Difference between revisions of "Novi kolektivizem (NK)"
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NK was the only NSK group who responded to the Yugoslavian attack on Slovenia in 1991. | NK was the only NSK group who responded to the Yugoslavian attack on Slovenia in 1991. | ||
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+ | == Work == | ||
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+ | '''Publication design''' | ||
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+ | For the book ''Irwin Retroprincip'' pulished in 2006 in Slovene language NK deliberately used the same design principles as for the P.S.1 publications. Since Roman Uranjek and Miran Mohar are both members of Irwin, the derivation of their current work at the NK section present their contribution to the retrospective collection of Irwin’s work. | ||
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+ | The opening of renovated [[Museum of Modern Art]] in 2009 with the exhibition of Zoran Mušič was accompanied with the catalouge designed by Novi Kolektivizem, and published with about a hundred different motives of painter's work on the front page. | ||
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+ | '''Exhibition design''' | ||
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+ | In 1998 NK took over the design of a permanent exhibition of Slovene avant-garde artist Avgust Černigoj in Lipica. | ||
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+ | Novi kolektivizem designed several exhibitions, among them ''TANK- Slovene historical avant-garde'' at the [[Museum of Modern Art]] in 1999. | ||
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+ | '''Scenography design''' | ||
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+ | In 1986 the NK group designed the scenography for the play ''Krst pod Triglavom'', the performance where for the first time all fractions of NSK cooperated. | ||
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+ | In 2008 NK took over the graphic design of the performance ''Romeo and Public'', a project by Mala Kline in a production of [[EnKnapGroup (EKG)]]. | ||
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== See also == | == See also == |
Revision as of 05:13, 21 February 2010
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2 Dec 2020
29 Dec 2020
Pro et Contra, the exhibition of posters by Novi kolektivizem (NK), a conversation with Miran Mohar (Irwin), supported by the Embassy of the Republic of Slovenia Podgorica,
at the Decembarska umetnička scena DEUS
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27 Jun 2019
10 Oct 2019
The exhibition Dates 9 by Radenko Milak and Roman Uranjek (Irwin, NSK State, Novi kolektivizem (NK)), featuring a talk with artist Radenko Milak, supported by the Embassy of the Republic of Slovenia Budapest,
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28 Feb 2017
15 Jul 2017
Contemporary Artistic Revolutions: An Institutional Perspective, an exhibition featuring works by Irwin, Novi kolektivizem (NK) and Janja Žvegelj and conference attended by Barbara Borčić presenting SCCA-Ljubljana Centre for Contemporary Arts and the Urbanaria projects, as well as Tevž Logar and Vladimir Vidmar (ŠKUC Gallery),
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20 Mar 2012
21 Apr 2012
Neue Slowenische Kunst 1984-1992 exhibition curated by Michele Drascek, presenting Laibach, Irwin, Novi kolektivizem (NK) and Scipion Nasice Sisters Theatre
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6 Feb 2010
10 Apr 2010
IRWIN: The Eye of the State (related to Irwin, Laibach, Novi kolektivizem (NK)) curated by Avi Pitchon, in cooperation with the Embassy of the Republic of Slovenia Tel Aviv
Today Novi kolektivizem works as a classical design studio, yet rather to adapt to client's needs it still follows the principle of retro-avantgardism and presents its own artistic approach combining art and design. Among the most important designs is the logotype for one of the oldest and largest non-profit contemporary art institutions in the United States – P.S.1 Contemporary Art Center, a partner gallery of the world most acknowledged gallery Museum of Modern Art (MoMA). Since then NK designs all the exhibition catalogues of the events where both P.S.1 and Berlin based Kunstwerke cooperate.
Background
In 1984 groups Laibach, Irwin and Scipion Nasice Sisters Theatre joined together to create the Neue Slowenische Kunst (meaning "New Slovene Art" in German). Together with Novi Kolektivizem and later established Noordung Cosmokinetic Cabinet they began addressing the nationalist aspirations surfacing in Yugoslavia. NSK Department of Pure and Applied Philosophy presents another flexible subdivision of NSK, sharing a similar way of thinking and expressing through different media. The book entitled Neue Slowenische Kunst showcased the work of the various individual groups of the NSK up to the year 1989; designed by Novi Kolektivizem it was released in 1991.
Novi Kolektivizem was responsible for one of biggest scandals in the history of Yugoslavia, which came at a time of increasing instability as that state descended towards violent disintegration. In 1987 NK took part in the competition to design a poster and a torch to commemorate the Dan mladosti (Day of Youth, 25 May) and the birthday of Josip Broz Tito. NK's entry won, picked by the juries of the organisers, and the poster was reproduced in Politika, the main Yugoslav daily newspaper, where an astute member of the public spotted the striking similarity to Nazi artist Richard Klein's painting The Third Reich and duly informed the press. In a country heavily steeped in the romanticised mythology of the anti-fascist, communist partisan struggle, this was highly embarrassing for the authorities. This poster brought home the uncomfortable point that fascism is very much the same as Communism. The full scale of the scandal took NK by surprise, with news travelling beyond Yugoslavia's borders. Michael Benson first heard of the NSK through reports of the story in the USA while working with the New York Times, and a few years later he filmed Prediction of Fire. Despite the furore, no charges were brought against NK. (Source: http://www.gla.ac.uk/~dc4w/laibach/poster87.html)
NK was the only NSK group who responded to the Yugoslavian attack on Slovenia in 1991.
Work
Publication design
For the book Irwin Retroprincip pulished in 2006 in Slovene language NK deliberately used the same design principles as for the P.S.1 publications. Since Roman Uranjek and Miran Mohar are both members of Irwin, the derivation of their current work at the NK section present their contribution to the retrospective collection of Irwin’s work.
The opening of renovated Museum of Modern Art in 2009 with the exhibition of Zoran Mušič was accompanied with the catalouge designed by Novi Kolektivizem, and published with about a hundred different motives of painter's work on the front page.
Exhibition design
In 1998 NK took over the design of a permanent exhibition of Slovene avant-garde artist Avgust Černigoj in Lipica.
Novi kolektivizem designed several exhibitions, among them TANK- Slovene historical avant-garde at the Museum of Modern Art in 1999.
Scenography design
In 1986 the NK group designed the scenography for the play Krst pod Triglavom, the performance where for the first time all fractions of NSK cooperated.
In 2008 NK took over the graphic design of the performance Romeo and Public, a project by Mala Kline in a production of EnKnapGroup (EKG).
See also
- Irwin
- Laibach
- Neue Slowenische Kunst - NSK State
- Noordung Cosmokinetic Cabinet
- NSK Department of Pure and Applied Philosophy