Difference between revisions of "PIFcamp"

Latest revision as of 13:53, 14 May 2021

Hacking the meadows at PIFcamp, 2015

PIFcamp is a week-long international gathering (or hack-camp) that facilitates explorations into the various intersections of art and technology. Held in the stunning Alpine valley of the Soča River, in the Triglav National Park, the core of this fundamentally open-ended project consists of hands-on workshops, presentations, field trips and – most importantly – spontaneous collaborations and skill exchanges.

Of key importance is the active involvement of the participants, who are invited to contribute their ideas, skills and ambitions to the collective creative endeavour. The Open Saturday for visitors takes place every year on final Saturday The 2020 PIFcamp edition will take place partly virtually, please follow the website information.

The camp is organised by the Projekt Atol Institute, co-organised by Ljudmila Art and Science Laboratory, co-organised by Rampa Lab and BioTehna (Kersnikova Institute).

PIFcamp is part of the Feral Labs Network, which is co-funded by the Creative Europe Programme of the EU.

PIFcamp 2016 by Ljudmila on Vimeo

Context and background

First held in 2015, PIFcamp is an extension of the artistic, educational and awareness raising endeavours conducted by the Ljudmila Lab and the Projekt Atol Institute. Both are involved in new media art and technology-related activities and have been running a joint programme of workshops, artist residencies and art projects since 2012.

Initially, the gathering was established as a part of the Changing Weathers project. Co-funded by the Creative Europe programme, this project is coordinated by Projekt Atol and features partners from Norway (Hilde Methi), Finland (the Finnish Bioart Society), Latvia (RIX-C), the Netherlands (Sonic Acts), Austria (Time's Up) and Slovenia (Ljudmila). Its basic aim is to facilitate responses towards the precarious geophysical, geopolitical and technological predicaments of our time.

Concept

With PIFcamp's fundamental principles being DIY (do-it-yourself), DIWO (do-it-with-others) and DITO (do-it-together), the meeting is foremost a platform for distributing knowledge, ideas and experiences. Styling itself as a hack camp, PIFcamp sees hacking as a broad set activities that disrupt the regular patterns of uses and treatments of technology.

Juan Duarte developing Aeolian Artefacts sound project at the PIFcamp 2018.

Programme

Each year, a select number of artists and researchers is invited to hold workshops, theoretical lectures and onsite briefings. Other participants are equally invited to share their knowledge, and the roles of mentors and apprentices frequently change and overlap. Consequently, the outcomes and topics of the camp are only partially predefined.

Some of the creative fields tackled at PIFcamp have been DIY synthesizer making, e-textiles and wearable electronics, artefacts and systems that interact with nature, light installations, bio-hacking, and music.

Sense Yourself Making project developed by Hannah Perner-Wilson at the PIFcamp 2018.

The participants

The meeting is open to anyone, yet limited to about 50 people. The organisers look for hackers, makers, DIY enthusiasts, scientists, programmers, noise freaks, new media artists, obsolete and new technology geeks, bio-artists, and so on. A short proposal on what one wants to develop or learn during PIFcamp is needed from those applying to attend.

Some of the hosted artists and researchers have been the Swiss bio-hacker Marc Dusseiller (also of BioTehna), who conducted different experiments on local plants, from sound analysis to chlorophyll extraction; Lynne Bruning (US), who utilised embroidery, lace making, and sewing to make wearable electronics and eTextiles; Peter Edwards aka Casper Electronics (US), who dealt with DIY electronics for music making; Václav Peloušek (Bastl Instruments, CZ), who worked on modular synthesizers; and Leslie Garcia and Paloma Lopez (MX), who explored the relationships between waveforms, living matter and the way in which sound frequencies affect and create physical forms.

The PIFcamp 2018 presented the Bastl instruments workshop and hosted also Dmitry Morozov aka Vtol, Lavoslava Benčič, Juan Manuel Escalante, Jakob Scheithe, Juan Duarte, Klemens Kohlweis and Jani Pirnat. Hannah Perner-Wilson developed the Sense Yourself Making project (cf. the Gallery below).

Hack your food with Dario Cortese at the PIFcamp 2018.

The local Dario Cortese led a field workshop on collecting edible wild plants, while Luka Frelih (also head of Ljudmila) among other things created a so-called Hacktivated Reactive Network, which took on signals from the real world environment of the PIFcamp, morphed them through live-coded scripts and fed them back to the camp through screens and kinetic sculptures.

