Difference between revisions of "Depot talk:EarZoom Sonic Arts Festival"

Revision as of 14:03, 9 December 2015

The EarZoom Sonic Arts Festival was founded in 2009 and is led by the Ljubljana based Institute for Sonic Arts Research (IRZU). The festival is a condensed, international extension of the institute's focus into audio technology research, artistic productions and educational projects. The main person behind the festival is the researcher and artist Miha Ciglar, who has modelled it as distinctively nodal, platform-like project that connects all sort of institutions, from local governmental and non-governmental to different protagonists from abroad – universities, networks, festivals, businesses enterprises, etc. The aim of the festival is to "create a referential international platform for discussing the latest developments within audio technology research and the artistic trends in sonic practices".

The festival features electro-acoustic performances, workshops, lectures and installations by invited foreign and domestic artists and sonic researchers. Though it primarily focuses on new music technologies and sonic arts research, it also considers the related institutional, social and political dimensions. In 2012, the festival was merged with that year's edition of the (38th) International Computer Music Conference. Similarly, in 2015 Earzoom was done as an Central European stop of the Music Tech fest - The festival of music ideas

Venues and co-producers

As EarZoom is actively seeking to connect the already active protagonists in the field of contemporary sonic arts (this even being a part of its creed), its past and current partners are numerous. Some of them are Cankarjev dom, Cultural and Congress Centre, Moderna galerija (MG), Museum of Contemporary Art Metelkova (MSUM), MoTA Museum of Transitory Art, Sploh Institute, Jakopič Gallery, Kino Šiška Centre for Urban Culture, Klub Menza pri koritu, Projekt Atol Institute, Kapelica Gallery, Aksioma Institute, ŠKUC Association, Stara Elektrarna - Old Power Station, Španski borci Culture Centre and Ljudmila - Ljubljana Digital Media Lab.

They are involved at the festival by providing the infrastructure needed for the realisation of the festival (most prominent partner in this respect is Cankarjev dom, Cultural and Congress Centre|Cankarjev dom) and/or by contributing to the program of the festival itself (such is the nature of the collaboration for example, with Ljudmila and the Sploh Institute).

Programme

EarZoom is usually composed as a three-day symposium, though it can sometimes be prolonged up to 6 days. There, international artists and scientists are presenting state of the art research in disciplines like machine listening, algorithmic composition, new interfaces for musical expression, gesture recognition, ubiquitous computing, systems for virtual sound environment synthesis, mobile music computing and hardware hacking etc. The invited artists and researchers give talks on their research activities, organization schemes and their artistic productions, and further, present those in form of live performances, installations and workshops.

A few of the presented themes and focuses were live coding, where the musician is writing computer code live on stage; the potential of music technology startups, pointing out artistic projects that emerged through the development of commercial technology and products (worth mentioning here is that in 2011, an IRZU spin-off company Ultrasonic audio technologies was established); the survival and identity creation within the diverse institutional landscapes of sonic arts research; and the current trends and the future of music and audio technologies.

Guests

The festival has about 50 guests annually, give or take, and a significant part of them is chosen in the basis of an international call for works. Some of the more prominent ones were Miller Puckette, author of the Pure Data software, the British composer and researcher Alex McLean, the composer Peter Ablinger and the musicians Keith Rowe, Matt Black (of Coldcut) and Graham Massey (of 808 State).

Of the local artists, one can highlight Theremidi Orchestra, TILT, Luka Juhart, Tomaž Grom, Tao G. Vrhovec Sambolec and Miha Ciglar himself.

Moog-ish drone performance at earzoom festival by Servando Barreiro on YouTube

International collaboration

IRZU collaborates or has collaborated with many other international institutes, with the most in-depth one being the 2010 created network called T.R.A.C.E.S. - Transcultural Research, Artist, Curator Exchange Series. This trans European exchange and collaborative platform featured Transcultures: Centre for Intermedia and sonic arts & cultures (Mons, BE); Nida Art Colony: Interdisciplinary art, education & residency center (Vilnius/Nida, LT); Kitchen Budapest: Cross-disciplinary new media lab (Budapest, HU); Pixelache: Festival of electronic art and subcultures (Helsinki, FI); and MigAA: Migrating Art Academies (Cologne/DE, Vilnius/LT, Poitiers & Angoulême/FR).

Another international link is Earzoom's collaboration in the European-wide platform for field recording practices, called Sounds of Europe. The festival was also supported by the Queen Mary University of London and the UK based The Engineering and Physical Sciences Research Council (EPSRC). A number of private companies has also been involved with lending or contributing their hardware and software for the different purposes of the festival.

