Zavod CCC
Masarykova 24, SI-1000 Ljubljana
Phone386 (0) 1 361 8223
Difference between revisions of "CrossCommunityCreation Institute"
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{{Infobox | {{Infobox | ||
| − | | name = | + | | name = CrossCommunityCreation Institute |
| localname = Zavod CCC | | localname = Zavod CCC | ||
| street = Masarykova 24 | | street = Masarykova 24 | ||
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| name = Zvonka Simčič | | name = Zvonka Simčič | ||
| role = Director | | role = Director | ||
| + | zvonka.simcic@siol.net | ||
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| − | The [[CrossCommunityCreation Institute | + | |
| + | The [[CrossCommunityCreation Institute]] derived from the CrossConversationCut Institute founded by [[Zvonka Simčič]] in 2006 [[established::2006]]. The CCC Institute engages in multimedia art in its social environment tackling especially human social status, political position and gender issues. Within her projects [[Zvonka Simčič]] often adopts a role of a performer and presents her work through (interactive) videos, performances, installations (digital photography), computer animation and sound projects. | ||
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The institute produced projects by [[Zvonka T Simčič]] such as the performance ''New Allegories'', the installation and performance ''Second Dynamics'', and the project ''ad utero, ab ovo'' (2007) which refers to the author's personal experience of becoming a mother by artificial insemination. The project was used as a basis for the performance ''Festivity // PrazNIČnost'' by [[Zvonka T Simčič]] and [[Franc Cegnar]] presented on the exhibition ''Re-production'' in Sofia Arsenal – Musem for Contemporary Art in 2011. | The institute produced projects by [[Zvonka T Simčič]] such as the performance ''New Allegories'', the installation and performance ''Second Dynamics'', and the project ''ad utero, ab ovo'' (2007) which refers to the author's personal experience of becoming a mother by artificial insemination. The project was used as a basis for the performance ''Festivity // PrazNIČnost'' by [[Zvonka T Simčič]] and [[Franc Cegnar]] presented on the exhibition ''Re-production'' in Sofia Arsenal – Musem for Contemporary Art in 2011. | ||
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CCC also co-produces an interactive audio visual installation in an urban area ''Putting into Sound''. The project takes the form of a special concert connecting nature, visitors, and the artists [[Zvonka T Simčič]], [[Borut Savski]], [[Franc Cegnar]], [[Miha Tomšič]], [[Katarina Živec Kovač]], [[Ksenja Jus]], and others. Since 2009 ''Putting into Sound'' has been upgraded and presented every year in Lipnik Park ([[Ljubljana Castle]]) and at Zbilje Lake. | CCC also co-produces an interactive audio visual installation in an urban area ''Putting into Sound''. The project takes the form of a special concert connecting nature, visitors, and the artists [[Zvonka T Simčič]], [[Borut Savski]], [[Franc Cegnar]], [[Miha Tomšič]], [[Katarina Živec Kovač]], [[Ksenja Jus]], and others. Since 2009 ''Putting into Sound'' has been upgraded and presented every year in Lipnik Park ([[Ljubljana Castle]]) and at Zbilje Lake. | ||
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| + | ==Background== | ||
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| + | After her studies of painting at the [[Academy of Fine Arts and Design|Academy of Fine Arts]] in Ljubljana [[Zvonka Simčič]] has exhibited her work via installations, video, performance and photography since 1988. Since 1998 she has been engaged also in the experimental ethno musical ensemble Uluru. | ||
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| + | In 2001 [[Zvonka Simčič]] and [[Tanja Vujinović]] established Automata Institute, a production platform that produced the collaborative projects of the artistic duo as well as projects of other artists and groups, particularly in the context of video art, digital photography, video and sound installations, and Internet multimedia installation. Some of their most important projects were ''Hardbody'' (2003) which combines various media and content; the series ''Plasma'' (2003), a perfume art project constructed from elements of fashion and glamour out of material that documents media scandals; documentary style digital photographs ''Allergies'' and others. Projects were often thematically linked with research of the human body and physicality, especially representations of disciplined bodies (the project ''Dinamo'', for instance) and social manifestations of sexuality. They also dealt with the world of mass media, disclosure of ideologisation, social conventions, and the narrations of Western culture. The work was summarised in a monograph ''Collaborative Works'' by [[Tanja Vujinović]], [[Zvonka T Simčič]], [[Jan Kušej]], and [[Dunja Kukovec]] in 2004. Their works have been included in collective exhibitions such as the Euroscreen21 project, Zero Visibility, Theory Multimedia NetNoise and Web Biennial Istanbul. | ||
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| + | In 2006 the platform was divided into two art production and research non-governmental institution, the CCC (CrossCommunityCreation) run by [[Zvonka Simčič]] and the [[Ultramono Institute]]) run by [[Tanja Vujinović]] in collaboration with [[Jan Kušej]]. | ||
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==See also== | ==See also== | ||
Revision as of 13:32, 23 June 2013
Contact
Past Events
-
24 Nov 2014
Obsession, directed by Marina Gržinić and Aina Šmid (CrossCommunityCreation Institute), at Faces of Eastern Europe, supported by the Embassy of the Republic of Slovenia Washington,
The institute produced projects by Zvonka T Simčič such as the performance New Allegories, the installation and performance Second Dynamics, and the project ad utero, ab ovo (2007) which refers to the author's personal experience of becoming a mother by artificial insemination. The project was used as a basis for the performance Festivity // PrazNIČnost by Zvonka T Simčič and Franc Cegnar presented on the exhibition Re-production in Sofia Arsenal – Musem for Contemporary Art in 2011.
