics, artefacts and systems that interact with nature, light installations, bio-hacking, and music.

The participants

The meeting is open to anyone yet limited to about 50 people. The organisers are looking for hackers, makers, DIY enthusiasts, scientists, programmers, noise freaks, new media artists, obsolete and new technology geeks, bio-artists, and so on. A short proposal on what one wants to develop or learn during PIFcamp is needed from those applying to attend.

Some of the hosted artists and researchers have been the Swiss bio-hacker Marc Dusseiller (also of BioTehna), who conducted different experiments on local plants, from sound analysis to chlorophyll extraction; Lynne Bruning (US), who utilised embroidery, lace making, and sewing to make wearable electronics and eTextiles; Peter Edwards aka Casper Electronics (US), who dealt with DIY electronics for music making; Václav Peloušek (Bastl Instruments, CZ), who worked on modular synthesizers; and Leslie Garcia and Paloma Lopez (MX), who explored the relationships between waveforms, living matter and the way in which sound frequencies affect and create physical forms. The local Dario Cortese led a field workshop on collecting edible wild plants.

Numerous other artists applied by themselves, among them Tom O'Dea (IR), Sebastian Frisch (DE), Robertina Šebjanič, Marko Peljhan, Tilen Sepič and many others.

External links

@@ Line 1: / Line 1: @@
 {{Article
-| status       = WRITING
+| status       = TOPROOFREAD NIFERTIK!
 | maintainer   = Anže Zorman
 }}
@@ Line 29: / Line 29: @@
 {{Teaser|
-[[PIFcamp]] is a week-long international creative meeting where various intersections of art and technology are explored via hands-on workshops, presentations, field trips and &ndash; most importantly &ndash; spontaneous collaborations and skills exchanges. Held in the stunning Alpine valley of the Soča river, in the [[Triglav National Park]], the camp is organised by the [[Ljudmila Art and Science Laboratory]] and the [[Projekt Atol Institute]].
+[[PIFcamp]] is a week-long international gathering (or hack-camp) that facilitates explorations into the various intersections of art and technology. Held in the stunning Alpine valley of the Soča river, in the [[Triglav National Park]], the core of this fundamentally open-ended project consists of hands-on workshops, presentations, field trips and &ndash; most importantly &ndash; spontaneous collaborations and skills exchanges
-Of key importance is active involvement of the participants, who are invited to contribute their ideas, skills and ambitions into the collective creative endeavour. This involves bio-hacking, open source hardware and software, music and new media art.
+Of key importance is active involvement of the participants, who are invited to contribute their ideas, skills and ambitions into the collective creative endeavour. The camp is organised by the [[Ljudmila Art and Science Laboratory]] and the [[Projekt Atol Institute]].
 }}
@@ Line 38: / Line 38: @@
 ==Context and background==
-First held in [[established::2015]], PIFcamp is an extension of the artistic and other endeavours of the Ljudmila lab ant the Projekt Atol Institute. Both of them active in new media art and/or open source related activities, they have since 2012 been running a joint programme of workshops, artist residencies, new media art projects and such.
+First held in [[established::2015]], PIFcamp is an extension of the artistic, educational and awareness raising endeavours conducted by the Ljudmila lab and the Projekt Atol Institute. Both are involved in new media art and technology related activities and have been running a joint programme of workshops, artist residencies and art projects since 2012.
-Conceptualised as an open platform for the distribution of knowledge, ideas and experiences, the camp's fundamental principles are DIY (do-it-yourself), DIWO (do-it-with-others) and DITO (do-it-together).
+Initially, the gathering was established as a part of the Changing Weathers project. Co-funded by the Creative Europe programme, this project is coordinated by Projekt Atol and features partners from Norway (Hilde Methi), Finland (the Finnish Bioart Society), Latvia (RIX-C), the Netherlands (Sonic Acts), Austria (Time’s Up) and Slovenia (Ljudmila). Its basic aim is to facilitate responses towards the precarious geophysical, geopolitical and technological predicaments of our time.
-PIFcamp came to be under the auspices of the Changing Weathers project. Co-funded by the Creative Europe programme of the European Union, the project is coordinated by Projekt Atol and features partners from Norway (Hilde Methi), Finland (the Finnish Bioart Society), Latvia (RIX-C), the Netherlands (Sonic Acts), and Austria (Time’s Up). The basic aim of the project is to facilitate responses towards the geophysical, geopolitical and technological predicaments of our time.
+===Concept===
+With PIFcamp's fundamental principles being DIY (do-it-yourself), DIWO (do-it-with-others) and DITO (do-it-together), the meeting is foremost a platform for distributing knowledge, ideas and experiences. Styling itself as a hack camp, PIFcamp sees hacking as a broad set activities that disrupt the regular patterns of uses and treatments of technology.
