Difference between revisions of "P.A.R.A.S.I.T.E. Institute"
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− | The [[P.A.R.A.S.I.T.E. Institute]] is the | + | The [[P.A.R.A.S.I.T.E. Institute]] is the umbrella institution for activities of the internationally renowned Slovene artist [[Tadej Pogačar]] and his adherents. Nowadays it runs two independent spaces in Ljubljana: the [[P74 Centre and Gallery]] and the [[Kapsula Gallery]]. It is the founder and organiser of the [[OHO Group Award]]. Lately it has turned its focused to artist books with the aim not only to produce, present, distribute, and sell them (to international art fairs, in both exhibiting spaces, and by the Internet), but it also forms the ''Collection of the artist book of the P.A.R.A.S.I.T.E. Institute''. Last but not least, the institute is the grounding for the [[P.A.R.A.S.I.T.E. Museum of Contemporary Art (PMCA)]] – Pogačar´s variegated and rich art production, known internationally for its methodology called the "new parasitism". |
}} | }} | ||
==History== | ==History== | ||
− | The historical base for the P.A.R.A.S.I.T.E. Institute was the series of Tadej | + | The historical base for the P.A.R.A.S.I.T.E. Institute was the series of Tadej Pogačar's art projects entitled the Museum of Contemporary Art realised in the beginning of the 1990s, what was in [[Established::1993]] renamed and established as official institution named the P.A.R.A.S.I.T.E. Museum of Contemporary Art (PMCA). Since then many projects were accomplished and further branches of the institute were formed: in 1999 the P74 Centre and Gallery was opened at Prušnikova 74 in Ljubljana's Šentvid neighbourhood, on the periphery of the Slovene capital. To bring the gallery activities in many senses closer to the public and with the intention to be the player of the (international) art market the [[Kapsula Gallery]] was opened in 2008. |
==PCMA== | ==PCMA== | ||
PMCA became renowned for the reworking of the logotype of the Museum of Contemporary Art Chicago and the theft of the introductory speech of the director of the Guggenheim from its homepage. | PMCA became renowned for the reworking of the logotype of the Museum of Contemporary Art Chicago and the theft of the introductory speech of the director of the Guggenheim from its homepage. | ||
− | PMCA functions as a virtual institution which exists without its own space and employees, but rather merely settles into territories, locations and networks and feeds off the juices of institutions and operates according to the principles of new parasitism. Its operation is so oriented into the analysis and deconstruction of the symbolic centres of power and the search for parallel models of cultural, economic and social operation. The PCMA | + | PMCA functions as a virtual institution which exists without its own space and employees, but rather merely settles into territories, locations and networks and feeds off the juices of institutions and operates according to the principles of new parasitism. Its operation is so oriented into the analysis and deconstruction of the symbolic centres of power and the search for parallel models of cultural, economic, and social operation. The PCMA establishes inter-specific relations with institutions and social groups in order to enforce changes in the operation with the analysis of relations and actions within the systems. In recent collaborative projects PMCA deals with the research and analysis of alternative urban strategies, parallel economies, and human trafficking in selected urban areas. |
− | + | Numerous interventions into the other museum collections followed, including the collection of Ljubljana's [[Museum of Modern Art]]; Tretjak’s African Collection at [[Koroška Gallery of Fine Arts, Slovenj Gradec]]; the collection of the [[National Museum of Contemporary History]] Ljubljana; Museum Boijmans Van Beuningen, Rotterdam; Naturmeuseum, Rotterdam; Mucsarnok, Budapest; Moderna Museet, Stockholm; Max Liebermann Haus, Berlin. | |
− | Numerous interventions into the other museum collections followed, including collection of [[Museum of Modern Art]]; Tretjak’s African Collection at [[Koroška Gallery of Fine Arts, Slovenj Gradec]]; the collection of the [[National Museum of Contemporary History]] Ljubljana; Museum Boijmans Van Beuningen, Rotterdam; Naturmeuseum, Rotterdam; Mucsarnok, Budapest; Moderna Museet, Stockholm; Max Liebermann Haus, Berlin. | ||
