Difference between revisions of "Depot:Ex Ponto International Festival"
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+ | {{Article | ||
+ | | status = DEPO | ||
+ | | maintainer = Katja Kosi | ||
+ | }} | ||
+ | |||
{{Infobox | {{Infobox | ||
− | | | + | |name = Ex Ponto International Festival |
− | | | + | |local name = Ex Ponto mednarodni festival |
− | | | + | |street = Lepi pot 6 |
− | | | + | |town = SI-1000 Ljubljana |
− | | | + | |logo = Eẋ Ponto International Festival.jpg |
− | | | + | |telephone = 386 (0) 1 426 9405, 386 (0) 31 357 965 |
− | | | + | |fax = 386 (0) 1 426 2252 |
− | | | + | |email = b51@exponto.net |
− | {{contact | + | |website = http://www.exponto.net/ |
− | + | |organised by = B-51 Cultural Society | |
− | + | | frequency = annual | |
− | }}{{ | + | |dates and duration = September, 10 days |
− | + | |duration weeks = 37,38 (2012) 35,36 (2013) 37,38 (2014) | |
− | + | |festival dates = 18.9.2015 - 26.9.2015 | |
+ | |contacts = {{contact | ||
+ | |name = | ||
+ | |role = | ||
+ | }}{{contact | ||
+ | |name = Žaneta Statevska | ||
+ | |role = Cultural manager | ||
}} | }} | ||
− | | | + | |accounts= |
− | + | http://twitter.com/festivalexponto | |
− | + | http://www.facebook.com/ExPontoFestival | |
+ | http://www.youtube.com/user/ExPonto2010 | ||
}} | }} | ||
− | |||
− | |||
− | + | [[Damir Domitrović]] (1963–2016) led the [[Ex Ponto International Festival]] since its inception. He was also a co-founder and ''spiritus movens'' of the [[B-51 Cultural Society]] and the [[New European Theatre Action (NETA)]]. After he passed away in May 2016, the festival was put to a stop until further notice. | |
− | + | ||
+ | ==Archival article== | ||
+ | |||
+ | The [[Eẋ Ponto International Festival]] was launched in [[Established::1993]] by the [[B-51 Cultural Society]], whose work has been rooted from the outset in a strong humanistic, political, and social foundation. Focusing on maintaining connections with other parts of the former Yugoslavia and South-Eastern Europe, the annual Eẋ Ponto festival presents national and international contemporary theatre and performing arts works, which are often realised through cultural exchanges and joint venture projects with prominent festivals in these regions. The festival usually presents at least 10 domestic and foreign productions (often large-scaled) during a period of 10 to 14 days, plus a range of projects aimed at further enhancing and promoting inter-cultural exchange. | ||
+ | |||
+ | Eẋ Ponto International Festival is a member of the [[New European Theatre Action (NETA)]] and since November 2007 the seat of the NETA Secretariat. | ||
+ | |||
+ | {{YouTube|WZnD3v7T28Y}} | ||
+ | |||
+ | |||
+ | ==Overview== | ||
+ | |||
+ | During its over 16 years of activity, the Eẋ Ponto International Festival has succeeded to achieve its initial goal to stimulate communication and international cooperation and exchange between the Balkans and other East European countries, as well as with Western Europe, through presenting contemporary theatre and performing and visual arts productions to Slovene and international audiences. The festival aims to present productions which tackle the burning issues of contemporary society by adopting critical and (politically) engaged perspectives on questions at stake as well as display a high level of mastering the art of contemporary performing art practices. | ||
+ | |||
+ | Thus far, the festival presented influential and resounding names of contemporary theatre, such as Andriy Zholdak, Kama Ginkas, Jozef Nadj, Bela Pinter, Victor Bodo, Arpad Schilling, Attila Pessyani, Sahika Tekand, Rodrigo Garcia, Nicolas Stemann, Piotr Tomzcuk, Cezaris Graužinis, and acknowledged theatre groups, such as Theatre Laboratory Sfumato, Jozef Katona Theatre, Theatre Company Piesn Kozla, Russian Engineering Theatre AKHE, the Prague-based Farm in the Cave International Studio, etc. | ||
+ | |||
+ | ==International and domestic co-productions== | ||
