Difference between revisions of "Igor Zabel Award for Culture and Theory"
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Revision as of 15:04, 6 August 2012
The laureate is selected biennially by a renowned international committee of experts. International curators, theorists, writers, and critics whose work spans the region and who either come from the region or live and/or work there are eligible for the award. In addition to the award of 40,000 EUR, three working grants of 12,000 EUR each are awarded - two by the jury, one by the laureate.
Background
Igor Zabel was a Slovene curator, writer and cultural theorist who, during his entire life, was actively involved in many fields of theory and culture – as a philosopher, author, essayist, modern and contemporary art curator, literary and art critic, translator, and model for new generations of curators and critics of contemporary art. As a curator and writer, he tirelessly called for the profound exploration of those political, social and cultural undercurrents that had the potential to give us a better understanding of the post-communist world of today.
Award winners
The very fist award went to the Croatian curatorial collective What, How & for Whom (WHW) (Ivet Ćurlin, Ana Dević, Nataša Ilić, and Sabina Sabolović) that became quickly known internationally due to the success of their first projects: What, How and for Whom, on the occasion of the 153rd anniversary of the Communist Manifesto; Broadcasting, a project, dedicated to Nikola Tesla, and START dedicated to young artists from the region. The prize was argumented: "their unique working practice as a curatorial collective has been dedicated to exploring relevant contemporary artistic issues in relation to social issues concerning the world after 1989". In 2009 the WHW collective curated also the 11th Istanbul Biennial.
Grants of Igor Zabel Award in 2008 were bestowed to the linguist Fouad Asfour, living and working in Vienna (Austria) and Johannesburg (South Africa) as a freelance writer, editor, programme coordinator, and linguistic advisor; further to the writer Erden Kosova, publishing and editing in two Istanbul-based contemporary art magazines art-ist and Resmi Gorus and a member of a post-anarchist collective which runs the magazine project Siyahi; and to the Prelom Kolektiv from Belgrade, established in 2001 as a project of the Belgrade Center for Contemporary Art, and from the very outset has become a space for critical query of the political constellations between art, film, and social theory in the contemporary post-Yugoslav context.