Muzej premoderne umetnosti
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Difference between revisions of "Museum of Too Modern Art"
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| − | Although the autonomous theoretical concept of ''too modern art'' originates in an almost mythical refusal of the [[Oliver Marčeta]]'s paintings by a local gallery, the [[Museum of Too Modern Art]] dates in [[established::1999]] when [[Tomaž Drnovšek - Vinči]] sold the cows and offered his stable for contemporary | + | Although the autonomous theoretical concept of ''too modern art'' originates in an almost mythical refusal of the [[Oliver Marčeta]]'s paintings by a local gallery, the [[Museum of Too Modern Art]] dates in [[established::1999]] when [[Tomaž Drnovšek - Vinči]] sold the cows and offered his stable for contemporary art exhibitions to the group of disappointed founding artists [[Boštjan Plesničar]], [[Oliver Marčeta]], [[Grega Mastnak]], [[Vladimir Leben]] and [[Ervin Potočnik]]. |
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Revision as of 18:40, 7 May 2010
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Although the autonomous theoretical concep … Although the autonomous theoretical concept of "too modern art" originates in an anecdotal refusal of Oliver Marčeta's paintings by a local gallery, the Museum of Too Modern Art dates from 1999 when Tomaž Drnovšek - Vinči sold his cows and offered his stable for contemporary art exhibitions to a group of disappointed founding artists Boštjan Plesničar, Oliver Marčeta, Grega Mastnak, Vladimir Leben, and Ervin Potočnik.Potočnik]]. +
Although the autonomous theoretical concep … Although the autonomous theoretical concept of "too modern art" originates in an anecdotal refusal of Oliver Marčeta's paintings by a local gallery, the Museum of Too Modern Art dates from 1999 when Tomaž Drnovšek - Vinči sold his cows and offered his stable for contemporary art exhibitions to a group of disappointed founding artists Boštjan Plesničar, Oliver Marčeta, Grega Mastnak, Vladimir Leben, and Ervin Potočnik.stnak, Vladimir Leben, and Ervin Potočnik. +
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