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24 Jan 2020
2 Feb 2020
Lost Space: Oceans by Robertina Šebjanič and William Russell with musical contributions from FLORA (Jonas V. Ronnberg, Anna Melina) and additional sound sculpting by Tillman Jex at the Sonic Cinema Platform, supported by the Projekt Atol Institute,
5 Sep 2019
9 Sep 2019
Maja Smrekar's exhibition Survival Kit for the Anthropocene - Trailer, produced by Aksioma Institute, in the frame of the exhibition Postnature. The Future is Present; Star Valley by Marko Peljhan (Projekt Atol Institute, attending several panels) and Matthew Biederman; and the project Aurelia 1+Hz / proto viva generator 2.0 by Robertina Šebjanič, also attending the panel Paradoxes and Obstacles in Maintaining and Staging Alive Biomedia Art,
at the Ars Electronica Festival Linz
11 May 2019
24 Nov 2019
A project by Marko Peljhan (Projekt Atol Institute), curated by Igor Španjol, produced by Moderna galerija / Museum of Modern Art, Ljubljana plus Museum of Contemporary Art Metelkova, and supported by the Ministry of Culture
at the La Biennale di Venezia International Art Exhibition
23 Mar 2019
5 May 2019
The interactive sound installation Time Displacement: Chemobrionic Garden by Robertina Šebjanič, Aleš Hieng – Zeron and Ida Hiršenfelder (Projekt Atol Institute, Ljudmila Art and Science Laboratory)
16 Nov 2018
25 Jan 2019
Croatia Rijeka Museum of Modern and Contemporary Art
Reading Stanley Brown by Tao Vrhovec Sambolec, co-produced by Projekt Atol Institute and Sploh Institute, featured at a group exhibition Escape,
5 May 2018
29 Jun 2018
Dark Drops by Robertina Šebjanič and Time Displacement / Chemobrionic Garden by Robertina Šebjanič, Aleš Hieng - Zergon, and Ida Hiršenfelder (Projekt Atol Institute, Ljudmila Art and Science Laboratory),
7 Sep 2017
11 Sep 2017
AI – The Other I, a symposium moderated also by Jurij Krpan (Kapelica Gallery), POINT ZERO – Human.0, Machine.0, Data.0, a group exhibition featuring Until I die by [[::vtol::]], a screening of Nighthawk by Špela Čadež, produced by Finta and supported by the Slovenian Film Centre, We Should Take Nothing for Granted! Listening Conditions for an Alert and Knowledgeable Citizenry by Matthew Biederman and Marko Peljhan and produced by Projekt Atol Institute, and Semiotics of the Laboratory by Špela Petrič, Günter Seyfried, Roland van Dierendonck, Miha Turšič and Slavko Glamočanin
at the Ars Electronica Festival Linz
11 May 2017
2 Jul 2017
You Gotta Say Yes to Another Access, an exhibition featuring a work from the collection Rhythms of Presence by Tao G. Vrhovec Sambolec, co-produced by Projekt Atol Institute and Sploh Institute,
6 May 2017
13 May 2017
Command-Alternative-Escape, an exhibition featuring a work from the collection Rhythms of Presence by Tao G. Vrhovec Sambolec, co-produced by Projekt Atol Institute and Sploh Institute,
1 Feb 2017
5 Feb 2017
An audio-video performance and workshops by the Theremidi Orchestra, produced by Ljudmila Art and Science Laboratory and Projekt Atol Institute in cooperation with Werkstatt ThoughtWorks Berlin and SPEKTRUM and organised in cooperation with the Slovenian Cultural Centre in Berlin and the Embassy of the Republic of Slovenia Berlin,
8 Sep 2016
18 Sep 2016
Aurelia 1+Hz / proto viva generator by Robertina Šebjanič and Slavko Glamičanin at the CyberArts exhibition, Time Displacement / Chemobrionic Garden by Robertina Šebjanič, Aleš Hieng and Ida Hiršenfelder (Projekt Atol Institute, Ljudmila Art and Science Laboratory), Miserable Machines: Soot-o-mat by Špela Petrič, and Anatomy of Frozen Genesis by Dean Verzel
1 Sep 2016
21 Sep 2016
Rhythms of Presence, a solo exhibition by Tao G. Vrhovec Sambolec, co-produced by Projekt Atol Institute and Sploh Institute,
23 Aug 2016
28 Aug 2016
Light Oscilator by Tilen Sepič (Strip Core/Forum Ljubljana) at the Bella Skyway Festival, co-organised the Ljudmila Art and Science Laboratory and Projekt Atol Institute,
