Difference between revisions of "Defonija"

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{{Article
 
{{Article
| status      = WRITING INFOBOX TOPROOFREAD NIFERTIK!
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| status      = INFOBOX  
 
| maintainer  = Anže Zorman
 
| maintainer  = Anže Zorman
 
}}
 
}}
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{{Infobox
 
{{Infobox
 
| name              = Defonija
 
| name              = Defonija
| local name        =
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| local name        = Defonija
| image             =  
+
| logo             =  
| street            =  
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| street            = Masarykova 24
| town              =  
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| town              = SI-1000 Ljubljana
| website            =  
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| website            = http://www.klubgromka.org/index.php?mode=about&sklop=6
| email              =  
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| email              = klub.gromka@gmail.com
 
| telephone          =  
 
| telephone          =  
 
| fax                =  
 
| fax                =  
 
| founded by        =
 
| founded by        =
| organised by      =
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| organised by      = Miha Zadnikar
| organised by 2    =
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| organised by 2    = Klub Gromka
 
| organised by 3    =
 
| organised by 3    =
 
| managed by        =  
 
| managed by        =  
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   | website    =  
 
   | website    =  
 
   | email      = defonija@gmail.com
 
   | email      = defonija@gmail.com
   | telephone  = 386 (0) 31 505 610
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   | telephone  = 386 (0) 31 433 787
  | fax        =
 
  }}{{Contact
 
  | name        =
 
  | role        =
 
  | street      =
 
  | town        =
 
  | website    =
 
  | email      =
 
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   | fax        =  
 
   | fax        =  
 
   }}
 
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{{Teaser|  
 
{{Teaser|  
Nominally put, [[Defonija]] is a concert cycle dealing with free and unbound musics, around which gravitate signifiers like free and avant jazz, improvisation, experimental music, avant-rock, noise and other similar musical aesthetics. In [[established::1999]] Defonija started as a weekly series of DJ evenings, where interesting, peripheral and xx music was presented to the interested crowd. With time, these "defonic" evenings evolved into a regular, if sporadically set series of music events, that contextualised themselves into something beyond a mere concert cycle.
+
Nominally put, [[Defonija]] is a concert cycle dealing with free and unbound music, around which gravitate signifiers like free and avant-jazz, improvisation, experimental music, avant-rock, noise, and other similar musical aesthetics. In [[established::1999]], Defonija started as a weekly series of DJ evenings, where interesting, peripheral, and challenging music was presented to an interested crowd. With time, these "defonic" evenings evolved into a regular, if sporadically set series of music events, which contextualised themselves into something beyond a mere concert cycle.
 +
}}
  
The elusive and often unpredictable musical selection by the concert series organiser and presenter [[Miha Zadnikar]] brought to Slovene audiences a palette of outstanding, fresh, intriguing and challenging music. As such, the Defonija evenings has xx expanded the cultural scopes of its relatively small but dedicated audience and also contributed to the field of musical journalism, enriching the abstraction of musical forms and competences... Besides that it also acts as an archive, as it recorded and stored concerts almost since its start, making them available to the performing artists and setting up a historical fxx.
+
==Impact==
  
Defonija also transcends the concert opredelitev by presenting not only sonic artists but bringing also those dealing with the visual and cinematic. Furthermore, the type of hosted music
+
The elusive and often unpredictable musical selection by the concert series organiser and presenter [[Miha Zadnikar]] brought to the Slovene audiences a wide palette of outstanding, fresh, intriguing, and "in-between" music. As such, the Defonija cycle has much expanded the cultural scopes of its relatively small but dedicated audience; it also enriched the field of musical critique, demanding a development of journalistic language for the numerous abstract musical forms. Defonija also acts as an archive and has been recording and storing its concerts almost since its start, making them available to the performing artists and also setting up a historical fund. For its cultural impact, the series was awarded the [[Golden Bird Award]] award in 2010.
  
interactive, alive and much connected with the undoubtably  very special, even intimate concert setting of Klub Gromka, where Defonija has settled (and only occasionally ventured to other Metelkova venues).
+
Last but not least, the concert definition is transcended by presenting not only sonic artists but also bringing those dealing with the visual and cinematic. Furthermore, the intimate setting of [[Klub Gromka]] (where Defonija has settled and from where it only occasionally ventures to other [[Metelkova mesto Autonomous Cultural Zone|Metelkova]] venues) and the type of music hosted on its stage constantly defy a one-way presentation, allowing for a more interactive, lively, and spatialised musical communication.
  
