Center za raziskave scenskih umetnosti DELAK
Župančičeva 10, SI-1000 Ljubljana
Phone386 (0) 1 241 5812
Difference between revisions of "Delak Institute"
From Culture.si
Katja Kosi (talk | contribs) |
Katja Kosi (talk | contribs) |
||
| Line 5: | Line 5: | ||
{{Infobox | {{Infobox | ||
| name = Delak Institute | | name = Delak Institute | ||
| − | | localname = Center za raziskave scenskih umetnosti DELAK | + | | localname = Center za raziskave scenskih umetnosti DELAK |
| street = Župančičeva 10 | | street = Župančičeva 10 | ||
| town = SI-1000 Ljubljana | | town = SI-1000 Ljubljana | ||
| Line 19: | Line 19: | ||
}} | }} | ||
==Background== | ==Background== | ||
| − | + | Delak Performing Arts Research Centre was founded in 1995 in Ljubljana by Jana Pavlič, Dragan Živadinov (web projects) and Emil Hrvatin (research). Delak aimed for an open field of research and exchange of diverse contemporary artistic ideas, focusing on contemporary theatre and new technologies. Its information and documentation projects were mainly complex new media projects. Primarily intended to the theory of contemporary theatre practices and their historisation in the Slovene space, Delak published a bilingual CD-ROM, titled ''Fredo Delak - the Avantgardist'', featuring a multimedia presentation of the conceptual sources and perspectives of the work of the Slovene avant-garde author Fredo Delak, after whom the institute is named. The publication also presented the most important actors of the then Slovene and European avant-gardes and their poetics. In 2001, Delak published, together with [[Maska Institute]] ''Castration Machines: Theatre and Art in the Nineties'' [Kastracijski stroji: gledališče in umetnost devetdestih] by Boris Pintar and Jana Pavlič, featuring 22 Slovene authors (also with video clips in the accompanying CD-ROM). Occasionally Delak organised meetings and theatre workshops intended for the professional and a wider audience. | |
==Projects and programme== | ==Projects and programme== | ||
| + | Since 2002, Delak Institute evolved into a centre of contemporary art practices. | ||
Delak has recently produced the first part of the trilogy Three Elizabethan Tragedies [Tri elizabetinske tragedije] by the Croatian playwright Vladimir Stojsavljević, which discusses the relation between theatre and the state in the period of Renaissance through its main protagonists, namely Christopher Marlowe, William Shakespeare and Ben Jonson. The performance Marlowe (2009), directed by Dragan Živadinov, deals with the emergence of Renaissance theatre after a millennium long tradition of passion plays, while Marlowe himself is presented as a founder of a modern artistic paradigm, which is linked to the strengthening of humanistic values and man's emancipation. The last part of the trilogy The Forbidden Theatre [Prepovedano gledališče], also directed by Živadinov, premièred in 2008. | Delak has recently produced the first part of the trilogy Three Elizabethan Tragedies [Tri elizabetinske tragedije] by the Croatian playwright Vladimir Stojsavljević, which discusses the relation between theatre and the state in the period of Renaissance through its main protagonists, namely Christopher Marlowe, William Shakespeare and Ben Jonson. The performance Marlowe (2009), directed by Dragan Živadinov, deals with the emergence of Renaissance theatre after a millennium long tradition of passion plays, while Marlowe himself is presented as a founder of a modern artistic paradigm, which is linked to the strengthening of humanistic values and man's emancipation. The last part of the trilogy The Forbidden Theatre [Prepovedano gledališče], also directed by Živadinov, premièred in 2008. | ||
| Line 32: | Line 33: | ||
==External links== | ==External links== | ||
| + | * | ||
| + | * [http://sl.wikisource.org/wiki/Kastracijski_stroji/English ''Castration Machines'' in English at the ''Wikisource''] | ||
[[Category:Theatre]] | [[Category:Theatre]] | ||
Revision as of 13:12, 12 March 2010
Contact
Past Events
-
3 Jul 2023
A puppetry performance Aloneness directed by Marko Čeh presenting poetry of Marko Brecelj, produced by Delak Institute and co-produced by Maribor Puppet Theatre
at the Mediteraneo, Mediteranski lutkarski festival
-
to
6 Sep 2018
10 Sep 2018