Numerous other artists (coming from the USA, the UK, Japan, Finland, Poland, Hong Kong, Spain, France and several other countries) applied by themselves, among them, Tom O'Dea (IR), Sebastian Frisch (AT), Robertina Šebjanič, Marko Peljhan, Tilen Sepič and many others.

PIFcamp 2015 by Ljudmila on Vimeo

External links

Gallery

Hacking the meadows at PIFcamp, 2015

Peter Edwards (aka casparelectronics), one of the artists invited to lead workshops at PIFcamp, 2015

The Austrian musician Sebastian Frisch (on the left) was researching the accoustic potentials of wood at PIFcamp, 2015

Tilen Sepič preparing a light installation at PIFcamp, 2015

PIFcamp at night, 2015

Hacking electronic circuits at PIFcamp, 2015

Bastl instruments workshop at the PIFcamp 2018, PIFcamp, 2018.

PIFcamp 2018 Hot Ninja WiFi workshop with Dmitry Morozov Vtol.

Hack your food with Dario Cortese at the PIFcamp 2018.

Sense Yourself Making project developed by Hannah Perner-Wilson at the PIFcamp 2018.

Jakob Scheithe developing his Fortune Telling Machine, A bio-hacked urin fortune teller, at the PIFcamp 2018.

Jani Pirnat with his rock and roll disco ball developed at the PIFcamp 2018.

Juan Duarte developing Aeolian Artefacts sound project at the PIFcamp 2018.

AV performance by Juan Manuel Escalante at the PIFcamp 2018.

Klemens Kohlweis with his parabolic directed microphone above Soča river, PIFcamp, 2018.

Sense Yourself Making workshop, PIFcamp 2018.

Sense Yourself Making performance, PIFcamp 2018.

Audible Healing Pressure Points glove developed by Lavoslava Benčič at the PIFcamp 2018.

