Akord Festival Maribor
Ljubljanska 4, SI-2000 Maribor
Organised byMKC Maribor Youth Culture Centre
Frequencyannual
Difference between revisions of "Depot:Akord Festival Maribor"
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== Programme == | == Programme == | ||
| − | The first edition of the festival hosted modern and hybrid sounding musicians like the jazz oriented band [[Bratko Bibič & The Madleys]] and the innovative accordion players [[Jure Tori]] (he is also playing in the rock band [[Orlek]]) and Lothar Lässer (an Austrian musician of wide ranging musical interests). The course of the programme later changed and placed on its programme more opposing musical visions (like the rock inclined [[Kvinton] and the more traditional accordion virtuoso [[Klemen Rošer]]), thus accentuating both sides of the accordion's cultural positioning. | + | The first edition of the festival hosted modern and hybrid sounding musicians like the jazz oriented band [[Bratko Bibič & The Madleys]] and the innovative accordion players [[Jure Tori]] (he is also playing in the rock band [[Orlek]]) and Lothar Lässer (an Austrian musician of wide ranging musical interests). The course of the programme later changed and placed on its programme more opposing musical visions (like the rock inclined [[Kvinton]] and the more traditional accordion virtuoso [[Klemen Rošer]]), thus accentuating both sides of the accordion's cultural positioning. |
| − | In terms of timing, the festival curiously chose the morning hours for the concerts and as such also figures as a way of urban revitalisation. Besides the concerts, there are also screenings of films, that one way or another deal with accordion, like the documentaries ''Harmonikarji'' [The Accordion players], which presents various Slovene accordion players of different musical credos, and ''V ritmu volovske vprjege'' [In the | + | In terms of timing, the festival curiously chose the morning hours for the concerts and as such also figures as a way of urban revitalisation. Besides the concerts, there are also screenings of films, that one way or another deal with accordion, like the documentaries ''Harmonikarji'' [The Accordion players], which presents various Slovene accordion players of different musical credos, and ''V ritmu volovske vprjege'' [In the rhythm of ox harness], that deals with the artistic path of the musicians [[Uršula Ramoveš in fantje iz jazbecove grape|Uršula Ramoveš]] and her husband Janez. |
Also, in the course of the festival in 2010, the Slovene and European hymns were for the first time adapted for accordion and a year later, when the festival again took place, the notations were freely distributed to the interested public. | Also, in the course of the festival in 2010, the Slovene and European hymns were for the first time adapted for accordion and a year later, when the festival again took place, the notations were freely distributed to the interested public. | ||
Revision as of 00:10, 8 January 2012
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Programme
The first edition of the festival hosted modern and hybrid sounding musicians like the jazz oriented band Bratko Bibič & The Madleys and the innovative accordion players Jure Tori (he is also playing in the rock band Orlek) and Lothar Lässer (an Austrian musician of wide ranging musical interests). The course of the programme later changed and placed on its programme more opposing musical visions (like the rock inclined Kvinton and the more traditional accordion virtuoso Klemen Rošer), thus accentuating both sides of the accordion's cultural positioning.
In terms of timing, the festival curiously chose the morning hours for the concerts and as such also figures as a way of urban revitalisation. Besides the concerts, there are also screenings of films, that one way or another deal with accordion, like the documentaries Harmonikarji [The Accordion players], which presents various Slovene accordion players of different musical credos, and V ritmu volovske vprjege [In the rhythm of ox harness], that deals with the artistic path of the musicians Uršula Ramoveš and her husband Janez.
Also, in the course of the festival in 2010, the Slovene and European hymns were for the first time adapted for accordion and a year later, when the festival again took place, the notations were freely distributed to the interested public.
See also