Collaboration with ICMC

In 2012 the festival was joined with the International Computer Music Conference (ICMC), a travelling annual conference of the Internation Computer Music Association (ICMA), which has been the most important european forum for research, both musical and theoretical, involving computers in creation of music since 1974.

Each year it is held in different countries and in 2012 it was held in Slovenia, co-produced together with Faculty of Computer and Information Science. It lasted for 6 days, with the key-note speakers being Seth Kim-Cohen and Diedrich Diederichsen. The festival at that featured guests from XY countries.

Collaboration with Music Tech fest

The Music Tech Fest is a travelling festival platform that coupled with Earzoom in 2015 (it was previously held in Berlin, Paris, London and Umeå) under the name MTFCentral.

Among other, regular Earzoom features, MTFCentral arranged for exclusive access to new technological solution produced top European research institutes. It also

organised 24-hour hack camp, a competitive project that offered electronics & technologies from institutions such as Fraunhofer, IRCAM, Technische Universität Wien and the Music Technology Group at Pompeu Fabra and at the end chose the best applications and implementations of these tools.

#MTFCentral Harshside - AUUG Motion Synth Performance by MTF Labs on YouTube

External links

www.irzu.org expired. Vprašat Miho Ciglarja kaj je na stvari. --Ziva 17:14, 2 November 2011 (CET)
Sedaj dela. --Anže Zorman (talk) 19:29, 8 December 2015 (CET)