The PMCA received wide media attention and fame with the organisation of the ''1st World Congress of Sex Workers'' at the 49th Venice Biennale and of New Parasitism at the Padiglione dei Sex Worker in Giardini. It has cooperated on a number of international manifestations on the Tirana Biennale (2005), International Biennale of Contemporary Art Prague (2005), São Paulo Art Biennial (2006), International Istanbul Biennial (2007), and the Biennial of the Canary Islands (2009). | The PMCA received wide media attention and fame with the organisation of the ''1st World Congress of Sex Workers'' at the 49th Venice Biennale and of New Parasitism at the Padiglione dei Sex Worker in Giardini. It has cooperated on a number of international manifestations on the Tirana Biennale (2005), International Biennale of Contemporary Art Prague (2005), São Paulo Art Biennial (2006), International Istanbul Biennial (2007), and the Biennial of the Canary Islands (2009). | ||
− | One of the most echoed | + | One of the most echoed projects of the PMCA was ''Kings of the Street'' (1995), also one of the first artistic street actions with Ljubljana's homeless people, as well the on-going collaborative trans-disciplinary project CODE:RED (1999/2000-2010). |
− | + | Besides 6 thematic editions of the review ''Journal for Anthropology and New Parasitism'', 2 editions of the thematic newspaper ''Sex Worker'', the PMCA published in 2007 the most comprehensive survey to date of the work of PMCA as a book entitled ''The Best is Yet to Come''. It includes essays of [[Zdenka Badovinac]], Hans-Ulrich Obrist, Miško Šuvaković, and [[Igor Zabel]] that discuss the beginning of the PMCA, strategies of parasitism and its historical and cultural significance, and situate the practice within the local and international context. The book is distinguished by opulent image documentation, divided into chapters by early actions, the major projects carried out between 1994 and 2005, and concluding with a look at the PMCA's recent projects in the time or still (some) not being presented to the public. | |
− | In January 2009 on the occasion of | + | In January 2009 on the occasion of the 15th anniversary of the PMCA, the P74 Center and Gallery featured the exhibition ''This is not America – 15 Years of P.A.R.A.S.I.T.E. Museum of Contemporary Art,'' with the summit of the discussion about the museum with Charles Esche, curator, writer, director of the Van Abbemuseum (Eidhoven, NL) as a guest. The exhibition clearly showed, how in a decade and a half, the PMCA has created, organised, and coordinated numerous events, actions, public interventions, performances, exhibitions, projections, round tables, and how it has been a "guest" of museum collections, galleries, schools, universities, personal homes, public spaces, streets. |
==Call for applications of the P.A.R.A.S.I.T.E. Institute== | ==Call for applications of the P.A.R.A.S.I.T.E. Institute== | ||
− | Beside the open call for applications for the [[OHO Group Award]] | + | Beside the open call for applications for the [[OHO Group Award]] awarded to a young Slovene artist under the age of 35, which the Institute organises in cooperation with the Foundation for a Civil Society from New York, the Institute also annually invites local and international artists to express themselves in artist book and video formats. |
− | |||
− | + | ===Call for applications of the P.A.R.A.S.I.T.E. Institute: short video=== | |
− | Since 2008 the | + | Since 2008 the institute is inviting in the begging of the year (dead line for 2010: March 15th) with the public call for applications artists creating 5 minutes long video. Since 2010 the call for proposals addresses beside local artists also the international videasts. Another novelty is thematic focus. The first thematic focused edition exposing the notion of the lifestyle (Simple Living) with the aim of reach the notion of simpleness. 12 by the jury selected art works will be featured in the [[Jakopič Gallery]] in the autumn 2010 within the international multimedia festival BLIND DATE, which will be accompanied with the publication. |
====Call for entries of the P.A.R.A.S.I.T.E. Institute: short video==== | ====Call for entries of the P.A.R.A.S.I.T.E. Institute: short video==== | ||
− | Since 2008 the | + | Since 2008 the institute is inviting in the beginning of the year (deadline for 2010: March 15th) with the public call for entries artists creating 5-minute videos. Since 2010 the call for proposals addresses local and international artists/video makers. Another novelty is its thematic focus. The first thematic focused edition exposing the notion of the lifestyle (Simple Living) with the aim of reach the notion of simpleness. Twelve art works selected by a jury will be featured in the [[Jakopič Gallery]] in the autumn 2010 within the international multimedia festival BLIND DATE, which will be accompanied by a catalogue. |
− | + | ===Call for entries of the P.A.R.A.S.I.T.E. Institute: artist books=== | |
