Difference between revisions of "Slovenia on the Global Music Map"
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| − | In 2015, with the first edition of the showcase festival and conference [[MENT Ljubljana]], produced by [[Kino Šiška Centre for Urban Culture|CUK Kino Šiška]], the local public venue in Ljubljana, the situation slowly started to change. In the beginning, the idea of a Slovenian international showcase festival met a lot of scepticism from some music scenes. That has a lot to deal with the presumption that the idea of music as a non-profit activity with higher symbolic values than greedy money-making was successfully integrated from the policymakers into the cultural field itself. But | + | In 2015, with the first edition of the showcase festival and conference [[MENT Ljubljana]], produced by [[Kino Šiška Centre for Urban Culture|CUK Kino Šiška]], the local public venue in Ljubljana, the situation slowly started to change. In the beginning, the idea of a Slovenian international showcase festival met a lot of scepticism from some music scenes. That has a lot to deal with the presumption that the idea of music as a non-profit activity with higher symbolic values than greedy money-making was successfully integrated from the policymakers into the cultural field itself. But MENT Ljubljana quickly showed results in the more visible presence of Slovenian musicians abroad, especially after joining the international networks such as INES (Innovation Network for European Showcases) and ETEP (European Talent Exchange Programme). |
Revision as of 18:20, 16 February 2021
The good old days
Looking at a couple of examples from the past, we realise that deleting the national borders from one's professional musical career planning should be taken seriously. Truly, many of these past examples are no longer that relevant. The brotherhood with ex-Yugoslav countries is over. The Yugoslav passport, one of the most desirable documents on the global black market way back, which allowed you to travel to the East or the West without a significant problem, is no longer valid.
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Many Slovenian bands benefitted from those "good old days". Unique groups like Laibach, Buldožer, Begnagrad, Borghesia, Pankrti and Videosex can find their names in every encyclopedia of ex-Yugoslav popular music. The vocal skills of singers like Lado Leskovar were adored all around the Soviet brotherhood. Same with the group September and the Slovenian ABBA-style quartet Pepel in kri. And all that jazz! Here's a good moment to tell a half-true joke: Do you know the only thing that could make Frank Sinatra sound even better? Jože Privšek! The legendary Slovenian composer, arranger, conductor and graduate of Boston's Berklee College of Music, fell in love with jazz by listening to Radio Luxembourg back in the 1950s.
This radio station was the holy grail for many Slovenian music lovers interested in new sounds from the West back then.
Successful stories about the internationalisation of Slovenian music echo from other parts of the world as well, with the Avsenik brothers leading the pack. The Avsenik brothers ensemble was internationally known as Das Original Oberkrainer Quartett Avsenik which clearly shows their main market were German-speaking nations. The Avseniks were The Beatles of their music style! Like the music of Fabulous Four, Avsenik's folk-pop reached all the way to the USA. You can find their famous music vibe in a very popular (dixie-) polka music style, which found its capital in Cleveland, Ohio.1
The strategy of the music sector. What strategy?
Thirty years ago, Slovenia found itself among the many post-communist countries that had to focus on building international relevance and visibility almost from scratch. Through the significant role of government entities in creating and routing cultural and creative policies, the distinctions between the understanding of culture (including music) as a tool for preserving the national identity and the other cultural activities as a part of commercial entertainment has started to grow. The lack of a national strategy for the cultural and creative industries and their potential for positive economic and other social impact has forced Slovenian cultural workers (including musicians) to shift their focus toward non-profit cultural activities, described as cultural programmes and projects in the public interest in culture. Although we find many positive results based on this approach – including well-educated musicians, emerging from a strong public music education system and a variety of public supported musical scenes, including alternative, experimental and contemporary music – music as a business opportunity has gotten the short end of the stick. Besides the music quota that obliges the percentage of the national music broadcasted by Slovenian radio stations, there is no government regulation to help the Slovenian music sector to develop and sustain itself as a business.
And yet it moves …
In 2015, with the first edition of the showcase festival and conference MENT Ljubljana, produced by CUK Kino Šiška, the local public venue in Ljubljana, the situation slowly started to change. In the beginning, the idea of a Slovenian international showcase festival met a lot of scepticism from some music scenes. That has a lot to deal with the presumption that the idea of music as a non-profit activity with higher symbolic values than greedy money-making was successfully integrated from the policymakers into the cultural field itself. But MENT Ljubljana quickly showed results in the more visible presence of Slovenian musicians abroad, especially after joining the international networks such as INES (Innovation Network for European Showcases) and ETEP (European Talent Exchange Programme).
SIGIC, the Slovenian Music Information Centre, established in 2004 as a central Slovenian music information point for promoting Slovenian music and musical infrastructure nationally and internationally, has started to deal with vocational training to professionalise the Slovenian music sector. This training mostly focuses on the sector's internalisation and expanding business opportunities beyond the national borders. In 2018, SIGIC started to collaborate with the Centre for Creativity. This newly-founded public entity operates under the auspices of the national public Museum of Architecture and Design, which presents a huge step forward in terms of the Slovenian government understanding the opportunities for the professionalisation of the cultural and creative sector. At the same time, MENT Ljubljana received its first big confirmation from abroad, winning the prestigious European Festival Award in two categories: Best Indoor Festival and Best Small Festival. The ambitions have started to grow on. Internationally active Slovenian music organisations started to present Slovenian music scenes at various musical fairs, such as Jazzahead, Womex and Classical:Next, under the brand Music Slovenia. The brand was established as a music export consortium, aiming to connect over 30 Slovenian organisations that are members of various international musical networks and associations for the transnational cooperation for the circulation of musicians and their musical works. By then, these international collaborations have mostly served for the import of foreign music into Slovenia. Still, international activities have gradually started to more ambitiously include exporting opportunities. In 2020, Music Slovenia joined the EMEE (European Music Exporters Exchange).