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 {{Article
-| status       = WRITING TOPROOFREAD NIFERTIK!
+| status       = TOPROOFREAD NIFERTIK!
 | maintainer   = Anže Zorman
 }}
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 | duration weeks     = 36,37 (2012) 41,42 (2013) 42 (2014)
 | frequency          = annual
-| dates and duration = October, 6 days
+| dates and duration = September or October, 6 days
 | festival dates     = 18.9.2015 - 21.9.2015
 | contacts     = {{Contact
@@ Line 30: / Line 30: @@
    | fax         =
    }}
+| accounts            =
+https://vimeo.com/user7914133
 }}
-https://vimeo.com/user7914133
 {{Teaser|
-The [[EarZoom Sonic Arts Festival]] + [[established::2009]]
+The [[EarZoom Sonic Arts Festival]] was founded in [[established::2009]] and is led by the Ljubljana based [[Institute for Sonic Arts Research]] (IRZU). The festival is a condensed, international extension of the institute's focus into audio technology research, artistic productions and educational projects. The main person behind the festival is the researcher and artist [[Miha Ciglar]], who has modelled it as distinctively nodal, platform-like project that connects  all sort of institutions, from local governmental and non-governmental to different protagonists from abroad &ndash; universities, networks, festivals, businesses enterprises, etc. The aim of the festival is to "create a referential international platform for discussing the latest developments within audio technology research and the artistic trends in sonic practices".
-- "diversity of this seemingly niche musical discipline"
-- organised by [[Institute for Sonic Arts Research]] in Ljubljana
-- audio technology research (digital signal processing, sonic interaction design, music information retrieval, non-linear acoustics, etc.), artistic productions (performances, exhibitions, installations, films) and educational projects (lectures, workshops
-- the man behind - Miha Ciglar
-- features electro-acoustic performances, lectures, installations by invited foreign and domestic artists and sonic researchers.
-- focuses on new music technologies, sonic arts research, with it’s main focus being the idea of sound as a medium.
-- push dialogue amongst the existing Slovene institutions which already are involved in contemporary music and sonic arts but mainly on an individual basis.
-- made in collaboration with various institutions, both governmental and non-governmental, f
-- They are involved in the organising of the festival either by providing the infrastructure needed for the realisation of the festival or by contributing to the program of the festival itself.
-- In 2012 formed a platform for the 38th International Computer Music Conference in Ljubljana
+The festival features electro-acoustic performances, workshops, lectures and installations by invited foreign and domestic artists and sonic researchers. Though it primarily focuses on new music technologies and sonic arts research, it also considers the related institutional, social and political dimensions. In 2012, the festival was merged with that year's edition of the (38th) ''International Computer Music Conference''. Similarly, in 2015 Earzoom was done as an Central European stop of the ''Music Tech fest - The festival of music ideas''
-- in 2015, the fest was Music Tech fest - The festival of music ideas
-- before,  took place in Berlin, Paris, London and Umeå
 }}
-- Sveta trrojica - workshiop, lecture, performance
+==Venues and co-producers==
-The aim of the festival is to create a referential international platform for discussing the latest developments within audio technology research and the artistic trends in sonic practices. EarZoom is featuring international artists and scientists presenting state of the art research in exciting disciplines like machine listening, algorithmic composition, new interfaces for musical expression, gesture recognition, ubiquitous computing, ambisonic systems for virtual sound environment synthesis, etc. The invited artists and researchers give talks on their research activities, organization schemes and their artistic productions, and further, present those in form of live performances, installations and workshops. The festival also aims to creating a dialogue amongst existing Slovenian institutions which are already running individual cycles of contemporary music and sonic arts. Those are involved in the organization of the festival by either offering the infrastructure or producing individual festival components (events or concert series).
-==Venues==
-- Cankarjev Dom and +MSUM, the Museum of Modern Art (2015)
+As EarZoom is actively seeking to connect the already active protagonists in the field of contemporary sonic arts (this even being a part of its creed), its past and current partners are numerous. Some of them are [[Cankarjev dom, Cultural and Congress Centre]], [[Moderna galerija (MG]]), [[Museum of Contemporary Art Metelkova (MSUM)]], [[MoTA Museum of Transitory Art]], [[Sploh Institute]], [[Jakopič Gallery]], [[Kino Šiška Centre for Urban Culture]], [[Klub Menza pri koritu]], [[Projekt Atol Institute]], [[Kapelica Gallery]], [[Aksioma Institute]], [[ŠKUC Association]], [[Stara Elektrarna - Old Power Station]], [[Španski borci Culture Centre]] and [[Ljudmila - Ljubljana Digital Media Lab]].
-- Mota, Sploh, jakopič, škuc, kapa, kataman, kapelica, rtv  2009
-- 2011 ljudmila, šiška, kinoteka, aksioma, mdoern galerija, škuc, menza, cd
-- 2011 pridzceti sploh, aksioma, cd
-- 2010 nič novga
-- 2013 epsrc fioreign podpora, queen mary uni of londion,
-- zavodporjek atol
-- 2014 sponzorji:_ private neterpreners involve
+They are involved at the festival by providing the infrastructure needed for the realisation of the festival (most prominent partner in this respect is [[Cankarjev dom, Cultural and Congress Centre]]|Cankarjev dom) and/or by contributing to the program of the festival itself (such is the nature of the collaboration for example, with [[Ljudmila - Ljubljana Digital Media Lab|Ljudmila]] and the [[Sploh Institute]]).
 ==Programme==
-- EarZoom is composed as a three-day symposium.
-- It's events feature both art projects (concerts, installations, performances etc.) and lectures from the researchers of contemporary arts.
-- It also includes various workshops with a wide selection of different sub-topics of electronic music, ranging from mobile music computing to hardware hacking.
-- While the main point of the symposium is the presenting of new trends in art, it is also a place of critical reflection.
-- The festival is a platform for discussion between the institutions and the artist and a way of creating a context for IRZU's work both in international and local networks
-- the concept of the festival expanded from technology-exclusive centred art to a more wide socio-political context that tries to raise questions about power structures.
-- In 2013 the main focus was live coding, where the musician is writing computer code live on stage, which is then being transformed into music.
+EarZoom is usually composed as a three-day symposium, though it can sometimes be prolonged up to 6 days. There, international artists and scientists are presenting state of the art research in disciplines like machine listening, algorithmic composition, new interfaces for musical expression, gesture recognition, ubiquitous computing, systems for virtual sound environment synthesis, mobile music computing and hardware hacking etc. The invited artists and researchers give talks on their research activities, organization schemes and their artistic productions, and further, present those in form of live performances, installations and workshops.