@@ Line 1: / Line 1: @@
 {{Article
-| status       = TOPROOFREAD NIFERTIK!
+| status       = NIFERTIK! PHOTO
 | maintainer   = Anže Zorman
 }}
@@ Line 7: / Line 7: @@
 | name                = PIFcamp
 | localname           = PIFcamp
+| logo                = PIFcamp (logo).svg
 | street              =
 | town                =
@@ Line 12: / Line 13: @@
 | email               = pifcamp@ljudmila.org
 | website             = http://pif.camp/
-| organised by        = Ljudmila Art and Science Laboratory
+| organised by        = Projekt Atol Institute
-| organised by 2      = Projekt Atol Institute
+| organised by 2      = Ljudmila Art and Science Laboratory
 | frequency           = annual
 | dates and duration  = 1 week, July or August
 | duration weeks      =
-| festival dates      = 3.8.2015 - 9.8.2015, 25.7.2016 - 31.7.2016
+| festival dates      = 3.8.2015 - 9.8.2015, 25.7.2016 - 31.7.2016, 30.7.2017 - 5.8.2017, 5.8.2017 - 11.8.2018, 4.8.2019 - 10.8.2019, 2.8.2020 - 8.8.2020, 8.8.2021 - 14.8.2021
 | contacts = {{Contact
 | name                = Tina Dolinšek
 | role                = Head organiser
 | telephone           =
-| email               = tina@ljudmila.org
+| email               =
 }}
 | accounts =
 https://www.facebook.com/events/291750081161211/
+https://www.instagram.com/pif_camp/
 }}
 {{Teaser|
-[[PIFcamp]] is a week-long international gathering (or hack-camp) that facilitates explorations into the various intersections of art and technology. Held in the stunning Alpine valley of the Soča river, in the [[Triglav National Park]], the core of this fundamentally open-ended project consists of hands-on workshops, presentations, field trips and &ndash; most importantly &ndash; spontaneous collaborations and skills exchanges
-Of key importance is active involvement of the participants, who are invited to contribute their ideas, skills and ambitions into the collective creative endeavour. The camp is organised by the [[Ljudmila Art and Science Laboratory]] and the [[Projekt Atol Institute]].
+{{Wide Image|PIFcamp 2015 Hacking the meadows.JPG}}
+[[PIFcamp]] is a week-long international gathering (or hack-camp) that facilitates explorations into the various intersections of art and technology. Held in the stunning Alpine valley of the Soča River, in the [[Triglav National Park]], the core of this fundamentally open-ended project consists of hands-on workshops, presentations, field trips and &ndash; most importantly &ndash; spontaneous collaborations and skill exchanges.
+Of key importance is the active involvement of the participants, who are invited to contribute their ideas, skills and ambitions to the collective creative endeavour. The Open Saturday for visitors takes place every year on final Saturday The 2020 PIFcamp edition will take place partly virtually, please follow the website information.
+The camp is organised by the [[Projekt Atol Institute]], co-organised by [[Ljudmila Art and Science Laboratory]], co-organised by [[Rampa Lab]] and [[BioTehna]] ([[Kersnikova Institute]]).
+PIFcamp is part of the Feral Labs Network, which is co-funded by the Creative Europe Programme of the EU.
 }}
-{{Vimeo|157121775}}
+{{Vimeo|210827299}}
 ==Context and background==
-First held in [[established::2015]], PIFcamp is an extension of the artistic, educational and awareness raising endeavours conducted by the Ljudmila lab and the Projekt Atol Institute. Both are involved in new media art and technology related activities and have been running a joint programme of workshops, artist residencies and art projects since 2012.
+First held in [[established::2015]], PIFcamp is an extension of the artistic, educational and awareness raising endeavours conducted by the Ljudmila Lab and the Projekt Atol Institute. Both are involved in new media art and technology-related activities and have been running a joint programme of workshops, artist residencies and art projects since 2012.
-Initially, the gathering was established as a part of the Changing Weathers project. Co-funded by the Creative Europe programme, this project is coordinated by Projekt Atol and features partners from Norway (Hilde Methi), Finland (the Finnish Bioart Society), Latvia (RIX-C), the Netherlands (Sonic Acts), Austria (Time’s Up) and Slovenia (Ljudmila). Its basic aim is to facilitate responses towards the precarious geophysical, geopolitical and technological predicaments of our time.
+Initially, the gathering was established as a part of the Changing Weathers project. Co-funded by the Creative Europe programme, this project is coordinated by Projekt Atol and features partners from Norway (Hilde Methi), Finland (the Finnish Bioart Society), Latvia (RIX-C), the Netherlands (Sonic Acts), Austria (Time's Up) and Slovenia (Ljudmila). Its basic aim is to facilitate responses towards the precarious geophysical, geopolitical and technological predicaments of our time.
 ===Concept===
 With PIFcamp's fundamental principles being DIY (do-it-yourself), DIWO (do-it-with-others) and DITO (do-it-together), the meeting is foremost a platform for distributing knowledge, ideas and experiences. Styling itself as a hack camp, PIFcamp sees hacking as a broad set activities that disrupt the regular patterns of uses and treatments of technology.
+{{Wide Image|PIFcamp 2018 Juan Duarte Photo Katja Goljat.jpg}}
 ==Programme==
-Each year, a select number of artists and researchers is invited to hold workshops, theoretical lectures and on-sight briefings. Other participants are equally invited to share their knowledge, and the roles of mentors and apprentices frequently change and overlap. Consequently, the outcomes and topics of the camp are only partially predefined.
