Difference between revisions of "GVR babaLAN Institute"

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{{Article
 
{{Article
| status      = ROBOT INFOBOX TOPROOFREAD NIFERTIK!
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| status      = PHOTO
| maintainer  =  
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| maintainer  = Katja Kosi
 
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}}
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{{Infobox
 
{{Infobox
| name                = GVR
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| name                = GVR babaLan Institute
 
| localname          = Zavod GVR
 
| localname          = Zavod GVR
 
| street              = Litostrojska 10
 
| street              = Litostrojska 10
 
| town                = SI-1000 Ljubljana
 
| town                = SI-1000 Ljubljana
| telephone          = 386 (0) 1 519 3086
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| telephone          = 386 (0) 31 589 877
 
| email              = gvr@babalan.org
 
| email              = gvr@babalan.org
 
| website            = http://www.babalan.org
 
| website            = http://www.babalan.org
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| name                = Vlado Repnik
 
| name                = Vlado Repnik
 
| role                = Director
 
| role                = Director
| telephone          = 386 (0) 31 589877
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| email              =
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| telephone          =  
 
}}
 
}}
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| accounts          =
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http://vimeo.com/babalan
 
}}
 
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{{Abstract|
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{{Teaser
Babalan.org, aka [[GVR]], is an institute for contemporary multimedia, visual and performing art established by Vlado Repnik. The name GVR is not translatable but is expressed by the group as a multitude of linguistic associations in a variety of languages, for example G = Gorgonsole = Gallery = Gotvan = Gledališče (Theatre) = Grizli = Gloksinia = G-spot, V = Virtual = Vade (mecum) = Vdor Intrusion = Vegetarian = Velarius = Vulva = Vaquero, R = Real =...
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| image = Koala Voice 2015 Kam pa kam.jpg
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[[GVR babaLAN Institute|GVR babaLAN Institute for Contemporary Arts]] is a producer of polymedia art, established in [[established::1992]] by [[Vlado G. Repnik]]. A vehicle for the work of the theatre director, painter and multimedia artist [[Vlado Repnik]], the institute has focused on the production of authorial theatre projects, later on also internet and new media projects as well as interventions in the public space.
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Since 2015 the GVR babaLan projects have been coproduced by [[Kino Šiška Centre for Urban Culture]] (''Kam pa kam?'', ''Luftballett''), or [[KIBLA Multimedia Centre]] in Maribor (''Caravaggio'', ''Situation Map'', ''The Witness'').
 
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Selected projects include Helios, 1988 (together with Bojan Jablanovec and Aljoša Kolenc); Brigades of Beauty, 1990 (Evrokaz Festival, Zagreb); Walter Wolf, 1993; Gertrude Stein, 1994 (Pula Festival, Prague Quadriennal 1995); Lighty Tiny Bird on Tiny Branch, 1996; Apolonija (Grenze am Fluss, Bad Radkesburg, Austria) 1998; I tempi passati, 1999; To Bee or Not to Bee, 2000; Human Rights, 2001 (Cassandra - staged in Madrid, Lisabon, Rome); Gfest, 2002; Back Unit, a fairy tale 2002-2004; The Minotaure Song, 2004; net project, 2004; and the intermedia project Mary, Piss on Takashi Please! in collaboration with Klančnik and Štromajer of [[Intima Virtual Base]], staged in March 2005 at [[Museum of Modern Art Ljubljana]]. In 2006 the Theatre Protocol installation was exhibited in the [[Kapelica Gallery]] in Ljubljana and the All about Lessoto project presented at [[KIBLA Multimedia Centre]] in Maribor.
 
