Difference between revisions of "Golden Drum Award"
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{{Article | {{Article | ||
− | | status = NEEDSUPDATE INFOBOX | + | | status = NEEDSUPDATE INFOBOX NIFERTIK! |
| maintainer = Nina Hlebec | | maintainer = Nina Hlebec | ||
}} | }} | ||
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| localname = Nagrada Zlati boben | | localname = Nagrada Zlati boben | ||
| street = Letališka cesta 35 | | street = Letališka cesta 35 | ||
− | | town = SI-1000 | + | | town = SI-1000 Ljublja |
| telephone = 386 (0) 1 439 60 50 | | telephone = 386 (0) 1 439 60 50 | ||
| email = info@goldendrum.com | | email = info@goldendrum.com | ||
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==Golden Drum Competition== | ==Golden Drum Competition== | ||
− | Golden Drum Competition is shared between 2 sections: '' | + | Golden Drum Competition is shared between 2 sections: ''What'' and ''Why''. |
− | ===Section | + | ===The What Section=== |
− | The key question that the jury is asking is what is outstanding about communication solution in the chosen form and what is the added value of its execution. | + | The key question that the jury is asking is what is outstanding about the communication solution in the chosen form and what is the added value of its execution. The What section primarily focuses on individual works that are moving frontiers in the traditional groups: Film, Print, Out of Home, Audio, Digital & Mobile, Design, Innovation and Craft. |
− | The | + | ===The Why Section=== |
+ | The key question that the jury is asking is why does the work exist? Is there a unique reason for product or service invention or introduction, a really brilliant insight, relevant meaning or purpose, the most important driver which helped creative teams to think of a brilliant piece of communication? | ||
− | + | The jury observes the communication as a whole from this perspective, so even a beautifully crafted communication without a concise answer to ''Why?'' does not count. The section questions the end goal of any intervention in the communication landscape by dividing entries into the groups listed below. | |
− | The | ||
− | + | ====Group R: Integrated==== | |
+ | The Integrated communication campaign stretches across several media, at least 3 communication and distribution channels, with the channels being offline or online, mass or direct. Group R is intended for the registration of the most complex and comprehensive communication campaigns with the broadest range of means and venues of reaching the audience. | ||
− | The | + | ====Group S: Activation==== |
+ | The Activation group includes campaigns with two or more communication channels or media, which can be both offline or online. This group is intended for campaigns that directly address and/or activate the audience (consumers or other businesses). | ||
− | |||
− | |||
− | |||
− | |||
====Group T: Brand Building==== | ====Group T: Brand Building==== | ||
− | This group is intended for best practices in managing referential and influential brands | + | This group is intended for best practices in managing referential and influential brands – from brands introduction and continuous building to its repositioning. The category Brand Vitality is intended for brands communicating over a certain period (more than 2 years), able to document its consistency. |
+ | |||
====Group U: Functional Efficiency==== | ====Group U: Functional Efficiency==== | ||
− | Functional Efficiency group is searching for most relevant ideas that connect business strategy with creative strategy and content, ideas that empower business, brand and consumer simultaneously. | + | The Functional Efficiency group is searching for the most relevant ideas that connect business strategy with creative strategy and content, ideas that empower business, brand and consumer simultaneously. |
+ | |||
====Group V: Content==== | ====Group V: Content==== | ||
− | This | + | This group includes campaigns or communication impulses that integrate naturally into existing original content for the purpose of promoting products, services or brands. The impact on the audience is built by creating content that is primarily entertaining, informative or educational, not strictly appearing as advertising or promotion. |
+ | |||
====Group X: Engagement==== | ====Group X: Engagement==== | ||
− | This group includes different ways of reaching target audiences and creative | + | This group includes different ways of reaching target audiences and the creative implementation of ideas through the use of media and data, direct solutions, public and community relations. |
+ | |||
====Group Y: Genius Loci / Local Spirit==== | ====Group Y: Genius Loci / Local Spirit==== | ||
− | In this group, entries are judged on | + | In this group, entries are judged on the basis of understanding the distinctive local spirit of the home country and showcasing (highlighting) it in the creative strategy and execution. |