− | Since 2004 the PMCA is | + | Since 2004 the PMCA is systematically supporting and popularising the production of artist books and artist editions of national and international authors. The call for entries is usually published annually in the second part of the year, out of which the jury (consisting each year of new members) chooses an artist on the basis of the most interesting proposal/concept to publish her/his artist book with the assistance of the institute. Within this programme the institute has published the artist books of [[Andrejka Čufer]], [[Matej Stupica]], [[Jure Engelsberger]], Mladen Stilinović, [[Zora Stančić]], [[Dejan Habicht]], [[Tadej Pogačar]], [[Boštjan Pucelj]], Vlado Martek, [[Jaka Železnikar]], [[Andreja Džakušič]]. |
− | ==P.A.R.A.S.I.T.E. Institute Collection of | + | ==P.A.R.A.S.I.T.E. Institute Collection of Artist Books== |
Above mention artist books constitute the core of the P.A.R.A.S.I.T.E. Institute Collection of the artist book. In last years the Institute acquired by the exchange or the purchase more than 170 artist books of national and international authors, which are occasionally featured within events prepared by the Institute and its exhibiting spaces. | Above mention artist books constitute the core of the P.A.R.A.S.I.T.E. Institute Collection of the artist book. In last years the Institute acquired by the exchange or the purchase more than 170 artist books of national and international authors, which are occasionally featured within events prepared by the Institute and its exhibiting spaces. | ||
− | Since 2007 the PMCA prepares | + | Since 2007 the PMCA regularly prepares seminars about artist books, where many (inter)national authors have offered their theoretical or practical views on the topic of artist books, what is usually followed by the open discussions. In 2007 the Croatian artist Vlado Martek gave a workshop entitled ''The Artist Book as an Aspect of Activism''. In the same year two further seminars were held by the British artist, author, and publisher Anthony Auerbach; and the Slovene artist [[Marko Pogačnik]] a member of the avant-garde group OHO, active in the second half of the 1960s and early 1970s, who talked about the theme of books as creative tools, where he presented also the concept of the edition OHO (1965-1968). |
==P.A.R.A.S.I.T.E. Institute and the international art fairs of artist books== | ==P.A.R.A.S.I.T.E. Institute and the international art fairs of artist books== | ||
− | + | P.A.R.A.S.I.T.E. presents and sells artists books by the artist being represented not just as the part of the programme of their space [[Kapsula Gallery]] and by Internet, since 2009 it presents and sell the selected authors also on the international art fairs as on the Miss Read in the Kunstwerke Berlin and by Printed Matter organised NY Art Book Fair in P.S.1, Centre of Contemporary Arts in Queens. P.A.R.A.S.I.T.E. represents artists such as [[Mladen Stropnik]], [[Dejan Habicht]], [[Tanja Lažetić]], Balint Szombathy, [[Tadej Pogačar]], Vlado Martek, [[Boštjan Pucelj]], Jacob Fabricius, Mladen Stilinović, [[Zora Stančić]], etc. | |
==See also== | ==See also== | ||
Line 82: | Line 80: | ||
==External links== | ==External links== | ||
* [http://www.parasite-pogacar.si/ P.A.R.A.S.I.T.E. Museum of Contemporary Art website] | * [http://www.parasite-pogacar.si/ P.A.R.A.S.I.T.E. Museum of Contemporary Art website] | ||
− | * [http://www.zavod-parasite.si/publikacije/best_en.htm comprehensive survey of the Tadej Pogačar and P.A.R.A.S.I.T.E. Museum of Contemporary Art in the book The Best Is Yet to Come] | + | * [http://www.zavod-parasite.si/publikacije/best_en.htm comprehensive survey of the Tadej Pogačar and P.A.R.A.S.I.T.E. Museum of Contemporary Art in the book ''The Best Is Yet to Come''] |
* [http://www.artnet.de/magazine/news/mania/mania05-09-09.asp Feature from Viennafair 2009 (also about P.A.R.A.S.I.T.E. Museum of Contemporary Art) on Artnet website] | * [http://www.artnet.de/magazine/news/mania/mania05-09-09.asp Feature from Viennafair 2009 (also about P.A.R.A.S.I.T.E. Museum of Contemporary Art) on Artnet website] | ||
Revision as of 20:45, 9 March 2010
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10 Jan 2020
29 Feb 2020
The exhibition CODE:RED by Tadej Pogačar (P.A.R.A.S.I.T.E. Institute), co-produced by the P74 Centre and Gallery and City Art Gallery Ljubljana, supported by the Slovenian Culture and Information Centre, Vienna (SKICA),
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23 Aug 2019
13 Sep 2019
The exhibition CODE:RED by Tadej Pogačar (P.A.R.A.S.I.T.E. Institute), co-produced by the P74 Centre and Gallery and City Art Gallery Ljubljana, as part of the European Capital of Culture Rijeka 2020,