In spite of the pertinetn intellectualism, as Bratko Bibič expressed himseld, Defonija lies halfway between naprvožogo beat and intellectualism, treating the in-between positioning a pertinent component since the start.
+
== Hosted artists ==
}}
 
  
== Hosted artists ==
+
Presenting the currents of musical history in the making as well as artists of historical importance, a random selection of hosted acts by Defonija could include Charles Gayle, Joëlle Léandre, Marc Ribot, Trevor Watts, Ingrid Laubrock, The Ex, Otto Lechner, Peter Brötzmann, Gerry Hemingway, Assif Tsahar, Eugene Chadbourne, Ken Vandermark, Henry Grimes, and Jérôme Noetinger.
  
Presenting the current currents of current historical trends in peripheral musics and artists of historical importance, a random selection of hosted acts could include Charley Lyojd, Joelle Leander, Marc Ribot, Trevor Watts, Ingrid Laubrock, The Ex, Otto Lechner, Peter brotzman Gerry Hemingway, Assif Tsahar, Eugene Chadborne, Ken Vandermark Henry Grimes and Jerome Noetinger. Sometimes seen alomost as residents of the club and thus seperately enlisted is a number of excellent Swedish artists like Mats Gustafson, Ingebrit aker Flaken and paal Nilsen Love (who released a record containg excperts of his two evenings long concert with Fjode Gjerstad).
+
Regular guests that are sometimes almost seen as residents and thus separately enlisted are also a few excellent Swedish artists like Mats Gustafsson, Ingebrigt Håker Flaten, and Paal Nilssen-Love (who, in 2010, released a record containing excerpts of his two-evening long Defonija concert with Frode Gjerstad).  
  
Setting a high standard somewhat limited the amount of hosted local musicans, and of the few nekaj are Zlatko kaučič, Bratko Bibič, VInko Globokar, Tomaž Grom, Alzheimer Trio Lolita and Kraški Solisti
+
Of those local musicians one should mention [[Zlatko Kaučič Kombo|Zlatko Kaučič]], [[Bratko Bibič & The Madleys|Bratko Bibič]], [[Vinko Globokar]], [[Sploh Institute|Tomaž Grom]], [[Alzheimer3]], [[Lolita]], and [[Kraški solisti]] appeared on "defonic" evenings.
  
The aforementioned intimate concert setting and accoustucs, alongside the knowledgable crowd and proper hosting amounts much to the musical pallete, as Defonija has made its name in circles of musicians, ebing an attractive and plodno context for musical creativity.
+
Considering a limited budget and a DIY approach, the aforementioned intimate concert setting and acoustics, a knowledgeable crowd, a well-connected organiser, and an artist-friendly policy amount a lot to the relatively "big" names that have thus been brought to the stage of [[Klub Gromka]].
  
 
== Collaborations  ==
 
== Collaborations  ==
  
Besides collaborating in some years with [[City of Women Festival]] andvstavljena into their programm, one evening of Defonija is since 2009,also integrated into the program scheme of [[Ljubljana Jazz Festival]]. Defonija also associates itself with other protagonists of intruiging music and thus works and promotes the advancment of the scene.  
+
Besides occasionally collaborating with the [[City of Women International Festival of Contemporary Arts|City of Women Festival]] and complementing their programme, Defonija has since 2009 also integrated into the program scheme of [[Ljubljana Jazz Festival]]. By associating itself with some other protagonists of intriguing music, Defonija thus actively works and promotes the advancement of the scene.  
 