+ | |||
====Group Z: Social Good==== | ====Group Z: Social Good==== | ||
− | This group comprises of individual executions (such as film, radio, press, OOH, digital, mobile, direct) as well as events, social activations and integrated campaigns that deal with social, mental and environmental awareness, traffic safety, diversity and equality, anti-addictions, sustainable development, humanitarian, charity and other public and non-profit or profit communication. The entries are judged on | + | This group comprises of individual executions (such as film, radio, press, OOH, digital, mobile, direct) as well as events, social activations and integrated campaigns that deal with social, mental and environmental awareness, traffic safety, diversity and equality, anti-addictions, sustainable development, humanitarian, charity and other public and non-profit or profit communication. The entries are judged on the basis of the social relevance of their message and its creative brilliance. |
+ | |||
+ | For the 2020 edition of the festival, the ''Local spirit group'' was renamed into ''Genius Loci/Local spirit'' and elevated to a new and highly appreciated award in the region. The award emphasises and celebrates distinctive cultures. | ||
− | + | The competition of the festival strives for clarity and relevance in general; therefore, it introduced new groups and renamed some of the existing ones for the 2020 competition. | |
==Golden Drum Awards== | ==Golden Drum Awards== | ||
Line 59: | Line 64: | ||
All registered entries are reviewed and judged by one of two international juries, comprised especially for the What and the Why section. | All registered entries are reviewed and judged by one of two international juries, comprised especially for the What and the Why section. | ||
− | By entering the Golden Drum Competition, the participants | + | By entering the Golden Drum Competition, the participants compete for the following awards: |
* Shortlist | * Shortlist | ||
Line 69: | Line 74: | ||
* The Best of What (chosen among Grand Prix winners in Section What) | * The Best of What (chosen among Grand Prix winners in Section What) | ||
* The Best of Why (chosen among Grand Prix, The Best of Good and The Best of Genius Loci winners in Section Why) | * The Best of Why (chosen among Grand Prix, The Best of Good and The Best of Genius Loci winners in Section Why) | ||
− | * The Golden Rose for the agency that collects the most points | + | * The Golden Rose for the agency that collects the most points. |
− | * The Golden Net for the most successful advertising network on the basis of the points of all agencies that comprise the network in question | + | * The Golden Net for the most successful advertising network on the basis of the points of all agencies that comprise the network in question. |
− | * The Golden Dragon Award for the most successful independent advertising agency that collects the most points | + | * The Golden Dragon Award for the most successful independent advertising agency that collects the most points. |
− | * The Brand Grand Prix for the advertised brand that collects the most points | + | * The Brand Grand Prix for the advertised brand that collects the most points. |
− | * The Golden Watch awarded to the Creative Director of the Campaign of the Year that collects the most points for the campaign and the individual entries of the same campaign in all categories | + | * The Golden Watch awarded to the Creative Director of the Campaign of the Year that collects the most points for the campaign and the individual entries of the same campaign in all categories. |
− | * Special Golden Drum Adriatic award shall be presented on the basis of the | + | * Special Golden Drum Adriatic award shall be presented on the basis of the festival's points system for the most successful entries from the following Adriatic Region countries: Bosnia and Herzegovina, Croatia, Kosovo, Macedonia, Montenegro, Serbia and Slovenia. Based on the collected points from both the What section and the Why section. |
==Young Drummers Competition== | ==Young Drummers Competition== | ||
Line 93: | Line 98: | ||
* [https://goldendrum.com/showcase Golden Drum Winners and Finalists] | * [https://goldendrum.com/showcase Golden Drum Winners and Finalists] | ||
* [https://goldendrum.com/gallery Golden Drum Gallery] | * [https://goldendrum.com/gallery Golden Drum Gallery] | ||
+ | |||
+ | {{Gallery}} | ||
[[Category:Design]] | [[Category:Design]] | ||
[[Category:Design awards]] | [[Category:Design awards]] | ||
[[Category:Awards]] | [[Category:Awards]] | ||
+ | |||
+ | [[Category:Updated 2020]] | ||
+ | [[Category:Architecture & Design]] | ||
+ | [[Category:Awards_and_competitions]] | ||
+ | [[Category:Design_awards_and_competitions]] |
Latest revision as of 00:39, 19 February 2021
Golden Drum Competition
Golden Drum Competition is shared between 2 sections: What and Why.