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28 Mar 2018
20 Apr 2018
Tadej Pogačar showcases his works in an exhibition Double (Spy) Game, co-organised by P.A.R.A.S.I.T.E. Institute and P74 Centre and Gallery,
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7 Mar 2018
11 Mar 2018
The P74 Centre and Gallery (P.A.R.A.S.I.T.E. Institute) presents Tadej Pogačar at VOLTA New York Art Fair
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22 Sep 2017
24 Sep 2017
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13 Jun 2017
A presentation of the The Second Explosion - Slovene Art of the 1990s research project and book launch by artist and curator Tadej Pogačar and photographer Dejan Habicht, coorganised by the P.A.R.A.S.I.T.E. Institute, Koroška Gallery of Fine Arts and the educational program for young curators INCUBATOR,
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12 Jun 2017
17 Jun 2017
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25 Apr 2017
26 May 2017
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9 Dec 2016
11 Dec 2016
The P.A.R.A.S.I.T.E. Institute presents new editions of Slovene artist books
at the Friends with Books Art Book Fair
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8 Oct 2016
18 Oct 2016
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28 Jul 2016
9 Sep 2016
Ed Ruscha, Books & Co., an exhibition also featuring artist books by Dejan Habicht, Tanja Lažetić, and Tadej Pogačar, published by the P.A.R.A.S.I.T.E. Institute
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24 Feb 2016
28 Feb 2016
P74 Centre and Gallery at ARCOmadrid International Contemporary Art Fair with Polonca Lovšin, Uroš Potočnik and Tadej Pogačar (P.A.R.A.S.I.T.E. Institute)
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12 Dec 2015
13 Dec 2015
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8 Dec 2015
31 Jan 2016
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17 Sep 2015
20 Sep 2015
P.A.R.A.S.I.T.E. Institute editions presentation, supported by the Embassy of the Republic of Slovenia Washington,
at the NY Art Book Fair
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15 Apr 2015
19 Jun 2015
The exhibition György Kepes, The New Landscape also featuring a printed art intervention by Tadej Pogačar (P.A.R.A.S.I.T.E. Institute), the first issue of "The SP Files",
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12 Mar 2015
7 May 2015
Artist’s books by Dejan Habicht, Tanja Lažetić, and Tadej Pogačar (P.A.R.A.S.I.T.E. Institute) at the exhibition Books & Co.
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13 Dec 2014
14 Dec 2014
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30 Sep 2014
A presentation of the artist's book 26 stages of erection by Dejan Habicht (P.A.R.A.S.I.T.E. Institute) at Blind Date AFTER
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26 Sep 2014
28 Sep 2014
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30 May 2014
5 Sep 2014
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18 Dec 2013
7 Jan 2014
Black on White, an exhibition of artists’ magazines and newspapers in Slovenia, organised by the P.A.R.A.S.I.T.E. Institute, International Centre of Graphic Arts, Ljubljana, and Maribor Art Gallery,
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6 May 2013
19 May 2013
The Big Archive, an exhibition by Tadej Pogačar and P.A.R.A.S.I.T.E. Museum of Contemporary Art (PMCA)
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23 Mar 2013
24 Mar 2013
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5 Mar 2013
27 Apr 2013
Ed Ruscha, Books & Co., an exhibition also featuring artist books by Dejan Habicht, Tanja Lažetić, and Tadej Pogačar, published by the P.A.R.A.S.I.T.E. Institute
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1 Feb 2013
3 Feb 2013
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10 Dec 2012
Kepes - Parazit, a lecture by Tadej Pogačar on the P.A.R.A.S.I.T.E. Museum of Contemporary Art (PMCA)
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28 Sep 2012
30 Sep 2012
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14 Sep 2012
16 Sep 2012
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9 Aug 2012
12 Aug 2012
P.A.R.A.S.I.T.E. Institute presenting an exhibition at the festival as part of the project Listening to the Audience (Tadej Pogačar and Uroš Legen)
at the AKTO Festival for Contemporary Arts
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12 Jan 2012
CODE:RED publication by P.A.R.A.S.I.T.E. Institute presented by Suzana Milevska, Tadej Pogačar, Pia Covre, Daniela Mannu and Carla Corso (Comitato per i Diritti Civili delle Prostitute, Pordenone), supported by the Obalne galerije - Coastal Galleries,