  
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==Background==
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Together with the theatre director [[Bojan Jablanovec]] and the architect [[Aljoša Kolenc]], [[Vlado Repnik]] set the ground for his later theatre research-oriented projects in the project ''THEATRE'' [GLEDALIŠČE], which in 1988 produced the performance ''Helios'', based on Bertolt Brecht's ''Galileo Galilei'', with the students of the [[Academy of Theatre, Radio, Film and Television (AGRFT)]]. Repnik's subsequent theatre production is marked by continual conceptual shifts, while the projects move along the edges of the visual arts and theatre. In 1990, Repnik created the acclaimed performance ''Brigades of Beauty'' [Brigade lepote], which was presented also at the Evrokaz Festival, and ''Gertrude Stein'' (1994), shown at the Pula Festival, Croatia, at the Prague Quadriennal in 1995, and directed the performance ''I tempi passati'' (1999) at the [[Mladinsko Theatre]], etc.
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==New media art projects==
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Later on Repnik has been increasingly involved in Internet and intermedia projects, in which he collaborates with a number of artists coming from the fields of multimedia as well as performing arts. The projects were set into gallery spaces.
 +
 +
In 2006, the installation ''Theatre Protocol'' was exhibited in the [[Kapelica Gallery]] in Ljubljana and the ''All About Lessoto'' project presented at [[KIBLA Multimedia Centre]] in Maribor.
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GVR babaLAN's frequent collaborator was [[Igor Štromajer]] of the [[Intima Virtual Base]], with which it collaborated in a number of projects, among them, the intermedia project ''Mary, Piss on Takashi Please!'' [Mojca, polulaj se prosim na Takašija!], in collaboration with [[Robert Klančnik]], staged in March 2005 at [[Museum of Modern Art]], ''MetaModel / MET(k)A MAKETA'' (2007), etc.
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In 2008, GVR produced a discursive action with the translation ''I can work with you because I can speak for myself'' [Lahko delam s teboj, ker lahko govorim zase], presented at [[Škuc Gallery]].
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The performance ''Evergreen - Comments on Media'' [Evergreen - komentarji o medijih] (2009), co-produced by [[Intima Virtual Base]], along with [[Bunker Institute]] and [[Eẋ Ponto International Festival]] aimed to reflect the paradoxical layers of our perception and different understandings of media translations.
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GVR babaLAN has also cooperated with the [[Koroška Gallery of Fine Arts]] with the project ''Shortly After The Re_Move'' (2009), subtitled ''The Performative Machine and the Exhibition in Progress'', featuring Aleksei Blinov, [[Robert Klančnik]], Martina Ruhsam, [[Igor Štromajer]], and Veronika Zott.
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== Interventions ==
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In 2008, Repnik in collaboration with Austrian contemporary dancer and movement artist Martina Ruhsam initiated in the frame of the [[Mladi levi Festival]] the ''Blank Protest'', a local hour of a global intervention, a follow-up to a similar action held in New York, which featured an exhibition of previous actions in the project's co-producer [[City Museum of Ljubljana]]. The manifestation ''H Story'' (2007), also co-authored by Repnik and Ruhsam, also appeared at the City Museum of Ljubljana.
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{{Vimeo|9570628}}
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==International cooperation==
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Besides collaborations with foreign artists, GVR babaLAN has also cooperated with Copypaste, Austria, in the polymedia action ''One Dollar One Dollar'' (2007), which was presented in dietheater Künstlerhaus, Vienna, in the frame of the Imagetanz Festival, while GVR babaLAN's productions appeared in Austria, Madrid, Lisbon, Rome, etc.
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==See also==
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*  [[Intima Virtual Base]]
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==External links==
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* [http://www.babalan.org/ GVR babaLAN Iinstitute website]
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About the author
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* [http://sl.wikisource.org/wiki/Kastracijski_stroji/English#Vlado_Repnik On Vlado Repnik's opus in ''Castration Machines - Theatre and Art in the Nineties'' by Boris Pintar and Jana Pavlič]
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{{gallery}}
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[[Category:Producers]]
 
[[Category:Theatre producers]]
 
[[Category:Theatre producers]]
[[Category:Theatre groups]]
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[[Category:Theatre]]
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[[Category:Theatre & Dance]]

Latest revision as of 11:40, 16 April 2021





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Zavod GVR
Litostrojska 10, SI-1000 Ljubljana
Phone386 (0) 31 589 877



Koala Voice 2015 Kam pa kam Photo David Lotric.jpgKoala Voice at Kino Šiška Centre for Urban Culture in a theatre performance by Vlado G. Repnik (GVR babaLAN Institute), 2015

GVR babaLAN Institute for Contemporary Arts is a producer of polymedia art, established in 1992 by Vlado G. Repnik. A vehicle for the work of the theatre director, painter and multimedia artist Vlado Repnik, the institute has focused on the production of authorial theatre projects, later on also internet and new media projects as well as interventions in the public space.