+ | In addition to foreign performances, the festival's programme also includes domestic productions and local premières of most penetrating and innovative performances, which have already been presented at partnering international festivals. These performances, which enjoy great acclaim at local and foreign stages, are for the most part co-productions of the festival's organiser [[B-51 Cultural Society]], whose basic activity is the production in the field of performing arts, with foreign partners, such as Festival Infant, Serbia; Festival MOT, Macedonia; Laboratorio Nove, Italy; Festival Teuta – New Ancient Theatre, Monte Negro; International Festival of Contemporary Theatre Zadar snova, Croatia; etc. | ||
+ | |||
+ | ==Themes== | ||
+ | In recent years, the programme of Ex Ponto has been selected in view of a chosen topic. The theme of Eẋ Ponto 2007 was ''Theatre and Politics''. The 2008 edition ran under the title ''Faith and Believing'' and featured an installation/exhibition by the visual and sound artists Tanja Vujinović, co-produced by Eẋ Ponto and [[Ultramono Institute]] and presented at [[Kapelica Gallery]], and an international group exhibition, co-produced by [[Škuc Gallery]] and [[City Museum of Ljubljana]], which has dealt with the question of the art system and the individual's positioning in it. The participating Slovene artists were [[Irwin]] and [[Franc Purg]]. The 2009 programme tackled the theme ''Family'' and presented a wide range of aesthetic approaches to deconstructing the established notions of familial belongingness. | ||
+ | |||
+ | In 2010 the Ex Ponto subject was ''Taboo?'', its presence in the various fields of human personal and social activity, it was followed by topics ''The End or the Beginning?'' (2011), ''New or Old Values?'' (2012), ''Where is the Limit?'' (2013); within the context of the individual, his integration in the society and changes caused by political turmoil, economic recession and the processes of globalisation. In 2014 the topic ''New Bridges'' continued, and brought the 2015 festival topic ''World of My Own''. | ||
+ | |||
+ | ==Venues== | ||
+ | The festival is presented at different venues in Ljubljana, such as [[Stara Elektrarna - Old Power Station]], [[Cankarjev dom]], [[Mladinsko Theatre]], [[City Museum of Ljubljana]], etc., as well as at other non-theatrical spaces. | ||
==See also== | ==See also== | ||
* [[B-51 Cultural Society]] | * [[B-51 Cultural Society]] | ||
+ | * [[New European Theatre Action (NETA)]] | ||
+ | * [[Stara Elektrarna - Old Power Station]] | ||
==External links== | ==External links== | ||
− | * [http://www.exponto.net/ | + | * [http://www.exponto.net/ Eẋ Ponto Festival website] |
+ | * [http://www.exponto.net/?/lang-pref/en/ B-51 Cultural Society website] | ||
− | |||
[[Category:Theatre]] | [[Category:Theatre]] | ||
[[Category:Festivals]] | [[Category:Festivals]] | ||
+ | [[Category:Festivals in September]] | ||
[[Category:Theatre festivals]] | [[Category:Theatre festivals]] | ||
+ | [[Category:Theatre & Dance]] |
Latest revision as of 17:04, 24 November 2020
-
6 Oct 2014
15 Oct 2014
The Dresser, produced by Slovene National Theatre Maribor, and Tobelia, co-produced by the Eẋ Ponto International Festival, at the Biennial of the Montenegrin Theatre, supported by the Embassy of the Republic of Slovenia Podgorica,
-
16 Sep 2010
26 Sep 2010
Damned Be the Traitor of His Homeland!, directed by Oliver Frljić and produced by Mladinsko Theatre; The Bridge Over Blood by Damir Avdić, directed by Marko Bulc and produced by the Glej Theatre; and Exit the King, co-produced by Slovene National Theatre Drama Ljubljana and Ex Ponto International Festival, supported by the Embassy of the Republic of Slovenia Skopje,
at the International Theatre Festival MOT
Damir Domitrović (1963–2016) led the Ex Ponto International Festival since its inception. He was also a co-founder and spiritus movens of the B-51 Cultural Society and the New European Theatre Action (NETA). After he passed away in May 2016, the festival was put to a stop until further notice.