CCC's video production also includes the Obsession (2008), Naked Freedom (2010) and Decoloniality (2011) by Marina Grzinić and Aina Šmid. The videos have been presented on many important exhibitions in Slovenia and abroad. For example, Naked Freedom conceptualises the possibility of social change under the conditions of financial capitalism and has been presented at the City of Women International Festival of Contemporary Arts,Performa Festival in Kunstraum NIEDEROESTERREICH (Vienna), Calvat 22 Gallery (London), etc.
Sound plays an important part in the productions of CCC. The CCC Institute includes the Uluru Ensemble, an ethnic experimental ensemble (established in 1998) that participated in the City of Women International Festival of Contemporary Arts in 2007.
CCC also co-produces an interactive audio visual installation in an urban area Putting into Sound. The project takes the form of a special concert connecting nature, visitors, and the artists Zvonka T Simčič, Borut Savski, Franc Cegnar, Miha Tomšič, Katarina Živec Kovač, Ksenja Jus, and others. Since 2009 Putting into Sound has been upgraded and presented every year in Lipnik Park (Ljubljana Castle) and at Zbilje Lake.
Background
After her studies of painting at the Academy of Fine Arts in Ljubljana Zvonka Simčič has exhibited her work via installations, video, performance and photography since 1988. Since 1998 she has been engaged also in the experimental ethno musical ensemble Uluru.
In 2001 Zvonka Simčič and Tanja Vujinović established Automata Institute, a production platform that produced the collaborative projects of the artistic duo as well as projects of other artists and groups, particularly in the context of video art, digital photography, video and sound installations, and Internet multimedia installation. Some of their most important projects were Hardbody (2003) which combines various media and content; the series Plasma (2003), a perfume art project constructed from elements of fashion and glamour out of material that documents media scandals; documentary style digital photographs Allergies and others. Projects were often thematically linked with research of the human body and physicality, especially representations of disciplined bodies (the project Dinamo, for instance) and social manifestations of sexuality. They also dealt with the world of mass media, disclosure of ideologisation, social conventions, and the narrations of Western culture. The work was summarised in a monograph Collaborative Works by Tanja Vujinović, Zvonka T Simčič, Jan Kušej, and Dunja Kukovec in 2004. Their works have been included in collective exhibitions such as the Euroscreen21 project, Zero Visibility, Theory Multimedia NetNoise and Web Biennial Istanbul.
In 2006 the platform was divided into two art production and research non-governmental institution, the CCC (CrossCommunityCreation) run by Zvonka Simčič and the Ultramono Institute) run by Tanja Vujinović in collaboration with Jan Kušej.
See also
External links
... more about "CrossCommunityCreation Institute"
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The CrossCommunityCreation Institute derived from the CrossConversationCut Institute founded by Zvonka Simčič in 2006. +
The CrossCommunityCreation Institute derived from the CrossConversationCut Institute founded by Zvonka Simčič in 2006. +
Zavod CCC se ukvarja z mumedijsko umetnostjo in razvija projekte, povezane z vprašanji socialnih statusov, političnih pozicij, spola, etc. +
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