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25 Nov 2011
27 Nov 2011
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13 Oct 2011
28 Oct 2011
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4 Oct 2011
26 Feb 2012
ironapplause.net, international exhibition of Young Visual Artists Awards network with the participation of Luiza Margan, Miha Presker and Sašo Sedlaček from Slovenia and coorganised P.A.R.A.S.I.T.E. Institute that bestows the OHO Group Award,
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29 Sep 2011
2 Oct 2011
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17 Sep 2011
5 Feb 2012
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15 Jun 2011
10 Jul 2011
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21 Jan 2011
23 Jan 2011
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5 Nov 2010
7 Nov 2010
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23 Oct 2010
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19 Aug 2010
19 Sep 2010
History
The historical base for the P.A.R.A.S.I.T.E. Institute was the series of Tadej Pogačar's art projects entitled the Museum of Contemporary Art realised in the beginning of the 1990s, what was in 1993 renamed and established as official institution named the P.A.R.A.S.I.T.E. Museum of Contemporary Art (PMCA). Since then many projects were accomplished and further branches of the institute were formed: in 1999 the P74 Centre and Gallery was opened at Prušnikova 74 in Ljubljana's Šentvid neighbourhood, on the periphery of the Slovene capital. To bring the gallery activities in many senses closer to the public and with the intention to be the player of the (international) art market the Kapsula Gallery was opened in 2008.
PCMA
PMCA became renowned for the reworking of the logotype of the Museum of Contemporary Art Chicago and the theft of the introductory speech of the director of the Guggenheim from its homepage.
PMCA functions as a virtual institution which exists without its own space and employees, but rather merely settles into territories, locations and networks and feeds off the juices of institutions and operates according to the principles of new parasitism. Its operation is so oriented into the analysis and deconstruction of the symbolic centres of power and the search for parallel models of cultural, economic, and social operation. The PCMA establishes inter-specific relations with institutions and social groups in order to enforce changes in the operation with the analysis of relations and actions within the systems. In recent collaborative projects PMCA deals with the research and analysis of alternative urban strategies, parallel economies, and human trafficking in selected urban areas.
Numerous interventions into the other museum collections followed, including the collection of Ljubljana's Museum of Modern Art; Tretjak’s African Collection at Koroška Gallery of Fine Arts, Slovenj Gradec; the collection of the National Museum of Contemporary History Ljubljana; Museum Boijmans Van Beuningen, Rotterdam; Naturmeuseum, Rotterdam; Mucsarnok, Budapest; Moderna Museet, Stockholm; Max Liebermann Haus, Berlin.
The PMCA received wide media attention and fame with the organisation of the 1st World Congress of Sex Workers at the 49th Venice Biennale and of New Parasitism at the Padiglione dei Sex Worker in Giardini. It has cooperated on a number of international manifestations on the Tirana Biennale (2005), International Biennale of Contemporary Art Prague (2005), São Paulo Art Biennial (2006), International Istanbul Biennial (2007), and the Biennial of the Canary Islands (2009).
One of the most echoed projects of the PMCA was Kings of the Street (1995), also one of the first artistic street actions with Ljubljana's homeless people, as well the on-going collaborative trans-disciplinary project CODE:RED (1999/2000-2010).
Besides 6 thematic editions of the review Journal for Anthropology and New Parasitism, 2 editions of the thematic newspaper Sex Worker, the PMCA published in 2007 the most comprehensive survey to date of the work of PMCA as a book entitled The Best is Yet to Come. It includes essays of Zdenka Badovinac, Hans-Ulrich Obrist, Miško Šuvaković, and Igor Zabel that discuss the beginning of the PMCA, strategies of parasitism and its historical and cultural significance, and situate the practice within the local and international context. The book is distinguished by opulent image documentation, divided into chapters by early actions, the major projects carried out between 1994 and 2005, and concluding with a look at the PMCA's recent projects in the time or still (some) not being presented to the public.