The participatory intermedia installation KOSMICA Parliament by Miha Turšič, co-produced by Cultural Centre of European Space Technologies (KSEVT), Kapelica Gallery, and Delak Institute; Infinite In-Between by Mojca Založnik, produced by Kapelica Gallery; Singing Sand by Tadej Droljc; Maja Smrekar contributing to the Bog Concert Night; and aqua_forensic by Robertina Šebjanič and Gjino Šutić, featuring Aquatocene / The Subaquatic Quest for Serenity by Robertina Šebjanič, also a speaker at a panel and artist talk,
at the Ars Electronica Festival Linz
-
to
1 Apr 2017
30 Jul 2017
Dragan Živadinov (Delak Institute) participates in the section Space Art of the exhibition The Universe and Arts, An Artistic Voyage through Space
-
20 Mar 2017
Dunja Zupančič/Miha Turšič/Dragan Živadinov (Delak Institute, members of the Committee for the Cultural Utilisations of Space ITACCUS) participate with the space-class act
at the Kosmica Festival at the Spring Meetings of the International Astronautical Federation
-
to
4 Mar 2017
20 Mar 2017
An exhibition on the occasion of the 50-year myth of the culturalisation of outer space, and Informance by Dunja Zupančič, Miha Turšič and Dragan Živadinov, produced by Delak Institute,
-
to
9 Jan 2014
8 May 2014
The joint exhibition Contemporary Narratives from Turkey and Beyond also featuring Slovene artists Vesna Bukovec, Ana Čigon and the trio Dunja Zupančič/Miha Turšič/Dragan Živadinov (Delak Institute), and Zdenka Badovinac, the director of the Moderna galerija / Museum of Modern Art, Ljubljana plus Museum of Contemporary Art Metelkova, as advisor to curators,
Background
Delak Performing Arts Research Centre was founded in 1995 in Ljubljana by Jana Pavlič, Dragan Živadinov (web projects) and Emil Hrvatin (research). Delak aimed for an open field of research and exchange of diverse contemporary artistic ideas, focusing on contemporary theatre and new technologies. Its information and documentation projects were mainly complex new media projects. Primarily intended to the theory of contemporary theatre practices and their historisation in the Slovene space, Delak published a bilingual CD-ROM, titled Fredo Delak - the Avantgardist, featuring a multimedia presentation of the conceptual sources and perspectives of the work of the Slovene avant-garde author Fredo Delak, after whom the institute is named. The publication also presented the most important actors of the then Slovene and European avant-gardes and their poetics. In 2001, Delak published, together with Maska Institute Castration Machines: Theatre and Art in the Nineties [Kastracijski stroji: gledališče in umetnost devetdestih] by Boris Pintar and Jana Pavlič, featuring 22 Slovene authors (also with video clips in the accompanying CD-ROM). Occasionally Delak organised meetings and theatre workshops intended for the professional and a wider audience.
Projects and programme
Since 2002, Delak Institute evolved into a centre of contemporary art practices. Delak has recently produced the first part of the trilogy Three Elizabethan Tragedies [Tri elizabetinske tragedije] by the Croatian playwright Vladimir Stojsavljević, which discusses the relation between theatre and the state in the period of Renaissance through its main protagonists, namely Christopher Marlowe, William Shakespeare and Ben Jonson. The performance Marlowe (2009), directed by Dragan Živadinov, deals with the emergence of Renaissance theatre after a millennium long tradition of passion plays, while Marlowe himself is presented as a founder of a modern artistic paradigm, which is linked to the strengthening of humanistic values and man's emancipation. The last part of the trilogy The Forbidden Theatre [Prepovedano gledališče], also directed by Živadinov, premièred in 2008.
In January, March, and May 2009 Delak organised three lectures by Dragan Živadinov: Five Inventions of the Modernistic Biography (the case of Mile Korun), Trieste Constructivist Ambient (1927), and The 21st Century Postgravity Art.
International cooperation
Delak is a member of the European Network of Information Centres for the Performing Arts (ENICPA).
See also
External links
... more about "Delak Institute"
EmailThis property is a special property in this wiki.
.svg){kind=link}
.svg){kind=link}