Difference between revisions of "GVR babaLAN Institute"

Revision as of 17:28, 16 March 2010

GVR - institute for contemporary arts is an institute for contemporary multimedia, visual, and performing art established in 1992 by Vlado Repnik. A vehicle for the work of the theatre director and multimedia artist Vlado Repnik, the institute recently increasingly focuses on the production of internet and intermedia projects. GVR's most recent production is the performance Evergreen - Comments on Media [Evergreen - komentarji o medijih] (2009), co-produced by the frequent collaborating institute Intima Virtual Base, Bunker Institute, and Eẋ Ponto International Festival, which aimed to reflect on the paradoxical layers of our perception and different understandings of media translations.

Background

Together with the theatre director Bojan Jablanovec and the architect Aljoša Kolenc, Vlado Repnik set the ground for his later theatre research oriented projects in the project THEATRE (GLEDALIŠČE), which in 1988 produced the performance Helios, based on Bertolt Brecht's Galileo Galilei, with the students of the Academy of Theatre, Radio, Film and Television (AGRFT). Repnik's subsequent theatre production is marked by continual conceptual shifts, while the projects move along the edges of the visual arts and theatre. In 1990, Repnik created the acclaimed performance Brigades of Beauty [Brigade lepote], which was presented also at the Evrokaz Festival, and Gertrude Stein (1994), shown at the Pula Festival, Croatia, at the Prague Quadriennal in 1995, and directed the performance I tempi passati (1999) at the Mladinsko Theatre, etc.

Overview

); Lighty Tiny Bird on Tiny Branch, 1996; Apolonija (Grenze am Fluss, Bad Radkesburg, Austria) 1998; I tempi passati, 1999; To Bee or Not to Bee, 2000; Human Rights, 2001 (Cassandra - staged in Madrid, Lisabon, Rome); Gfest, 2002; Back Unit, a fairy tale 2002-2004; The Minotaure Song, 2004; net project, 2004; and the intermedia project Mary, Piss on Takashi Please! in collaboration with Klančnik and Štromajer of Intima Virtual Base, staged in March 2005 at Museum of Modern Art. In 2006 the Theatre Protocol installation was exhibited in the Kapelica Gallery in Ljubljana and the All about Lessoto project presented at KIBLA Multimedia Centre in Maribor.

The name GVR is not translatable but is expressed by the group as a multitude of linguistic associations in a variety of languages, for example G = Gorgonsole = Gallery = Gotvan = Gledališče (Theatre) = Grizli = Gloksinia = G-spot, V = Virtual = Vade (mecum) = Vdor Intrusion = Vegetarian = Velarius = Vulva = Vaquero, R = Real...

