Defonija
Difference between revisions of "Defonija"
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Nominally put, [[Defonija]] is a concert cycle dealing with free and unbound musics, around which gravitate signifiers like free and avant jazz, improvisation, experimental music, avant-rock, noise and other similar musical aesthetics. In [[established::1999]], Defonija started as a weekly series of DJ evenings, where interesting, peripheral and challenging music was presented to the interested crowd. With time, these "defonic" evenings evolved into a regular, if sporadically set series of music events, that contextualised themselves into something beyond a mere concert cycle. | Nominally put, [[Defonija]] is a concert cycle dealing with free and unbound musics, around which gravitate signifiers like free and avant jazz, improvisation, experimental music, avant-rock, noise and other similar musical aesthetics. In [[established::1999]], Defonija started as a weekly series of DJ evenings, where interesting, peripheral and challenging music was presented to the interested crowd. With time, these "defonic" evenings evolved into a regular, if sporadically set series of music events, that contextualised themselves into something beyond a mere concert cycle. | ||
| − | The elusive and often unpredictable musical selection by the concert series organiser and presenter [[Miha Zadnikar]] brought to Slovene audiences a palette of outstanding, fresh, intriguing and 'in-between' music. As such, the Defonija evenings has | + | The elusive and often unpredictable musical selection by the concert series organiser and presenter [[Miha Zadnikar]] brought to Slovene audiences a wide palette of outstanding, fresh, intriguing and 'in-between' music. As such, the Defonija evenings has much expanded the cultural scopes of its relatively small but dedicated audience; they also enriched the field of musical critique, demanding a development of journalistic language for abstract musical forms. Defonija also acts as an archive, as it recorded and stored its concerts almost since its start, making them available to the performing artists and setting up a historical fund. |
| − | + | The concert definition is also trancended by presenting not only sonic artists but bringing also those dealing with the visual and cinematic. Furthermore, the type of music hosted on its stage and the intimate concert setting of [[Klub Gromka]], where Defonija has settled (and only occasionally ventured to other [[Metelkova mesto Autonomous Cultural Zone]]|Metelkova]] venues) constantly defies a one-way presentation with a more interactive, lively and spatialised musical communication. | |
}} | }} | ||
== Hosted artists == | == Hosted artists == | ||
| − | Presenting the currents of musical history in the making as well as artists of historical importance, a random selection of hosted acts by Defonija could include Charles Gayle, Joëlle Léandre, Marc Ribot, Trevor Watts, Ingrid Laubrock, The Ex, Otto Lechner, Peter Brötzmann, Gerry Hemingway, Assif Tsahar, Eugene Chadbourne, Ken Vandermark, Henry Grimes and Jérôme Noetinger. Sometimes almost seen as residents of the club and thus seperately enlisted are also a few excellent Swedish artists like Mats Gustafsson, Ingebrigt Håker Flaten and Paal Nilssen-Love (who, in 2010, released a record containing excerpts of his two evenings long Defonija concert with Frode Gjerstad). Of the few local musicians that are up to Defonija's standards, [[Zlatko Kaučič Kombo|Zlatko Kaučič]], [[Bratko Bibič & The Madleys|Bratko Bibič]], [[Vinko Globokar]], [[Sploh Institute|Tomaž Grom]], [[ | + | Presenting the currents of musical history in the making as well as artists of historical importance, a random selection of hosted acts by Defonija could include Charles Gayle, Joëlle Léandre, Marc Ribot, Trevor Watts, Ingrid Laubrock, The Ex, Otto Lechner, Peter Brötzmann, Gerry Hemingway, Assif Tsahar, Eugene Chadbourne, Ken Vandermark, Henry Grimes and Jérôme Noetinger. Sometimes almost seen as residents of the club and thus seperately enlisted are also a few excellent Swedish artists like Mats Gustafsson, Ingebrigt Håker Flaten and Paal Nilssen-Love (who, in 2010, released a record containing excerpts of his two evenings long Defonija concert with Frode Gjerstad). Of the few local musicians that are up to Defonija's standards, [[Zlatko Kaučič Kombo|Zlatko Kaučič]], [[Bratko Bibič & The Madleys|Bratko Bibič]], [[Vinko Globokar]], [[Sploh Institute|Tomaž Grom]], [[Alzheimer3]], [[Lolita]] and [[Kraški solisti]] appeared on 'defonic' evenings. |
Considering a limited budget and DIY approach, the aforementioned intimate concert setting and acoustics, alongside the knowledgeable crowd, a well connected organiser and an artist friendly policy amount a lot to the the relatively 'big' names that were brought to the stage of [[Klub Gromka]]. | Considering a limited budget and DIY approach, the aforementioned intimate concert setting and acoustics, alongside the knowledgeable crowd, a well connected organiser and an artist friendly policy amount a lot to the the relatively 'big' names that were brought to the stage of [[Klub Gromka]]. | ||
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== Collaborations == | == Collaborations == | ||
| − | Besides collaborating | + | Besides occasionally collaborating with [[City of Women International Festival of Contemporary Arts|City of Women Festival]] and complementing their programme, Defonija has since 2009 also integrated into the program scheme of [[Ljubljana Jazz Festival]]. It also associates itself with other protagonists of intriguing music and thus actively works and promotes the advancement of the scene. |
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== External links == | == External links == | ||
| − | * [http://www.dnevnik.si/tiskane_izdaje/dnevnik/1042345118 Interview with Miha Zadnikar | + | * [http://www.dnevnik.si/tiskane_izdaje/dnevnik/1042345118 Interview in [[Dnevnik]] with Miha Zadnikar] (in Slovene) |
Revision as of 19:24, 7 January 2012
Contact
Hosted artists
Presenting the currents of musical history in the making as well as artists of historical importance, a random selection of hosted acts by Defonija could include Charles Gayle, Joëlle Léandre, Marc Ribot, Trevor Watts, Ingrid Laubrock, The Ex, Otto Lechner, Peter Brötzmann, Gerry Hemingway, Assif Tsahar, Eugene Chadbourne, Ken Vandermark, Henry Grimes and Jérôme Noetinger. Sometimes almost seen as residents of the club and thus seperately enlisted are also a few excellent Swedish artists like Mats Gustafsson, Ingebrigt Håker Flaten and Paal Nilssen-Love (who, in 2010, released a record containing excerpts of his two evenings long Defonija concert with Frode Gjerstad). Of the few local musicians that are up to Defonija's standards, Zlatko Kaučič, Bratko Bibič, Vinko Globokar, Tomaž Grom, Alzheimer3, Lolita and Kraški solisti appeared on 'defonic' evenings.
Considering a limited budget and DIY approach, the aforementioned intimate concert setting and acoustics, alongside the knowledgeable crowd, a well connected organiser and an artist friendly policy amount a lot to the the relatively 'big' names that were brought to the stage of Klub Gromka.
Collaborations
Besides occasionally collaborating with City of Women Festival and complementing their programme, Defonija has since 2009 also integrated into the program scheme of Ljubljana Jazz Festival. It also associates itself with other protagonists of intriguing music and thus actively works and promotes the advancement of the scene.
A short video of a 2011 Defonija performance by Marc Ribot.
See also
- Klub Gromka
- Metelkova mesto Autonomous Cultural Zone
- Ljubljana Jazz Festival
- City of Women Association for Promotion of Women in Culture
External links
- Interview in Dnevnik with Miha Zadnikar (in Slovene)
... more about "Defonija"