14 Jul 2016
24 Oct 2016
System 67 – Immaterial, an acoustic-spatial installation by Marko Peljhan, at the exhibition Let’s Talk about the Weather: Art and Ecology in a Time of Crisis, co-produced by Projekt Atol Institute,
11 Sep 2015
13 Sep 2015
Projects In parallel by Natalija Črncec and Nina Šulin, Soundlighter by Izland (Gašper Milkovič Biloslav and Marko Vivoda) and Jesusonecstasy aka Mitja Cerkvenik (Ljudmila Art and Science Laboratory and Projekt Atol Institute), and the workshop Clouds by Tilen Sepič (Strip Core / Forum Ljubljana) at the festival Lumina
2 Nov 2014
Designers in Dialogue:The Future is?, a discussion also featuring Arctic Perspective Initiative (Projekt Atol Institute), at the 2nd Istanbul Design Biennial
22 Oct 2014
4 Jan 2015
The collection of works Arctic Perspective Initiative (Projekt Atol Institute) at La Biennale de Montréal
26 Sep 2014
9 Nov 2014
We Should Take Nothing for Granted, an audio-visual installation and performance set of works by Aljoša Abrahamsberg, Matthew Biederman, Brian Springer, and Marko Peljhan (Projekt Atol Institute), at the Pittsburgh Biennial 2014
10 Sep 2014
15 Sep 2014
Sound Happens in the Group, a workshop by Theremidi Orchestra (Ljudmila - Ljubljana Digital Media Lab and Projekt Atol Institute)
19 Jul 2014
28 Sep 2014
Arctic Perspective Initiative by Marko Peljhan (Projekt Atol Institute) and Matthew Biedermann at the Sapporo International Art Festival
15 May 2014
3 Aug 2014
Hu.M.C.C. m.k.2 (Human Molecular Colonization Capacity) by Maja Smrekar, Wheat and Rope by OHO, and We should take nothing for granted by Marko Peljhan, Aljoša Abrahamsberg, Brian Springer, and Matthew Biederman (Projekt Atol Institute), at the FIELDS Exhibition and Art+Communication Festival
6 Feb 2014
23 Feb 2014
Marko Peljhan (Projekt Atol Institute) and Matthew Biederman present ᐃᐱᒃᑐᖅ (Ipiktuq): Augmented senses across sea, tundra and ice (Arctic Perspective Initiative) at the Yebizo Festival
12 Dec 2013
15 Feb 2014
Arctic Perspective Initiative by Marko Peljhan (Projekt Atol Institute) and Matthew Biedermann (workshops and discussions 13,14 Dec) at the Ice Laboratory exhibition at the 5th Moscow Biennial of Contemporary Art
11 Oct 2013
15 Nov 2013
Jože Barši, Jasmina Cibic and a project Arctic Perspective Initiative: Sea, Tundra and Ice Papers by Marko Peljhan and Matthew Biederman (Projekt Atol Institute) at the 54th October Salon
6 Aug 2013
3 Aug 2013
13 Oct 2013
Free Enterprise: The Art of Citizen Space Exploration, a joint exhibition co-curated by Marko Peljhan, featuring also Slovene artists and organisations Cultural Centre of European Space Technologies (KSEVT), Trieste Constructivist Cabinet, Nejc Trošt, Noordung Cosmokinetic Cabinet, Projekt Atol Institute
17 Jul 2013
30 Jul 2013
Spektr collective (Projekt Atol Institute), participants: Aljoša Abrahamsberg, Matthew Biederman, Marko Peljhan, Brian Springer), artists-in-residence working on transmission arts, public presentations
23 Mar 2013
19 Jan 2013
18 May 2013
USA Riverside (CA) California Museum of Photography,Culver Center of the Arts & Sweeney Art Gallery
Free Enterprise: The Art of Citizen Space Exploration, a joint exhibition also featuring Slovene artists and organisations: Cultural Centre of European Space Technologies (KSEVT), Trieste Constructivist Cabinet, Nejc Trošt, Noordung Cosmokinetic Cabinet, Projekt Atol Institute, and curated by Marko Peljhan
9 Jun 2012
16 Sep 2012
A screening of the film The Radiant by the Otolith Group and co-produced by the Projekt Atol Institute during dOCUMENTA (13)
10 May 2012
25 Jun 2012
The Source - Virtual Hole Sun 1:1, an exhibition by Tao G. Vrhovec Sambolec, co-produced by Projekt Atol Institute and Kapelica Gallery
15 Sep 2011
31 Dec 2011
27 May 2011
30 Oct 2011
1st TIME MACHINE Biennial of Contemporary Art with the participation of Marko Peljhan and Tobias Putrih
