Difference between revisions of "Random Logic"
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Known for performing their live act with the use of a surround sound system, worth mentioning is their ''Zvočni krog'' (''Sound Circle'') project, performed at the [[U3 Triennial of Contemporary Slovene Arts]]. Favouring a multidisciplinary approach that de-constructs musical boundaries by their interaction with space, sensation and technology, they have written a lot of music for major and alternative theatre, ballet and experimental art performances. Among others, they collaborated with [[Marko Peljhan]], [[Fičo Ballet]], [[EnKnapGroup (EKG)]], Wax Factory New York, [[Matjaž Farič]], [[Mateja Bučar]], [[Maja Delak]] ([[Emanat Institute]]) and [[Goran Bogdanovski]]. They also did music for films and were part of the group that launched the label [[rx-tx]]. | Known for performing their live act with the use of a surround sound system, worth mentioning is their ''Zvočni krog'' (''Sound Circle'') project, performed at the [[U3 Triennial of Contemporary Slovene Arts]]. Favouring a multidisciplinary approach that de-constructs musical boundaries by their interaction with space, sensation and technology, they have written a lot of music for major and alternative theatre, ballet and experimental art performances. Among others, they collaborated with [[Marko Peljhan]], [[Fičo Ballet]], [[EnKnapGroup (EKG)]], Wax Factory New York, [[Matjaž Farič]], [[Mateja Bučar]], [[Maja Delak]] ([[Emanat Institute]]) and [[Goran Bogdanovski]]. They also did music for films and were part of the group that launched the label [[rx-tx]]. | ||
− | They both engaged in a number of projects separately. Among other things, Gregor Zemljič was a lecturer at the SAE Institute Ljubljana, | + | {{YouTube|UzmkVIHBeWc}} |
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+ | They both engaged in a number of projects separately. Among other things, Gregor Zemljič was a lecturer at the SAE Institute in Zagreb and at the [[Faculty for Social Sciences]] in Ljubljana. He founded the ''Earresistible Studio'' in the year 1999 with [[Valentino Kanzyani]] and for the next decade (besides doing mastering for countless foreign top notch dance music producers) a big part of Slovenian electronic & alternative music history was produced, mixed & mastered in it by the two of them. His work ranges from complete productions for commercial dance projects and mainstream pop acts to original music and sound effects design for high profile theatre and dance performances, TV commercials, films, web sites and social events. | ||
+ | |||
== See also == | == See also == | ||
*[[rx-tx]] | *[[rx-tx]] | ||
+ | *[[Zavod Projekt Atol]] | ||
*[[Puna Syndicate]] | *[[Puna Syndicate]] | ||
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== External links == | == External links == | ||
*[http://www.rx-tx.org/?n=4&id=4 about Random Logic] | *[http://www.rx-tx.org/?n=4&id=4 about Random Logic] | ||
+ | *[[http://www.discogs.com/artist/Random+Logic Discography at Discogs]] | ||
+ | *[http://www.earresistible-mastering.com/ Gregor Zemljič's mastering studio] | ||
+ | *[http://www.musiq.si/intervju-gregor-zemljic/ Interview with Gregor Zemljič (in Slovene)] | ||
Revision as of 16:43, 29 October 2011
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16 Dec 2016
Sonica International Festival of Transitory Art presented its program, including also the NEUNUNDNEUNZIG installation by Martin Bricelj Baraga and Olaf Bender, produced by MoTA Museum of Transitory Art, and Random Logic
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2 May 2015
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30 Apr 2015
2 May 2015
NEUNUNDNEUNZIG (99), an installation also by Martin Bricelj Baraga, and an audio-visual preformance by Random Logic and Oknai (MoTA Museum of Transitory Art, Sonica International Festival of Transitory Art) at the ICAS Festival
Projects
Known for performing their live act with the use of a surround sound system, worth mentioning is their Zvočni krog (Sound Circle) project, performed at the U3 Triennial of Contemporary Slovene Arts. Favouring a multidisciplinary approach that de-constructs musical boundaries by their interaction with space, sensation and technology, they have written a lot of music for major and alternative theatre, ballet and experimental art performances. Among others, they collaborated with Marko Peljhan, Fičo Ballet, EnKnapGroup (EKG), Wax Factory New York, Matjaž Farič, Mateja Bučar, Maja Delak (Emanat Institute) and Goran Bogdanovski. They also did music for films and were part of the group that launched the label Rx-tx.
They both engaged in a number of projects separately. Among other things, Gregor Zemljič was a lecturer at the SAE Institute in Zagreb and at the Faculty for Social Sciences in Ljubljana. He founded the Earresistible Studio in the year 1999 with Valentino Kanzyani and for the next decade (besides doing mastering for countless foreign top notch dance music producers) a big part of Slovenian electronic & alternative music history was produced, mixed & mastered in it by the two of them. His work ranges from complete productions for commercial dance projects and mainstream pop acts to original music and sound effects design for high profile theatre and dance performances, TV commercials, films, web sites and social events.
See also