HISTeRIA Festival

Contact

Festival HISTeRIA

http://www.festivalhisteria.com/

etno.histeria@gmail.com

Organised byTŠKD Sv. Miklavž, Elementary School and Gračišče Community

 Teatro matita

 Lutkarnica - Koper Puppetry Studio

Frequencyannual

Though formally established and first held in 2011, HISTeRIA Festival actually dates back to 2003, when the musician, puppeteer, activist, actor and director Matija Solce started organizing the Etno Histria workshops. They were set up as international meetings of musicians and were held on the outskirts of an Istrian (hence Histria, an old name for Istria) village Gračišče. With time, the concept has grown, the workshop was also held in other countries and involved more and more people.

Thus was born HISTeRIA Festival, which ambitiously incorporated other art forms under its wing and became a "folk-puppet-music-theatre site-specific event" that retains its character of an artists meeting but which is now open to other people, both the visitors and locals.

Concept & principles

The one central idea behind the festival is of incorporating. It tries to involve people from the local village by setting up performances and workshops in the village itself; it tries to be friendly to the elderly, to children and to the disabled; it is international and multilingual; it encourages visitors to be involved in the realisation of the festival; and it hosts numerous types of artists and other creative spirits, who bring a variety of art forms, art methods and throughout the whole day and night allow for both mindless as well as thoughtful and reflective entertainment.

An important part of the festival is the make and the design of the ambient. It takes place before the official festival starts and is at the same time a part of it, as the artists and volunteers gather for a conceptually minded setting up of the site. Land-art, the usage of the in situ materials and also the already existing 'spots', environment friendly practices and a general feel-good aesthetics are the principles, by which the location is manipulated and adjusted into the festival grounds.

An underlying mode of production, which allows for all of this to happen, is voluntarism. Not only do the organisers and their helping team work for free, so do the artists and others involved in the festival, and only some of the mentors for specific projects get paid for their travel expanses. This not only enables the festival to happen but also brings only the people that really want to be there for the social and cultural experience, alongside with the possibility to invest the profits into expanding and enriching the next years edition.

(PRSOTVLJSTVO NAGRAD prostovljec leta)

Last but not least is the principle of sustainability. All the waste produced is recycled, the festival goes for minimal energy consumption and the participants are encouraged not to litter the floor with neither cigarette stubs nor, of course, anything bigger.

Programme

Nasedmnik je orkester etno hsiteriA

pa se v okviru dogaja še kaj - aktivizem za zaprte

forest funfair, labyrinth

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