External links

GVR website

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-| status       = WRITING INFOBOX TOPROOFREAD NIFERTIK!
+| status       = TOPROOFREAD NIFERTIK!
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 {{Teaser|
-[[GVR]] - institute for contemporary arts is an institute for contemporary multimedia, visual, and performing art established in [[established::1992]] by Vlado Repnik. A vehicle for the work of the theatre director and multimedia artist Vlado Repnik, the institute has been recently increasingly focusing on the production of internet and intermedia projects. GVR's most recent production is the performance ''Evergreen - Comments on Media'' [Evergreen - komentarji o medijih] (2009), co-produced by the frequent collaborating institute [[Intima Virtual Base]], [[Bunker Institute]], and [[Eẋ Ponto International Festival]], which aimed to reflect on the paradoxical layers of our perception and different understandings of media translations.
+[[GVR]] - institute for contemporary arts is an institute for contemporary multimedia, visual, and performing art established in [[established::1992]] by Vlado Repnik. A vehicle for the work of the theatre director and multimedia artist Vlado Repnik, the institute recently increasingly focuses on the production of internet and intermedia projects. GVR's most recent production is the performance ''Evergreen - Comments on Media'' [Evergreen - komentarji o medijih] (2009), co-produced by the frequent collaborating institute [[Intima Virtual Base]], [[Bunker Institute]], and [[Eẋ Ponto International Festival]], which aimed to reflect on the paradoxical layers of our perception and different understandings of media translations.
 }}
 ==Background==
-Together with the theatre director Bojan Jablanovec and the architect Aljoša Kolenc, Vlado Repnik set the ground for his later theatre research oriented projects in the project ''THEATRE'' (GLEDALIŠČE), which in 1988 produced the performance ''Helios'', based on Bertolt Brecht's ''Galileo Galilei'', with the students of the [[Academy of Theatre, Radio, Film and Television (AGRFT)]]. Repnik's subsequent theatre production is marked by continual conceptual shifts, while the projects move along the edges of the visual arts and theatre. In 1990, Repnik created the acclaimed performance ''Brigades of Beauty'' [Brigade lepote], which premièred at [[Cankarjev dom Culture and Congress Centre]] and featured the acclaimed Slovene painter Jože Tisnikar, who performed an autopsy within the performance, thus functioning as the token for the 'intrusion of the real', which later prompted Repnik to call his theatre GVR (Gledališče vdor realnega; in English Theatre the Intrusion of the Real), and ''Gertrude Stein'' (1994), shown at the Pula Festival, Croatia, and at the Prague Quadrennial, as well as directed the performance ''I tempi passati'' (1999) at the [[Mladinsko Theatre]], etc.
+Together with the theatre director Bojan Jablanovec and the architect Aljoša Kolenc, Vlado Repnik set the ground for his later theatre research oriented projects in the project ''THEATRE'' (GLEDALIŠČE), which in 1988 produced the performance ''Helios'', based on Bertolt Brecht's ''Galileo Galilei'', with the students of the [[Academy of Theatre, Radio, Film and Television (AGRFT)]]. Repnik's subsequent theatre production is marked by continual conceptual shifts, while the projects move along the edges of the visual arts and theatre. In 1990, Repnik created the acclaimed performance ''Brigades of Beauty'' [Brigade lepote], which was presented also at the Evrokaz Festival, and ''Gertrude Stein'' (1994), shown at the Pula Festival, Croatia, at the Prague Quadriennal in 1995, and directed the performance ''I tempi passati'' (1999) at the [[Mladinsko Theatre]], etc.
 ==Overview==
-During the last decade, Repnik has been increasingly involved in the internet and intermedia projects, in which he collaborates with a number of artists, coming from the fields of multimedia as well as performing arts. GVR's frequent collaborator is Igor Štromajer of the [[Intima Virtual Base]], with which it collaborated in a number of projects, among them, the intermedia project ''Mary, Piss on Takashi Please!'' [Mojca, polulaj se prosim na Takašija!], in collaboration with Robert Klančnik, staged in March 2005 at [[Museum of Modern Art]], ''MetaModel / MET(k)A MAKETA'' (2007), etc.
+); Lighty Tiny Bird on Tiny Branch, 1996; Apolonija (Grenze am Fluss, Bad Radkesburg, Austria) 1998; I tempi passati, 1999; To Bee or Not to Bee, 2000; Human Rights, 2001 (Cassandra - staged in Madrid, Lisabon, Rome); Gfest, 2002; Back Unit, a fairy tale 2002-2004; The Minotaure Song, 2004; net project, 2004; and the intermedia project Mary, Piss on Takashi Please! in collaboration with Klančnik and Štromajer of [[Intima Virtual Base]], staged in March 2005 at [[Museum of Modern Art]]. In 2006 the Theatre Protocol installation was exhibited in the [[Kapelica Gallery]] in Ljubljana and the All about Lessoto project presented at [[KIBLA Multimedia Centre]] in Maribor.
-In 2008, Repnik in collaboration with Martina Ruhsam initiated in the frame of the [[Mladi levi Festival]] the ''Blank Protest'', a local hour of a global intervention, a follow-up to the similar action held in New York, which featured an exhibition of previous actions in the project's co-producer [[City Museum of Ljubljana]]. The manifestation ''H Story'' (2007), also co-authored by Repnik and Ruhsam, also appeared at the City Museum of Ljubljana.
+The name GVR is not translatable but is expressed by the group as a multitude of linguistic associations in a variety of languages, for example G = Gorgonsole = Gallery = Gotvan = Gledališče (Theatre) = Grizli = Gloksinia = G-spot, V = Virtual = Vade (mecum) = Vdor Intrusion = Vegetarian = Velarius = Vulva = Vaquero, R = Real...
-GVR has also cooperated with the [[Koroška Gallery of Fine Arts, Slovenj Gradec]] with the project ''Shortly After The Re_Move'' (2009), subtitled The Performative Machine and the Exhibition in Progress, featuring Aleksei Blinov, Robert Klančnik, Martina Ruhsam, Igor Štromajer, and Veronika Zott. In 2008, GVR produced a discursive action with translation ''I can work with you because I can speak for myself'' [Lahko delam s teboj, ker lahko govorim zase], presented at [[Škuc Gallery]]. In 2006, the ''Theatre Protocol'' installation was exhibited in the [[Kapelica Gallery]] in Ljubljana and the ''All About Lessoto'' project presented at [[KIBLA Multimedia Centre]] in Maribor.
-==International cooperation==
-Besides collaborations with foreign artists, GVR has also cooperated with Copypaste, Austria, in the polymedia action ''One Dollar One Dollar'' (2007), which was presented in dietheater Künstlerhaus, Vienna, in the frame of the Imagetanz Festival, while GVR's productions appeared in Austria, Madrid, Lisbon, Rome, etc.
 ==See also==

Difference between revisions of "GVR babaLAN Institute"

Revision as of 17:28, 16 March 2010

Contents

Background

Overview

See also

External links

Operated by

Financed by