 
  
 
{{YouTube|ltCbif-AUWg}}
 
{{YouTube|ltCbif-AUWg}}
 
  
 
== See also ==
 
== See also ==
 
 
* [[Klub Gromka]]
 
* [[Klub Gromka]]
 
* [[Metelkova mesto Autonomous Cultural Zone]]
 
* [[Metelkova mesto Autonomous Cultural Zone]]
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== External links ==
 
== External links ==
 +
* [http://www.klubgromka.org/index.php?mode=program&lang=eng Gromka Club website] (partly in English)
 +
* [http://www.dnevnik.si/tiskane_izdaje/dnevnik/1042345118 Interview with Miha Zadnikar in] [[Dnevnik]] (in Slovenian)
 +
 +
[[Category:Music]]
 +
[[Category:Music event organisers]]
 +
[[Category:Event organisers]]
 +
 +
[[Category:Updated 2017]]
 +
 +
[[Category:Jazz]]
  
* [http://www.dnevnik.si/tiskane_izdaje/dnevnik/1042345118 Interview with Miha Zadnikar, xx of Defonija] (in Slovene)
+
{{Gallery}}
 +
[[Category:Music_festival_and_event_organisers]]

Latest revision as of 01:25, 19 February 2021




Contact





Nominally put, Defonija is a concert cycle dealing with free and unbound music, around which gravitate signifiers like free and avant-jazz, improvisation, experimental music, avant-rock, noise, and other similar musical aesthetics. In 1999, Defonija started as a weekly series of DJ evenings, where interesting, peripheral, and challenging music was presented to an interested crowd. With time, these "defonic" evenings evolved into a regular, if sporadically set series of music events, which contextualised themselves into something beyond a mere concert cycle.


Impact

The elusive and often unpredictable musical selection by the concert series organiser and presenter Miha Zadnikar brought to the Slovene audiences a wide palette of outstanding, fresh, intriguing, and "in-between" music. As such, the Defonija cycle has much expanded the cultural scopes of its relatively small but dedicated audience; it also enriched the field of musical critique, demanding a development of journalistic language for the numerous abstract musical forms. Defonija also acts as an archive and has been recording and storing its concerts almost since its start, making them available to the performing artists and also setting up a historical fund. For its cultural impact, the series was awarded the Golden Bird Award award in 2010.

Last but not least, the concert definition is transcended by presenting not only sonic artists but also bringing those dealing with the visual and cinematic. Furthermore, the intimate setting of Klub Gromka (where Defonija has settled and from where it only occasionally ventures to other Metelkova venues) and the type of music hosted on its stage constantly defy a one-way presentation, allowing for a more interactive, lively, and spatialised musical communication.

Hosted artists

Presenting the currents of musical history in the making as well as artists of historical importance, a random selection of hosted acts by Defonija could include Charles Gayle, Joëlle Léandre, Marc Ribot, Trevor Watts, Ingrid Laubrock, The Ex, Otto Lechner, Peter Brötzmann, Gerry Hemingway, Assif Tsahar, Eugene Chadbourne, Ken Vandermark, Henry Grimes, and Jérôme Noetinger.

Regular guests that are sometimes almost seen as residents and thus separately enlisted are also a few excellent Swedish artists like Mats Gustafsson, Ingebrigt Håker Flaten, and Paal Nilssen-Love (who, in 2010, released a record containing excerpts of his two-evening long Defonija concert with Frode Gjerstad).

Of those local musicians one should mention Zlatko Kaučič, Bratko Bibič, Vinko Globokar, Tomaž Grom, Alzheimer3, Lolita, and Kraški solisti appeared on "defonic" evenings.

Considering a limited budget and a DIY approach, the aforementioned intimate concert setting and acoustics, a knowledgeable crowd, a well-connected organiser, and an artist-friendly policy amount a lot to the relatively "big" names that have thus been brought to the stage of Klub Gromka.

Collaborations

Besides occasionally collaborating with the City of Women Festival and complementing their programme, Defonija has since 2009 also integrated into the program scheme of Ljubljana Jazz Festival. By associating itself with some other protagonists of intriguing music, Defonija thus actively works and promotes the advancement of the scene.

See also

External links

Gallery

... more about "Defonija"
Defonija +
Defonija +
SI-1000 Ljubljana +
Masarykova 24 +
Nominally put, Defonija is a concert cycle dealing with free and unbound music, around which gravitate signifiers like free and avant-jazz, improvisation, experimental music, avant-rock, noise, and other similar musical aesthetics. +
Nominally put, Defonija is a concert cycle dealing with free and unbound music, around which gravitate signifiers like free and avant-jazz, improvisation, experimental music, avant-rock, noise, and other similar musical aesthetics. +
Ljubljana +
SI-1000 +
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