Difference between revisions of "User:Admin"
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[[File:Alenka_Pirman_bw.jpg|thumb]] | [[File:Alenka_Pirman_bw.jpg|thumb]] | ||
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She graduated from the [[Academy of Fine Arts]] (1989). She was editor-in-chief of the magazines Likovne besede and ''M’zin'' (1991-92), artistic director of the [[Škuc Gallery]] (1990-96), assistant director of the Soros Centre for Contemporary Arts Ljubljana (1997-99), vice-president of the Management Board of the International Contemporary Art Network (ICAN, 1998-99) and co-founder and mentor of the [[Svet umetnosti]] (World of Art) educational programme for contemporary art curators (1996-98). She was editor and head of the [[Artservis]] Internet service (2001-04), and a taxi driver (2007-08). | She graduated from the [[Academy of Fine Arts]] (1989). She was editor-in-chief of the magazines Likovne besede and ''M’zin'' (1991-92), artistic director of the [[Škuc Gallery]] (1990-96), assistant director of the Soros Centre for Contemporary Arts Ljubljana (1997-99), vice-president of the Management Board of the International Contemporary Art Network (ICAN, 1998-99) and co-founder and mentor of the [[Svet umetnosti]] (World of Art) educational programme for contemporary art curators (1996-98). She was editor and head of the [[Artservis]] Internet service (2001-04), and a taxi driver (2007-08). | ||
In the 1990s, her work was predominantly related to three fictitious institutions: the SK8 Museum (1991-93), the ''RIGUSRS - Research Institute for Geo Art Statistics of the Republic of Slovenia'' (1997, with Vuk Ćosić and Irena Woelle), and the ''Domestic Research Institute'' (1994-98). She then collaborated with artistic collectives/platforms like Luther Blissett/01.org (1998) and ''The Bughouse'' (2002-03). She has carried out several methodological exhibition projects, e.g. with a German loanword collection (''Arcticae horulae'', 1995), with a deposited collection of the Police Museum (''The Case. Art and Criminality'', 2005, with Biserka Debeljak). She is a founding member of the [[Domestic Research Society]] (2004), where she develops collaborative exhibition and Internet projects (''The Cabinet'', 2005-; ''[[Unleashed Tongue]]'', 2004-; ''Indija.si'', 2007-). | In the 1990s, her work was predominantly related to three fictitious institutions: the SK8 Museum (1991-93), the ''RIGUSRS - Research Institute for Geo Art Statistics of the Republic of Slovenia'' (1997, with Vuk Ćosić and Irena Woelle), and the ''Domestic Research Institute'' (1994-98). She then collaborated with artistic collectives/platforms like Luther Blissett/01.org (1998) and ''The Bughouse'' (2002-03). She has carried out several methodological exhibition projects, e.g. with a German loanword collection (''Arcticae horulae'', 1995), with a deposited collection of the Police Museum (''The Case. Art and Criminality'', 2005, with Biserka Debeljak). She is a founding member of the [[Domestic Research Society]] (2004), where she develops collaborative exhibition and Internet projects (''The Cabinet'', 2005-; ''[[Unleashed Tongue]]'', 2004-; ''Indija.si'', 2007-). |
Revision as of 19:05, 26 October 2009
About the Admin
Since April 2009 the Admin is Alenka Pirman, editor and developer of the Culture.si project.
She graduated from the Academy of Fine Arts (1989). She was editor-in-chief of the magazines Likovne besede and M’zin (1991-92), artistic director of the Škuc Gallery (1990-96), assistant director of the Soros Centre for Contemporary Arts Ljubljana (1997-99), vice-president of the Management Board of the International Contemporary Art Network (ICAN, 1998-99) and co-founder and mentor of the Svet umetnosti (World of Art) educational programme for contemporary art curators (1996-98). She was editor and head of the Artservis Internet service (2001-04), and a taxi driver (2007-08).
In the 1990s, her work was predominantly related to three fictitious institutions: the SK8 Museum (1991-93), the RIGUSRS - Research Institute for Geo Art Statistics of the Republic of Slovenia (1997, with Vuk Ćosić and Irena Woelle), and the Domestic Research Institute (1994-98). She then collaborated with artistic collectives/platforms like Luther Blissett/01.org (1998) and The Bughouse (2002-03). She has carried out several methodological exhibition projects, e.g. with a German loanword collection (Arcticae horulae, 1995), with a deposited collection of the Police Museum (The Case. Art and Criminality, 2005, with Biserka Debeljak). She is a founding member of the Domestic Research Society (2004), where she develops collaborative exhibition and Internet projects (The Cabinet, 2005-; Unleashed Tongue, 2004-; Indija.si, 2007-).