Difference between revisions of "Exodos Institute"
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[[Exodos Institute]] has been registered as a non-for-profit cultural institution (zavod) with the aim of producing the Exodos International Festival of Contemporary Performing Arts, a prestigious event which, during its 12 years of existence, has presented in Ljubljana numerous performances by foreign artists. A sudden cut of the financial support the Exodos Festival had to be temporarily transformed into other forms: art educational practices (eg Coaching workshop) and international co-productions of stage performances. Up to 2007 Exodos institute produced or co-produced 14 performances by Slovene and international authors (Matej Kejžar, Ivan Peternelj, Leja Jurešič, Boštjan Antončič, Jurij Konjar, Gabrielle Nankivell, Ana Stegnar, Magdalena Reiter, Damjana Černe). Since 2003 Zavod Exodos has also produced the Gibanica (Moving Cake) Festival of Slovene Dance. | [[Exodos Institute]] has been registered as a non-for-profit cultural institution (zavod) with the aim of producing the Exodos International Festival of Contemporary Performing Arts, a prestigious event which, during its 12 years of existence, has presented in Ljubljana numerous performances by foreign artists. A sudden cut of the financial support the Exodos Festival had to be temporarily transformed into other forms: art educational practices (eg Coaching workshop) and international co-productions of stage performances. Up to 2007 Exodos institute produced or co-produced 14 performances by Slovene and international authors (Matej Kejžar, Ivan Peternelj, Leja Jurešič, Boštjan Antončič, Jurij Konjar, Gabrielle Nankivell, Ana Stegnar, Magdalena Reiter, Damjana Černe). Since 2003 Zavod Exodos has also produced the Gibanica (Moving Cake) Festival of Slovene Dance. | ||
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Revision as of 19:10, 26 November 2009
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30 Jan 2021
12 Feb 2021
A workshop developing the dance performance I had a dream by Gregor Luštek in collaboration with a producer Nataša Zavolovšek and photographer and video artist Borut Bučinel, Exodos Institute coordinating the international project SHARE, Žigan Krajnčan presents his solo dance piece Fusion with Myself
at the In-Out Festival
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27 May 2016
28 May 2016
Playground, a project co-created by Miha Horvat and co-produced by the Exodos Institute, at Corners Triangle
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12 Oct 2015
Built to Contain, a radio play co-created by archivist Ana Frank and co-produced by Exodos Institute, at CORNERS within the Belfast International Arts Festival
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4 May 2015
17 May 2015
Actor and dancer Primož Bezjak at Haninge – Turning Stockholm inside out in the framework of Corners project, Exodos Institute
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24 Sep 2014
25 Sep 2014
All Together Now!, by Mare Bulc and performers, produced by Maska Institute and co-produced by Bunker Institute and Exodos Institute, Škrip Inc., produced by Maska Institute and co-produced by Kino Šiška Centre for Urban Culture and in cooperation with Bunker Institute, and Pavla above the Precipice, produced by Mladinsko Theatre, at the 39th International Theatre Festival MOT
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30 Jun 2014
All Together Now!, by Mare Bulc and performers, produced by Maska Institute and co-produced by Bunker Institute and Exodos Institute, at the Perforations Festival
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23 Nov 2013
All Together Now!, by Mare Bulc and performers, produced by Maska Institute and co-produced by Bunker Institute and Exodos Institute, at the Live Art Festival LIMIT
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15 Apr 2012
29 Apr 2012
Albania,Bosnia and Herzegovina,Croatia,Kosovo,Montenegro,Serbia Cetinje,Dubrovnik,Jasenovac,Mostar,Prizren,Rijeka,Shkoder,Užice,Zagreb
Balkan Xpedition, a part of the Corners of Europe project, Slovene artists involved: Primož Bezjak and Miha Horvat, co-organised by Exodos Institute
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23 Sep 2011
Fake it! by Janez Janša produced by Exodos Institute and Maska Institute,
at the International Contemporary Dance Festival C/U
Exodos Institute is a member of several international networks, including the Informal European Theatre Meeting (IETM), Festivals in Transition (FIT), European Dance Education Network (DANCE) and the Trans Danse Europe network of production houses.