Archival article
The Eẋ Ponto International Festival was launched in 1993 by the B-51 Cultural Society, whose work has been rooted from the outset in a strong humanistic, political, and social foundation. Focusing on maintaining connections with other parts of the former Yugoslavia and South-Eastern Europe, the annual Eẋ Ponto festival presents national and international contemporary theatre and performing arts works, which are often realised through cultural exchanges and joint venture projects with prominent festivals in these regions. The festival usually presents at least 10 domestic and foreign productions (often large-scaled) during a period of 10 to 14 days, plus a range of projects aimed at further enhancing and promoting inter-cultural exchange.
Eẋ Ponto International Festival is a member of the New European Theatre Action (NETA) and since November 2007 the seat of the NETA Secretariat.
Overview
During its over 16 years of activity, the Eẋ Ponto International Festival has succeeded to achieve its initial goal to stimulate communication and international cooperation and exchange between the Balkans and other East European countries, as well as with Western Europe, through presenting contemporary theatre and performing and visual arts productions to Slovene and international audiences. The festival aims to present productions which tackle the burning issues of contemporary society by adopting critical and (politically) engaged perspectives on questions at stake as well as display a high level of mastering the art of contemporary performing art practices.
Thus far, the festival presented influential and resounding names of contemporary theatre, such as Andriy Zholdak, Kama Ginkas, Jozef Nadj, Bela Pinter, Victor Bodo, Arpad Schilling, Attila Pessyani, Sahika Tekand, Rodrigo Garcia, Nicolas Stemann, Piotr Tomzcuk, Cezaris Graužinis, and acknowledged theatre groups, such as Theatre Laboratory Sfumato, Jozef Katona Theatre, Theatre Company Piesn Kozla, Russian Engineering Theatre AKHE, the Prague-based Farm in the Cave International Studio, etc.
International and domestic co-productions
In addition to foreign performances, the festival's programme also includes domestic productions and local premières of most penetrating and innovative performances, which have already been presented at partnering international festivals. These performances, which enjoy great acclaim at local and foreign stages, are for the most part co-productions of the festival's organiser B-51 Cultural Society, whose basic activity is the production in the field of performing arts, with foreign partners, such as Festival Infant, Serbia; Festival MOT, Macedonia; Laboratorio Nove, Italy; Festival Teuta – New Ancient Theatre, Monte Negro; International Festival of Contemporary Theatre Zadar snova, Croatia; etc.
Themes
In recent years, the programme of Ex Ponto has been selected in view of a chosen topic. The theme of Eẋ Ponto 2007 was Theatre and Politics. The 2008 edition ran under the title Faith and Believing and featured an installation/exhibition by the visual and sound artists Tanja Vujinović, co-produced by Eẋ Ponto and Ultramono Institute and presented at Kapelica Gallery, and an international group exhibition, co-produced by Škuc Gallery and City Museum of Ljubljana, which has dealt with the question of the art system and the individual's positioning in it. The participating Slovene artists were Irwin and Franc Purg. The 2009 programme tackled the theme Family and presented a wide range of aesthetic approaches to deconstructing the established notions of familial belongingness.
In 2010 the Ex Ponto subject was Taboo?, its presence in the various fields of human personal and social activity, it was followed by topics The End or the Beginning? (2011), New or Old Values? (2012), Where is the Limit? (2013); within the context of the individual, his integration in the society and changes caused by political turmoil, economic recession and the processes of globalisation. In 2014 the topic New Bridges continued, and brought the 2015 festival topic World of My Own.
Venues
The festival is presented at different venues in Ljubljana, such as Stara Elektrarna - Old Power Station, Cankarjev dom, Mladinsko Theatre, City Museum of Ljubljana, etc., as well as at other non-theatrical spaces.