Difference between revisions of "UGM Studio"
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==Programme== | ==Programme== | ||
+ | A the UGM one can - besides major names of Slovene visual art in the last hundred years - follow influential developments of international art scene, get acquainted with the rising stars of modern art and explore current themes in visual arts. With its collection and programme of around 12 special exhibitions a year – ranging from retrospective reviews of works by Slovenian authors to international festivals of contemporary art as well as architecture and design exhibitions – UGM importantly shapes both the art scene in Slovenia and internationally. Well-structured education programme joins different generations, ethnic groups and educational institutions. | ||
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The programme of the space is often based on the national and international cooperations. | The programme of the space is often based on the national and international cooperations. | ||
Significant international exhibitions included ''Continuity of Modernism, Fragments of Croatian Architecture from Modernity to 2010'' organised in collaboration with ''[[Oris Magazine]]'', and most recent ''Alptraum'' exhibition conceived by artist Marcus Sendlinger from Berlin who this time invited 17 artists from Slovenia to expand his collection of artists' visions of a nightmare. | Significant international exhibitions included ''Continuity of Modernism, Fragments of Croatian Architecture from Modernity to 2010'' organised in collaboration with ''[[Oris Magazine]]'', and most recent ''Alptraum'' exhibition conceived by artist Marcus Sendlinger from Berlin who this time invited 17 artists from Slovenia to expand his collection of artists' visions of a nightmare. | ||
− | The ''RE:akt! Reconstruction, Re−enactment, Re−reporting'' exhibition curated by the Italian curator Domenico Quaranta, produced by [[Aksioma Institute]] and initially shown at the [[Škuc Gallery]] in Ljubljana, explored the re-enacting of the selected historical events as a means to confront current ideological and intellectual canons, power structures, policies, and distribution channels in contemporary arts | + | The ''RE:akt! Reconstruction, Re−enactment, Re−reporting'' exhibition curated by the Italian curator Domenico Quaranta, produced by [[Aksioma Institute]] and initially shown at the [[Škuc Gallery]] in Ljubljana, explored the re-enacting of the selected historical events as a means to confront current ideological and intellectual canons, power structures, policies, and distribution channels in contemporary arts. |
A note: During 2012 the Rotož Exhibition Salon functioned as an Information Point and exhibition venue ''Salon EPK'' of the [[Maribor, European Capital of Culture 2012]]. | A note: During 2012 the Rotož Exhibition Salon functioned as an Information Point and exhibition venue ''Salon EPK'' of the [[Maribor, European Capital of Culture 2012]]. |
Revision as of 17:38, 22 December 2019
Programme
A the UGM one can - besides major names of Slovene visual art in the last hundred years - follow influential developments of international art scene, get acquainted with the rising stars of modern art and explore current themes in visual arts. With its collection and programme of around 12 special exhibitions a year – ranging from retrospective reviews of works by Slovenian authors to international festivals of contemporary art as well as architecture and design exhibitions – UGM importantly shapes both the art scene in Slovenia and internationally. Well-structured education programme joins different generations, ethnic groups and educational institutions.
The programme of the space is often based on the national and international cooperations.
Significant international exhibitions included Continuity of Modernism, Fragments of Croatian Architecture from Modernity to 2010 organised in collaboration with Oris Magazine, and most recent Alptraum exhibition conceived by artist Marcus Sendlinger from Berlin who this time invited 17 artists from Slovenia to expand his collection of artists' visions of a nightmare.
The RE:akt! Reconstruction, Re−enactment, Re−reporting exhibition curated by the Italian curator Domenico Quaranta, produced by Aksioma Institute and initially shown at the Škuc Gallery in Ljubljana, explored the re-enacting of the selected historical events as a means to confront current ideological and intellectual canons, power structures, policies, and distribution channels in contemporary arts.
A note: During 2012 the Rotož Exhibition Salon functioned as an Information Point and exhibition venue Salon EPK of the Maribor, European Capital of Culture 2012.
See also
External links
- Maribor Art Gallery website
- 2015 call for artists and producers
- RE:akt! platform website
- More information on the Alptraum exhibition in maribor