Društvo Osum
Beethovnova 14, SI-1000 Ljubljana
Phone386 (0) 1 251 9121
Difference between revisions of "Osum Association"
From Culture.si
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| name = Matej Filipčič | | name = Matej Filipčič | ||
| role = Director | | role = Director | ||
| + | | telephone = 386 (0) 31 308 186 | ||
| + | | email = matej.filipcic@guest.arnes.si | ||
}} | }} | ||
| accounts = | | accounts = | ||
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{{Teaser| | {{Teaser| | ||
| − | The [[Osum Association]] was established in [[established::2003]] by [[Matej Filipčič]], who has made a name for himself as an architect, an actor (during the 1990s he acted in performances by [[Tomaž Štrucl]] and [[Barbara Novakovič]]) ([[Muzeum Institute]]), a dancer (''Melancholic Thoughts'' by [[Fourklor]]), a stage designer (at [[Ljubljana City Theatre (MGL)]] and [[Slovene National Theatre Opera and Ballet Ljubljana]]) and a director of his own performances. | + | The [[Osum Association]] was established in [[established::2003]] by [[Matej Filipčič]], who has made a name for himself as an architect, an actor (during the 1990s he acted in performances by [[Tomaž Štrucl]] and [[Barbara Novakovič]]) ([[Muzeum Institute]]), a dancer (''Melancholic Thoughts'' by [[Fourklor]]), a stage designer (at [[Ljubljana City Theatre (MGL)]] and [[Slovene National Theatre Opera and Ballet Ljubljana]]) and a director of his own performances. |
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| + | [[Matej Filipčič]] engages in the production and post-production of contemporary theatre in juxtaposition with architecture. His authorial theatre projects that are based on classic artworks or historical themes (''Death in Venice'', ''Personae'', ''Tosca'', ''Marie Antoinette'') has been often translated into exhibition or film medium. | ||
}} | }} | ||
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== Theatre projects == | == Theatre projects == | ||
| − | Since 2000, Matej Filipčič has conceived, directed and designed the sets for a line of independent authorial architecture-theatre projects: ''Interiors'', 2000, ''Osum'', 2002, ''Sanset'', 2004, ''Ko mine'' (''When it goes by''), 2005, ''La La La...'', 2007, ''Tosca'', 2008, '' | + | Since 2000, Matej Filipčič has conceived, directed and designed the sets for a line of independent authorial architecture-theatre projects: ''Interiors'', 2000, ''Osum'', 2002, ''Sanset'', 2004, ''Ko mine'' (''When it goes by''), 2005, ''La La La...'', 2007, ''Tosca'', 2008, ''Marie Antoniette'', 2010, ''A melancholic croquis'', 2015. The performances were presented at international festivals in Potsdam, Reims, Paris, and Naples. |
{{YouTube|b_fRaGVI1hw}} | {{YouTube|b_fRaGVI1hw}} | ||
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== Theatre objects and exhibitions == | == Theatre objects and exhibitions == | ||
| − | Matej Filipčič devotes special attention to theatrical space and objects in correlation with the narrative. In 2000, he mounted a retrospective exhibition of his sets and theatre elements at the [[Jakopič Gallery]], where the gallery exhibits carried the narration and the memory of the performances. His | + | Matej Filipčič devotes special attention to theatrical space and objects in correlation with the narrative. In 2000, he mounted ''Theatre objects'', a retrospective exhibition of his sets and theatre elements at the [[Jakopič Gallery]], where the gallery exhibits carried the narration and the memory of the performances. His further theatre-gallery exhibits were ''Marie Antoinette'', 2011, and ''A Crack In A Cosmic Egg'', 2017. |
{{YouTube|zY5VoGffLrU}} | {{YouTube|zY5VoGffLrU}} | ||
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| + | == Short film == | ||
| + | |||
| + | The Filipčič’s theatre performances architectural structure is reminiscent of film framing and thus naturally led to the translation of his two theatre performances (''Osum'' and ''Interieri'') into film medium. | ||
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| + | {{YouTube|5IStWoH97UM}} | ||
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== External links == | == External links == | ||
Revision as of 12:31, 22 January 2018
Contact
Theatre projects
Since 2000, Matej Filipčič has conceived, directed and designed the sets for a line of independent authorial architecture-theatre projects: Interiors, 2000, Osum, 2002, Sanset, 2004, Ko mine (When it goes by), 2005, La La La..., 2007, Tosca, 2008, Marie Antoniette, 2010, A melancholic croquis, 2015. The performances were presented at international festivals in Potsdam, Reims, Paris, and Naples.
{{#oembed:https://www.youtube.com/watch?v=b_fRaGVI1hw%7C576}}
Theatre objects and exhibitions
Matej Filipčič devotes special attention to theatrical space and objects in correlation with the narrative. In 2000, he mounted Theatre objects, a retrospective exhibition of his sets and theatre elements at the Jakopič Gallery, where the gallery exhibits carried the narration and the memory of the performances. His further theatre-gallery exhibits were Marie Antoinette, 2011, and A Crack In A Cosmic Egg, 2017.
{{#oembed:https://www.youtube.com/watch?v=zY5VoGffLrU%7C576}}
Short film
The Filipčič’s theatre performances architectural structure is reminiscent of film framing and thus naturally led to the translation of his two theatre performances (Osum and Interieri) into film medium.
{{#oembed:https://www.youtube.com/watch?v=5IStWoH97UM%7C576}}
External links
... more about "Osum Association"
2,003 +
The Osum Association … The Osum Association was established in 2003 by Matej Filipčič, who has made a name for himself as an architect, an actor (during the 1990s he acted in performances by Tomaž Štrucl and Barbara Novakovič) (Muzeum Institute), a dancer (Melancholic Thoughts by Fourklor), a stage designer (at Ljubljana City Theatre (MGL) and Slovene National Theatre Opera and Ballet Ljubljana) and a director of his own performances.vene National Theatre Opera and Ballet Ljubljana]]) and a director of his own performances. +
The Osum Association was established in 20 … The Osum Association was established in 2003 by Matej Filipčič, who has made a name for himself as an architect, an actor (during the 1990s he acted in performances by Tomaž Štrucl and Barbara Novakovič) (Muzeum Institute), a dancer (Melancholic Thoughts by Fourklor), a stage designer (at Ljubljana City Theatre (MGL) and Slovene National Theatre Opera and Ballet Ljubljana) and a director of his own performances.a) and a director of his own performances. +
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