The What Section
The key question that the jury is asking is what is outstanding about the communication solution in the chosen form and what is the added value of its execution. The What section primarily focuses on individual works that are moving frontiers in the traditional groups: Film, Print, Out of Home, Audio, Digital & Mobile, Design, Innovation and Craft.
The Why Section
The key question that the jury is asking is why does the work exist? Is there a unique reason for product or service invention or introduction, a really brilliant insight, relevant meaning or purpose, the most important driver which helped creative teams to think of a brilliant piece of communication?
The jury observes the communication as a whole from this perspective, so even a beautifully crafted communication without a concise answer to Why? does not count. The section questions the end goal of any intervention in the communication landscape by dividing entries into the groups listed below.
Group R: Integrated
The Integrated communication campaign stretches across several media, at least 3 communication and distribution channels, with the channels being offline or online, mass or direct. Group R is intended for the registration of the most complex and comprehensive communication campaigns with the broadest range of means and venues of reaching the audience.
Group S: Activation
The Activation group includes campaigns with two or more communication channels or media, which can be both offline or online. This group is intended for campaigns that directly address and/or activate the audience (consumers or other businesses).
Group T: Brand Building
This group is intended for best practices in managing referential and influential brands – from brands introduction and continuous building to its repositioning. The category Brand Vitality is intended for brands communicating over a certain period (more than 2 years), able to document its consistency.
Group U: Functional Efficiency
The Functional Efficiency group is searching for the most relevant ideas that connect business strategy with creative strategy and content, ideas that empower business, brand and consumer simultaneously.
Group V: Content
This group includes campaigns or communication impulses that integrate naturally into existing original content for the purpose of promoting products, services or brands. The impact on the audience is built by creating content that is primarily entertaining, informative or educational, not strictly appearing as advertising or promotion.
Group X: Engagement
This group includes different ways of reaching target audiences and the creative implementation of ideas through the use of media and data, direct solutions, public and community relations.
Group Y: Genius Loci / Local Spirit
In this group, entries are judged on the basis of understanding the distinctive local spirit of the home country and showcasing (highlighting) it in the creative strategy and execution.
Group Z: Social Good
This group comprises of individual executions (such as film, radio, press, OOH, digital, mobile, direct) as well as events, social activations and integrated campaigns that deal with social, mental and environmental awareness, traffic safety, diversity and equality, anti-addictions, sustainable development, humanitarian, charity and other public and non-profit or profit communication. The entries are judged on the basis of the social relevance of their message and its creative brilliance.
For the 2020 edition of the festival, the Local spirit group was renamed into Genius Loci/Local spirit and elevated to a new and highly appreciated award in the region. The award emphasises and celebrates distinctive cultures.
The competition of the festival strives for clarity and relevance in general; therefore, it introduced new groups and renamed some of the existing ones for the 2020 competition.
Golden Drum Awards
All registered entries are reviewed and judged by one of two international juries, comprised especially for the What and the Why section.
By entering the Golden Drum Competition, the participants compete for the following awards:
- Shortlist
- Silver Drum
- Golden Drum
- Grand Prix
- The Best of Good
- The Best of Genius Loci
- The Best of What (chosen among Grand Prix winners in Section What)
- The Best of Why (chosen among Grand Prix, The Best of Good and The Best of Genius Loci winners in Section Why)
- The Golden Rose for the agency that collects the most points.
- The Golden Net for the most successful advertising network on the basis of the points of all agencies that comprise the network in question.
- The Golden Dragon Award for the most successful independent advertising agency that collects the most points.
- The Brand Grand Prix for the advertised brand that collects the most points.
- The Golden Watch awarded to the Creative Director of the Campaign of the Year that collects the most points for the campaign and the individual entries of the same campaign in all categories.
- Special Golden Drum Adriatic award shall be presented on the basis of the festival's points system for the most successful entries from the following Adriatic Region countries: Bosnia and Herzegovina, Croatia, Kosovo, Macedonia, Montenegro, Serbia and Slovenia. Based on the collected points from both the What section and the Why section.
Young Drummers Competition
The Young Drummers Competition is a traditional competition organised by Golden Drum aimed especially at creatives under 30 years.
See also
External links
- Golden Drum Website
- Golden Drum Award Categories
- Golden Drum Winners and Finalists
- Golden Drum Gallery