8 Dec 2010
Marko Peljhan, Projekt Atol Institute participates at the Confounding Expectations: Images, Surveillance and Power conference organised by The Aperture Foundation, the photography department in the School of Art, Media and Technology and the Vera List Center for Art and Politics at 7pm
3 Dec 2010
16 Jan 2011
13 Nov 2010
6 Feb 2011
23 Sep 2010
11 Jan 2011
Marko Peljhan (Projekt Atol Institute) participates in Serbia, frequently asked questions, an exhibition organised by the Museum of Contemporary Art Belgrade (EUNIC project) at the Austrian Cultural Forum New York
18 Jun 2010
10 Oct 2010
Projekt Atol serves as the institutional, financial and logistics support frame for several projects and initiatives. It was initially a framework for visual art works, performances and situations. Then in 1994 the project Makrolab was developed, an ongoing mobile laboratory set-up for open and integral research and the common work of artists, scientists and tactical media workers in the fields of telecommunications, migrations research, weather and climate. First set up in 1997 during the Documenta X exhibition in Kassel, Germany, it subsequently operated in Western Australia (Rottnest Island), Slovenia (Veliki Kras), in the Scotish Highlands (Atholl Estates) on the island of Campalto (Isola di Campalto), and (as part of the 2003 Biennale di Venezia art exhibition and the TEMPUS PHARE CBC Interreg IIIA programme) in the Venice Lagoon. During 2007-08, the International Polar Year, the Makrolab project will produce installations in Antarctica and Nunavut. This mission involves a conceptual and practical linkage of both polar regions. In this transnational spirit, Makrolab will be managed by I-TASC, the Interpolar Transnational Ars Science Constellation - cf http://www.i-tasc.org.
Projekt Atol's other projects in the field of technology and communications research include the Resolution series projects, the Trust-System series projects, the Insular technologies initiative, the Wardenclyffe series projects, the Signal-Sever! series of performances, the Egoritmi-Egorhythms performances, the Ladomir-faktura series of situations, the Slovene Space Agency in Constitution initiative, the Rx-tx music label and the re-lax series of events. Project Atol collaborates with the Yuri Gagarin Cosmonaut Training Centre in Moscow and co-ordinated seven parabolic flights in microgravity for different artistic projects between 1999 and 2003, the first of these involving the Noordung Cosmokinetic Cabinet (1999); Projekt Atol subsequently produced three other Noordung Cosmokinetic Cabinet performance events prior to 2003. In 2001, together with the Baterija group of architects. it co-ordinated and lead the production of the mobile media lab Transhub, realised as Mobilatorij for the Mobitel d d company and managed by Ljudmila, Kiberpipa and Mobitel d d. In recent years Project Atol Productions have also been presented at the Johannesburg Biennale, at the third Manifesta European Biennial of Contemporary Art in Ljubljana (2000), at the Gwangju Biennale, ISEA, at Ars Electronica (the 'Polar' project by Marko Peljhan and Carsten Nicolai won the Golden Nika Prix in 2001) and at other venues around the world. Project Atol Institute is partner to the following initiatives: world-information.org (WIO), the MIR network (Arts Catalyst, Leonardo/Olats, V2, Multimedia Complex of Actual Arts), the KRIZ network, Acoustic Space Lab, and AUVSI.
Culture.si offers information on Slovene cultural producers, venues, festivals and support services, all in one place. It encourages international cultural exchange in the fields of arts, culture and heritage. The portal and its content is owned and funded by the Ministry of Culture, funded by the European Union Recovery and Resilience Plan and developed by Ljudmila Art and Science Laboratory.