Difference between revisions of "Beton Ltd."
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− | + | One of the leading Slovenian performing arts collectives [[Beton Ltd.]] was formed in [[established::2010]] by perform-ers [[Primož Bezjak]], [[Branko Jordan]] and [[Katarina Stegnar]] as a spin-off the acclaimed Slovene physical theatre group [[Betontanc]] that was active from the 1990s on. | |
}} | }} | ||
+ | ==Performances== | ||
+ | With their name referring to a limited liability company, the collective Beton Ltd. has become known for addressing problematic issues of contemporary social and/or political life with much self-reflection and (auto)irony to deliver a critique of the capitalist system, consumerism and the contemporary culture of narcissism. Comprising three successful performers, who are active in both the institutional and the non-instituional theatre scene, the collective has gained critical attention already with their first production ''SO FAR AWAY Introduction to Ego-logy'' (2010), produced by [[Bunker Institute]], which announced their topicality and interest in the search for new, hybrid forms of performing. Their second performance ''I Say What I AM Told to Say'' (2012), which drew from Samuel Beckett's ''The Unnamable'', was a coproduction of [[Anton Podbevšek Theatre]] and [[Bunker Institute]] and has focused on the generational angst at the backdrop of constant self-questioning and verifying one's identity. | ||
+ | |||
+ | Beton Ltd.'s productions are strongly marked by a search for personal, even intimate entries into the topics dealt with, which can be seen also in the visually impressive performance ''Everything We’ve Lost While We’ve Gone on Living'' (2013) (set design by [[Son:DA]], the collective's ongoing collaborator) that took the viewer on a journey through fictitious and (semi)imaginary landscapes to invoke a bitter-sweet contrast between what was before and what is today. Although the collective's performances usually resonate as a reflection of a strongly disintegrated reality and fundamental powerlessness of individual action, Beton Ltd. employ to their advantage the procedures of subversive affirmation, caricature and parody to capture the ambiguity of contemporary life. In 2014, the collective teamed up with film directors [[Rok Biček]], [[Klemen Dvornik]] and [[Žiga Virc]] in a theatre-film performance ''Upor ni človek'', based on the writings of Albert Camus and again co-produced by [[Anton Podbevšek Theatre]], which dealt with the topic of rebellion, resistance and the price an individual has to pay for existential awakening. | ||
+ | |||
+ | ==The German Cycle== | ||
+ | In 2016, the collective created the first performance of the so called ''German cycle'', ''Ich kann nicht anders'', and in 2018 the performance ''Great Expectations|Große Erwartungen'' that deals with the topic of great expectations and future, addressing the desires of a European, white, heterosexual, urban, cosmo-politan, overrepresented generation. The performances were produced by [[Bunker Institute]]. | ||
==See also== | ==See also== | ||
* [[Bunker Institute]] | * [[Bunker Institute]] | ||
+ | * [[Anton Podbevšek Theatre]] | ||
==External links== | ==External links== |
Revision as of 10:31, 27 September 2018
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16 Jan 2020
19 Jan 2020
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30 Jun 2019
The performance Great Expectations by Beton Ltd., produced by Bunker Institute,
at the Spectrum Theatre Festival
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10 Oct 2017
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5 Oct 2017
6 Oct 2017
Performances
With their name referring to a limited liability company, the collective Beton Ltd. has become known for addressing problematic issues of contemporary social and/or political life with much self-reflection and (auto)irony to deliver a critique of the capitalist system, consumerism and the contemporary culture of narcissism. Comprising three successful performers, who are active in both the institutional and the non-instituional theatre scene, the collective has gained critical attention already with their first production SO FAR AWAY Introduction to Ego-logy (2010), produced by Bunker Institute, which announced their topicality and interest in the search for new, hybrid forms of performing. Their second performance I Say What I AM Told to Say (2012), which drew from Samuel Beckett's The Unnamable, was a coproduction of Anton Podbevšek Theatre and Bunker Institute and has focused on the generational angst at the backdrop of constant self-questioning and verifying one's identity.
Beton Ltd.'s productions are strongly marked by a search for personal, even intimate entries into the topics dealt with, which can be seen also in the visually impressive performance Everything We’ve Lost While We’ve Gone on Living (2013) (set design by Son:DA, the collective's ongoing collaborator) that took the viewer on a journey through fictitious and (semi)imaginary landscapes to invoke a bitter-sweet contrast between what was before and what is today. Although the collective's performances usually resonate as a reflection of a strongly disintegrated reality and fundamental powerlessness of individual action, Beton Ltd. employ to their advantage the procedures of subversive affirmation, caricature and parody to capture the ambiguity of contemporary life. In 2014, the collective teamed up with film directors Rok Biček, Klemen Dvornik and Žiga Virc in a theatre-film performance Upor ni človek, based on the writings of Albert Camus and again co-produced by Anton Podbevšek Theatre, which dealt with the topic of rebellion, resistance and the price an individual has to pay for existential awakening.
The German Cycle
In 2016, the collective created the first performance of the so called German cycle, Ich kann nicht anders, and in 2018 the performance Great Expectations|Große Erwartungen that deals with the topic of great expectations and future, addressing the desires of a European, white, heterosexual, urban, cosmo-politan, overrepresented generation. The performances were produced by Bunker Institute.