 ==Programme==
-Styling itself as a hack camp, PIFcamp sees hacking as an activity that disrupts the regular patterns of different uses and treatments of technology. Consequently, the specific focuses of the camp are not pre-defined and depend on interests of the participants. Some of the fields tackled at PIFcamp have been DIY synthesizer-making, e-textiles and wearable electronics, site-specific lighting, kinetic sculptures, and various artefacts and systems that interact with nature.
+Each year, a select number of artists and researchers is invited to hold workshops, theoretical lectures and on-sight briefings. Other participants are equally invited to share their knowledge, and the roles of mentors and apprentices frequently change and overlap. Consequently, the outcomes and topics of the camp are only partially predefined.
-Each year, a select number of artists and researchers is invited to hold workshops, theoretical lectures and on-sight briefings. Yet, others are equally invited to share their knowledge, and and the roles of the mentors and apprentices frequently change and overlap.
+Some of the creative fields tackled at PIFcamp have been DIY synthesizer-making, e-textiles and wearable electronics, artefacts and systems that interact with nature, light installations, bio-hacking, and music.
 ===The participants===
-With the meeting open to anyone (yet limited to about 50 people), the organisers "are looking for hackers, makers, DIY enthusiasts, scientists, thinkers, programmers, noise freaks, new media artists, researchers, obsolete and new technology geeks, bio-artists, engineers, circuit benders, nature lovers and down-to-earth space explorers eager to work with each other for a better tomorrow". A short proposal on what one wants to develop or learn during PIFcamp is needed for those applying to attend.
+The meeting is open to anyone yet limited to about 50 people. The organisers are looking for hackers, makers, DIY enthusiasts, scientists, programmers, noise freaks, new media artists, obsolete and new technology geeks, bio-artists, and so on. A short proposal on what one wants to develop or learn during PIFcamp is needed from those applying to attend.
-PIFcamp is a profoundly international event. Some of the hosted artists and researchers up until now have been the Swiss bio-hacker Marc Dusseiller (also of BioTehna), who offered different experiments on local plants, such as sound analysis and chlorophyll extraction; Lynne Bruning, who via embroidery, lace making, and sewing adapted conductive fabrics, threads, and paints into wearable electronics and eTextiles; Petra Edwards aka Casper Electronics (US), who &ndash; also in collaboration with Václav Peloušek (Bastl Instruments, CZ) &ndash; presented DIY manufacturing of sound and light tools; Hannah Perner-Wilson (AT); and and Leslie Garcia and Paloma Lopez (MX).
-Of the local protagonists, one can mention [[Luka Frelih]] (of Ljudmila), who created an interactive network that responded to the environment and the people, and Dario Cortese, who led a field workshop on collecting edible wild plants.
+Some of the hosted artists and researchers have been the Swiss bio-hacker Marc Dusseiller (also of [[BioTehna]]), who conducted different experiments on local plants, from sound analysis to chlorophyll extraction; Lynne Bruning (US), who utilised embroidery, lace making, and sewing to make wearable electronics and eTextiles; Peter Edwards aka Casper Electronics (US), who dealt with DIY electronics for music making; Václav Peloušek (Bastl Instruments, CZ), who worked on modular synthesizers; and Leslie Garcia and Paloma Lopez (MX), who explored the relationships between waveforms, living matter and the way in which sound frequencies affect and create physical forms. The local [[Dario Cortese]] led a field workshop on collecting edible wild plants.
-Numerous other artists applied by themselves, among them Tom O'Dea (IR), Sebastian Frisch (DE), [[Robertina Šebjanič]], [[Marko Peljhan]] and many others.
+Numerous other artists applied by themselves, among them Tom O'Dea (IR), Sebastian Frisch (DE), [[Robertina Šebjanič]], [[Marko Peljhan]], [[Tilen Sepič]] and many others.
 ==See also==
@@ Line 69: / Line 69: @@
 == External links ==
 *[http://pifcamp.ljudmila.org/ PIFcamp website]
-*[http://www.makery.info/en/2015/08/10/slovenie-les-hackers-sen-vont-dans-la-nature/ A review of the event at Makery.info]
+*[http://www.makery.info/en/2015/08/10/slovenie-les-hackers-sen-vont-dans-la-nature/ A review of PIFcamp 2015 at Makery.info]
-*[http://sepic.cc/filter/installation/Light-Oscillator-prototype A web page about one of the projects developed at PIFcamp] by the artist [[Tilen Sepič]]
+*[http://sepic.cc/filter/installation/Light-Oscillator-prototype A web page about one of the projects developed at PIFcamp] by [[Tilen Sepič]]
 [[Category:Festivals]]
 [[Category:Festivals in July]]
 [[Category:Festivals in August]]

Difference between revisions of "PIFcamp"

Revision as of 18:07, 25 July 2016

Contents

Context and background

Concept

Programme

The participants

See also

External links

Operated by

Financed by