+Each year, a select number of artists and researchers is invited to hold workshops, theoretical lectures and onsite briefings. Other participants are equally invited to share their knowledge, and the roles of mentors and apprentices frequently change and overlap. Consequently, the outcomes and topics of the camp are only partially predefined.
+Some of the creative fields tackled at PIFcamp have been DIY synthesizer making, e-textiles and wearable electronics, artefacts and systems that interact with nature, light installations, bio-hacking, and music.
-Some of the creative fields tackled at PIFcamp have been DIY synthesizer-making, e-textiles and wearable electronics, artefacts and systems that interact with nature, light installations, bio-hacking, and music.
+{{Image|PIFcamp 2018 Hannah Perner-Wilson Photo Katja Goljat.jpg}}
 ===The participants===
-The meeting is open to anyone yet limited to about 50 people. The organisers are looking for hackers, makers, DIY enthusiasts, scientists, programmers, noise freaks, new media artists, obsolete and new technology geeks, bio-artists, and so on. A short proposal on what one wants to develop or learn during PIFcamp is needed from those applying to attend.
+The meeting is open to anyone, yet limited to about 50 people. The organisers look for hackers, makers, DIY enthusiasts, scientists, programmers, noise freaks, new media artists, obsolete and new technology geeks, bio-artists, and so on. A short proposal on what one wants to develop or learn during PIFcamp is needed from those applying to attend.
-Some of the hosted artists and researchers have been the Swiss bio-hacker Marc Dusseiller (also of [[BioTehna]]), who conducted different experiments on local plants, from sound analysis to chlorophyll extraction; Lynne Bruning (US), who utilised embroidery, lace making, and sewing to make wearable electronics and eTextiles; Peter Edwards aka Casper Electronics (US), who dealt with DIY electronics for music making; Václav Peloušek (Bastl Instruments, CZ), who worked on modular synthesizers; and Leslie Garcia and Paloma Lopez (MX), who explored the relationships between waveforms, living matter and the way in which sound frequencies affect and create physical forms. The local [[Dario Cortese]] led a field workshop on collecting edible wild plants.
+Some of the hosted artists and researchers have been the Swiss bio-hacker Marc Dusseiller (also of [[BioTehna]]), who conducted different experiments on local plants, from sound analysis to chlorophyll extraction; Lynne Bruning (US), who utilised embroidery, lace making, and sewing to make wearable electronics and eTextiles; Peter Edwards aka Casper Electronics (US), who dealt with DIY electronics for music making; Václav Peloušek (Bastl Instruments, CZ), who worked on modular synthesizers; and Leslie Garcia and Paloma Lopez (MX), who explored the relationships between waveforms, living matter and the way in which sound frequencies affect and create physical forms.
-Numerous other artists applied by themselves, among them Tom O'Dea (IR), Sebastian Frisch (DE), [[Robertina Šebjanič]], [[Marko Peljhan]], [[Tilen Sepič]] and many others.
+The PIFcamp 2018 presented the Bastl instruments workshop and hosted also Dmitry Morozov aka Vtol, Lavoslava Benčič, Juan Manuel Escalante, Jakob Scheithe, Juan Duarte, Klemens Kohlweis and Jani Pirnat. Hannah Perner-Wilson developed the Sense Yourself Making project (cf. the Gallery below).
+{{wide Image|PIFcamp_2018_Hack_your_food_with_Dario_Cortese_Photo_Katja_Goljat.jpg}}
+The local [[Dario Cortese]] led a field workshop on collecting edible wild plants, while [[Luka Frelih]] (also head of [[Ljudmila Art and Science Laboratory|Ljudmila]]) among other things created a so-called Hacktivated Reactive Network, which took on signals from the real world environment of the PIFcamp, morphed them through live-coded scripts and fed them back to the camp through screens and kinetic sculptures.
+Numerous other artists (coming from the USA, the UK, Japan, Finland, Poland, Hong Kong, Spain, France and several other countries) applied by themselves, among them, Tom O'Dea (IR), Sebastian Frisch (AT), [[Robertina Šebjanič]], [[Marko Peljhan]], [[Tilen Sepič]] and many others.
+{{Vimeo|157121775}}
 ==See also==
 * [[Projekt Atol Institute]]
 * [[Ljudmila Art and Science Laboratory]]
-* [[Strictly Analog Festival]]
+* [[BioTehna]]
+* [[Rampa Lab]]
 * [[Triglav National Park]]
-* [[BioTehna]]
 == External links ==
 *[http://pifcamp.ljudmila.org/ PIFcamp website]
+*[https://ferallabs.net/ Feral labs Network website]
 *[http://www.makery.info/en/2015/08/10/slovenie-les-hackers-sen-vont-dans-la-nature/ A review of PIFcamp 2015 at Makery.info]
-*[http://sepic.cc/filter/installation/Light-Oscillator-prototype A web page about one of the projects developed at PIFcamp] by [[Tilen Sepič]]
+*[http://sepic.cc/filter/installation/Light-Oscillator-prototype A webpage about one of the projects developed at PIFcamp] by [[Tilen Sepič]]
+{{Gallery}}
-[[Category:Festivals]]
+[[Category:New media art]]
-[[Category:Festivals in July]]
+[[Category:New media art workshops]]
-[[Category:Festivals in August]]
+[[Category:New media art research]]
+[[Category:New media art education]]
+[[Category:Updated 2017]]
+[[Category:New_media_art_education_and_research]]
+[[Category:New_media_art_research]]
+[[Category:New_media_art_courses,_workshops_and_residencies]]

Difference between revisions of "PIFcamp"

Latest revision as of 13:53, 14 May 2021

Contents

Context and background

Concept

Programme

The participants

See also

External links

Gallery

Operated by

Financed by