In January 2009 on the occasion of the 15th anniversary of the PMCA, the P74 Center and Gallery featured the exhibition This is not America – 15 Years of P.A.R.A.S.I.T.E. Museum of Contemporary Art, with the summit of the discussion about the museum with Charles Esche, curator, writer, director of the Van Abbemuseum (Eidhoven, NL) as a guest. The exhibition clearly showed, how in a decade and a half, the PMCA has created, organised, and coordinated numerous events, actions, public interventions, performances, exhibitions, projections, round tables, and how it has been a "guest" of museum collections, galleries, schools, universities, personal homes, public spaces, streets.
Call for applications of the P.A.R.A.S.I.T.E. Institute
Beside the open call for applications for the OHO Group Award awarded to a young Slovene artist under the age of 35, which the Institute organises in cooperation with the Foundation for a Civil Society from New York, the Institute also annually invites local and international artists to express themselves in artist book and video formats.
Call for applications of the P.A.R.A.S.I.T.E. Institute: short video
Since 2008 the institute is inviting in the begging of the year (dead line for 2010: March 15th) with the public call for applications artists creating 5 minutes long video. Since 2010 the call for proposals addresses beside local artists also the international videasts. Another novelty is thematic focus. The first thematic focused edition exposing the notion of the lifestyle (Simple Living) with the aim of reach the notion of simpleness. 12 by the jury selected art works will be featured in the Jakopič Gallery in the autumn 2010 within the international multimedia festival BLIND DATE, which will be accompanied with the publication.
Call for entries of the P.A.R.A.S.I.T.E. Institute: short video
Since 2008 the institute is inviting in the beginning of the year (deadline for 2010: March 15th) with the public call for entries artists creating 5-minute videos. Since 2010 the call for proposals addresses local and international artists/video makers. Another novelty is its thematic focus. The first thematic focused edition exposing the notion of the lifestyle (Simple Living) with the aim of reach the notion of simpleness. Twelve art works selected by a jury will be featured in the Jakopič Gallery in the autumn 2010 within the international multimedia festival BLIND DATE, which will be accompanied by a catalogue.
Call for entries of the P.A.R.A.S.I.T.E. Institute: artist books
Since 2004 the PMCA is systematically supporting and popularising the production of artist books and artist editions of national and international authors. The call for entries is usually published annually in the second part of the year, out of which the jury (consisting each year of new members) chooses an artist on the basis of the most interesting proposal/concept to publish her/his artist book with the assistance of the institute. Within this programme the institute has published the artist books of Andrejka Čufer, Matej Stupica, Jure Engelsberger, Mladen Stilinović, Zora Stančić, Dejan Habicht, Tadej Pogačar, Boštjan Pucelj, Vlado Martek, Jaka Železnikar, Andreja Džakušič.
P.A.R.A.S.I.T.E. Institute Collection of Artist Books
Above mention artist books constitute the core of the P.A.R.A.S.I.T.E. Institute Collection of the artist book. In last years the Institute acquired by the exchange or the purchase more than 170 artist books of national and international authors, which are occasionally featured within events prepared by the Institute and its exhibiting spaces.
Since 2007 the PMCA regularly prepares seminars about artist books, where many (inter)national authors have offered their theoretical or practical views on the topic of artist books, what is usually followed by the open discussions. In 2007 the Croatian artist Vlado Martek gave a workshop entitled The Artist Book as an Aspect of Activism. In the same year two further seminars were held by the British artist, author, and publisher Anthony Auerbach; and the Slovene artist Marko Pogačnik a member of the avant-garde group OHO, active in the second half of the 1960s and early 1970s, who talked about the theme of books as creative tools, where he presented also the concept of the edition OHO (1965-1968).
P.A.R.A.S.I.T.E. Institute and the international art fairs of artist books
P.A.R.A.S.I.T.E. presents and sells artists books by the artist being represented not just as the part of the programme of their space Kapsula Gallery and by Internet, since 2009 it presents and sell the selected authors also on the international art fairs as on the Miss Read in the Kunstwerke Berlin and by Printed Matter organised NY Art Book Fair in P.S.1, Centre of Contemporary Arts in Queens. P.A.R.A.S.I.T.E. represents artists such as Mladen Stropnik, Dejan Habicht, Tanja Lažetić, Balint Szombathy, Tadej Pogačar, Vlado Martek, Boštjan Pucelj, Jacob Fabricius, Mladen Stilinović, Zora Stančić, etc.
See also
- P74 Centre and Gallery
- Kapsula Gallery
- OHO Group Award
- Jakopič Gallery
- Museum of Modern Art
- Koroška Gallery of Fine Arts, Slovenj Gradec
- National Museum of Contemporary History