Since 2015 the GVR babaLan projects have been coproduced by Kino Šiška Centre for Urban Culture (Kam pa kam?, Luftballett), or KIBLA Multimedia Centre in Maribor (Caravaggio, Situation Map, The Witness).


Background

Together with the theatre director Bojan Jablanovec and the architect Aljoša Kolenc, Vlado Repnik set the ground for his later theatre research-oriented projects in the project THEATRE [GLEDALIŠČE], which in 1988 produced the performance Helios, based on Bertolt Brecht's Galileo Galilei, with the students of the Academy of Theatre, Radio, Film and Television (AGRFT). Repnik's subsequent theatre production is marked by continual conceptual shifts, while the projects move along the edges of the visual arts and theatre. In 1990, Repnik created the acclaimed performance Brigades of Beauty [Brigade lepote], which was presented also at the Evrokaz Festival, and Gertrude Stein (1994), shown at the Pula Festival, Croatia, at the Prague Quadriennal in 1995, and directed the performance I tempi passati (1999) at the Mladinsko Theatre, etc.

New media art projects

Later on Repnik has been increasingly involved in Internet and intermedia projects, in which he collaborates with a number of artists coming from the fields of multimedia as well as performing arts. The projects were set into gallery spaces.

In 2006, the installation Theatre Protocol was exhibited in the Kapelica Gallery in Ljubljana and the All About Lessoto project presented at KIBLA Multimedia Centre in Maribor.

GVR babaLAN's frequent collaborator was Igor Štromajer of the Intima Virtual Base, with which it collaborated in a number of projects, among them, the intermedia project Mary, Piss on Takashi Please! [Mojca, polulaj se prosim na Takašija!], in collaboration with Robert Klančnik, staged in March 2005 at Museum of Modern Art, MetaModel / MET(k)A MAKETA (2007), etc.

In 2008, GVR produced a discursive action with the translation I can work with you because I can speak for myself [Lahko delam s teboj, ker lahko govorim zase], presented at Škuc Gallery.

The performance Evergreen - Comments on Media [Evergreen - komentarji o medijih] (2009), co-produced by Intima Virtual Base, along with Bunker Institute and Eẋ Ponto International Festival aimed to reflect the paradoxical layers of our perception and different understandings of media translations.


GVR babaLAN has also cooperated with the Koroška Gallery of Fine Arts with the project Shortly After The Re_Move (2009), subtitled The Performative Machine and the Exhibition in Progress, featuring Aleksei Blinov, Robert Klančnik, Martina Ruhsam, Igor Štromajer, and Veronika Zott.

Interventions

In 2008, Repnik in collaboration with Austrian contemporary dancer and movement artist Martina Ruhsam initiated in the frame of the Mladi levi Festival the Blank Protest, a local hour of a global intervention, a follow-up to a similar action held in New York, which featured an exhibition of previous actions in the project's co-producer City Museum of Ljubljana. The manifestation H Story (2007), also co-authored by Repnik and Ruhsam, also appeared at the City Museum of Ljubljana.

International cooperation

Besides collaborations with foreign artists, GVR babaLAN has also cooperated with Copypaste, Austria, in the polymedia action One Dollar One Dollar (2007), which was presented in dietheater Künstlerhaus, Vienna, in the frame of the Imagetanz Festival, while GVR babaLAN's productions appeared in Austria, Madrid, Lisbon, Rome, etc.


See also

External links


About the author

Gallery

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SI-1000 Ljubljana +
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+386 / 1 519 3086 +
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