BridA

24 Aug 2018
12 Sep 2018
Martin Bricelj Baraga (MoTA Museum of Transitory Art) and Simon Jacquemin (collective Bellastock) curate a series of interactive artworks on the banks of the Esentai River, featuring Vodoskop by BridA, an interactive bridge capturing and visualising live water data; Aryk-o-phone, a river instrument played by the river; and Lumitronome, a solar powered kinetic light installation, supported by the Embassy of the Republic of Slovenia in Moscow,
31 Oct 2015
22 Nov 2015
Modux/Storieincorso, an exhibition and video installation by the Collective BridA (Tom Kerševan, Sendi Mango and Jurij Pavlica)
18 Sep 2015
20 Sep 2015
Projects Origami Space Race by Sašo Sedlaček (Aksioma Institute) and Spreadkom by BridA at the Abandon Normal Devices Festival,
Creative principles
The artistic production of BridA is based on videos, graphic arts, painting, photography, and multimedia installations. The continuous passage from the two-dimensional artistic surface into 3-dimensional space is reversible and alternating. The processes of research and technological application are part of the artistic creation and are oriented in an artistic production, which acts as an independent body and can be self-updated and self-completed.
Up to now none of three artist members has wanted to work independently, stating: “Working within a group opens new or different boundaries. All we do is always in the spirit of the group. We almost never operate individually, which could be compared to some kind of perpetual artistic action.”
See also
External links
- BridA website
- BridA on Journal of Science Communication website
- BridA on Gerald Geilert website
- BridA as a partner of the European Commission in the Art and Science project (pdf)
- Artslant article by Sally Noall on U3 and BridA