Bright stars in the sky
Still, it would be a mistake to think that all about the international presence of Slovenian music is connected to Music Slovenia's initiative and that nothing has happened meanwhile. Many Slovenian musicians have established their international presence based on their own hard work, with proper business planning and with a little help from their friends.
Luka Šulić is the Slovenian part of the world-famous attraction 2Cellos. In 2011, after watching the video of the duo's cover of Michel Jackson's "Smooth Criminal", Sir Elton John invited the duo to join him on tour, and the rest is history. Senidah is also an interesting name to mention in terms of broader recognition. While Šulić's fame is global (although I'm aware that many of his fans don't even know the guy is Slovenian), Senidah is instead shaping the musical taste in the Balkans. While the common music taste of Slovenian listeners has traditionally been very keen to music from Croatia, Serbia and Bosnia, Senidah is turning the direction and bringing Slovenian pop music closer to the spotlight of the audience of Balkans. Speaking about the Balkans, Magnifico needs to be mentioned as well. The Slovenian musician has found a successful career in making film music in collaboration with the Serbian director and actor Dragan Bjelogrdić, which made him one of the most recognised Slovenian musicians in the Balkans and beyond.
What of that big hit acapella cover of Toto's "Africa", using only hands, feet and voice? The choir is called Perpetuum Jazzile; they are made in Slovenia as well. Another case of a Slovenian musician who made a step through the big doors is Vito Žuraj. Then there's the famous Elbphilharmonie, the impressive and revolutionary concert hall in Hamburg, which opened in 2017. Žuraj's piece was performed at the opening event. He was also there, conducting the famous Ensemble Modern playing his compositions.
Even the already mentioned Laibach is still around. If the Avseniks were The Beatles of their genre, Laibach could be The Rolling Stones of the Slovenian music scene. Laibach's long and internationally successful music career celebrated the 40th anniversary in 2020. Same as the Stones, Laibach is still not ready to grow up and get old. Also same as the Stones, Laibach is still riding on the wave of statement and image created and recognised a long time ago, but constantly refreshing it with the nuances of nowadays and serve it to the new generations of curious ears of music lovers. Umek is another Slovenian artist who has made it big, with his fiefdom being electronic dance music. Because Umek also serves as a mentor and influencer of many domestic electronic music producers, the truth might be that electronic music is the strongest Slovenian export potential at the moment.
Also, rock'n'roll is not dead yet. As the winners of the competition for high school bands Špil liga, produced by Kino Šiška and following showcasing at MENT Ljubljana and other INES showcases, the young indie-rock band Koala Voice has become the first test rabbit for a new export scheme. In less than three years, Koala Voice has transformed from a promising high school rock band to experienced music cats that have toured from Liverpool to Moscow. At the moment, Širom is probably the hottest band from Slovenia. With its imaginary folk music, Širom is transforming Slovenian traditional music into another dimension, in which every sound seems to be very close and, at the same time, a hundred galaxies away.
Of course, many more musicians should be mentioned as bright stars showing the potential success for Slovenian music in the international field. If you want to dig deeper, I invite you to use the Listen to Slovenia publication, a pocket music guide, released by SIGIC in 2020. For even more information, check the website Musicslovenia.si where you can find the databases about Slovenian musicians and Slovenian music infrastructure, follow Slovenian musicians on tours and listen to Slovenian music from the Spotify's playlists.
New times are bringing new dreams
The new circumstances that have shaken the global music industry like never before also bring new challenges and new ideas. Is it time to put Slovenian music on the global music map like the legendary small NYC record store Other Music was placed opposite to the giant music mega-store named Tower Records and wrote a great success story? We choose to believe it is. What the story of Other Music teaches us is the power of community. The community of music enthusiasts who believe there is a universe of quality music from different musical genres and parts of the world that must be discovered and supported for the further growing and development. Although it is impossible to predict the future of music industry in general – especially the future of live music performances – the Music Slovenia consortium will closely follow opportunities to sustainably collaborate with various foreign organisations interested in presenting Slovenian music abroad. And vice versa – to enable musicians from other countries to find better opportunities in presenting their music in our country. First of all, we will try to achieve this goal as a member of the HEMI (Hub for the Exchange of Music Innovation) network, which connects nine countries: Estonia, Poland, Czech Republic, Hungary, Slovenia, Serbia, Romania, North Macedonia and Greece. Does it smell like the "good old days" returning to create a more balanced European music map including smaller and underdeveloped music markets? We believe so. What we can learn from the past of Slovenian music and its successful international stories is that the awareness of international opportunities makes national music community stronger, bolder, more curious and more encouraged. Simply, that's how music can become better and more competitive. It's how music life can become more professionalised, including many talents from the field of young musicians and other emerging music professionals.
Notes and external links
1 See the film Polka!, directed by Dušan Moravac (2010) for more on this story. Additional description
Author bio
Peter Baroš is secretary general of SIGIC, the Slovenian Music Information Centre. In 2019, SIGIC founded the brand Music Slovenia as a consortium of different internationally active Slovenian organisations. Baroš was a counsellor for music at the Ministry of Culture of the Republic of Slovenia (2010–2014) and president of IAMIC – International Association of Music Information Centre (2018–2019). He is a member of the board of HEMI – Hub for the Exchange of Music Innovation.