-- In 2010, the 6-day festival featured over 40 international scientists and artists.
-- and in 2013 it introduced for the first time an international call for works.
-- not only performances, exhibitions and installations by established international artists, but also workshops and lectures on a wide selection of different sub-topics of electronic music, ranging from mobile music computing to hardware hacking.
+A few of the presented themes and focuses were live coding, where the musician is writing computer code live on stage; the potential of music technology startups, pointing out artistic projects that emerged through the development of commercial technology and products (worth mentioning here is that in 2011, an IRZU spin-off company Ultrasonic audio technologies was established); the survival and identity creation within the diverse institutional landscapes of sonic arts research; and the current trends and the future of music and audio technologies.
-- shifting the focus from an exclusively technologically inspired concept of sonic arts towards a somewhat wider, socio-political context of contemporary arts
- a concept of performing and composing called live coding. It is a special approach where the musician is writing computer code in real-time (live on stage), which is continuously being transformed into music
+===Guests===
-- presenting state of the art research in exciting disciplines like machine listening, algorithmic composition, new interfaces for musical expression, gesture recognition, ubiquitous computing, ambisonic systems for virtual sound environment synthesis, etc.
+The festival has about 50 guests annually, give or take, and a significant part of them is chosen in the basis of an international call for works. Some of the more prominent ones were Miller Puckette, author of the Pure Data software, the British composer and researcher Alex McLean, the composer Peter Ablinger and the musicians Keith Rowe, Matt Black (of Coldcut) and Graham Massey (of 808 State).
-- In Slovenia, these research areas are not yet developed, which was also one of the main reasons for establishing an Institute for Sonic Arts Research.
-- creating an international context for IRZU’s activities within the local environment.
-- For this reason they decided to put these and other questions, concerning survival and identity creation within the institutional landscape, in the focus of this years festival edition. This kind of perspective extends the scope of the festival and opens a discussion concerning a broader range of cultural workers sharing a similar situation.
+Of the local artists, one can highlight [[Theremidi Orchestra]], [[TILT]], [[Luka Juhart]], [[Tomaž Grom]], [[Tao G. Vrhovec Sambolec]] and [[Miha Ciglar]] himself.
-- „Music technology startups“ is the central theme of this year's festival and points out artistic projects that emerged through the development of commercial technology and products. The choice of this topic is based on our own experience with establishing IRZU – the Institute for Sonic Arts Research, which was founded in 2009. IRZU is actively engaged in three different areas within the field of music technology, that is: technological research and development, artistic production and education. Based on the results of IRZU's R&D activity, the spin-off company Ultrasonic audio technologies was established in 2011,
-- showcase a selection of hardware and software projects, most of which refer to performance practice in contemporary electro-acoustic music and include state of the art technologies and concepts from the field of human-computer interaction, algorithmic composition and music information retrieval. EarZoom 2014 will try to outline the current trends of music and audio technologies that aim to address the needs of broader user groups, as well as offer a glimpse into the future of audio technology development.
-- data, bilogy, interface, transmission, zaznava, recepcija. diy scena.
 {{YouTube|nM0-QiWh8_k}}
-==guests==
-- Keith Rowe, tilt, luka juhgart, tao (zavod sploh)
-- Miller Puckette, avtor Pure Data programa  c(2009)
-British composer and researcher Alex McLean
-theremidi
-eduardioroan
-Philippe Pasquier
-Matt Black (Ninja Tune
-peter ablinger
- Graham Massey (808 State)
 ==International collaboration==
-IRZU collaborates or has collaborated with many other international institutes: 2010 projekt
+IRZU collaborates or has collaborated with many other international institutes, with the most in-depth one being the 2010 created network called T.R.A.C.E.S. - Transcultural Research, Artist, Curator Exchange Series. This trans European exchange and collaborative platform featured Transcultures: Centre for Intermedia and sonic arts & cultures (Mons, BE); Nida Art Colony: Interdisciplinary art, education & residency center (Vilnius/Nida, LT); Kitchen Budapest: Cross-disciplinary new media lab (Budapest, HU); Pixelache: Festival of electronic art and subcultures (Helsinki, FI); and MigAA: Migrating Art Academies (Cologne/DE, Vilnius/LT, Poitiers & Angoulême/FR).
-- Transcultures: Centre for Intermedia and sonic arts & cultures (Mons, BE);
-- Nida Art Colony: Interdisciplinary art, education & residency center (Vilnius/Nida, LT);
-- Kitchen Budapest: Cross-disciplinary new media lab (Budapest, HU);
-- Pixelache: Festival of electronic art and subcultures (Helsinki, FI);
-- MigAA: Migrating Art Academies (Cologne/DE, Vilnius/LT, Poitiers & Angoulême/FR).
-- Together, they created a network called T.R.A.C.E.S. - Transcultural Research, Artist, Curator Exchange Series. It's purpose is the discussion about the internal workings that unfold behind the scenes, regarding both artistic and curatorial practices. The reason for this is the fact that these behind-the-curtains processes occupy a large portion of an organization’s working resources.
-- TRACES is a series of artistic, research and curatorial dialogue and trans European exchange with a focus on interdisciplinary and transcultural practices in contemporary art and performance, resulting in a publication/DVD of the program and ongoing collaborative platform.
-- A common ground and activities based in sound, media, performance and urban site-specific arts (interdisciplinary) links the partners, working in a series of critically engaged dialogues on the transmission, infection and dissemination of contemporary creative practices.
-- Imagining an ongoing partnership towards a mobile cultural practice going beyond the frontiers of individual countries, cities, artists and curators.
-Project leader:Transcultures,Mons (BE)
-- sounds of europe, music technology group, crisap, aksioma
-===Collaboration with IMC===
-- In 2012 the festival was held in connection with ICMC- International Computer Music Conference
-- which has been the most important european forum for research, both musical and theoretical, involving computers in creation of music since 1974.
-- It is the annual conference of the Internation Computer Music Association (ICMA). Each year it is held in different countries and in 2012 it was held in Slovenia.
-- Venues: Stara Elektrarna (the old power station), Španski borci, Kino Šiška, Menza pri koritu, Jakopič Gallery, ŠKUC Gallery, Kapelica Gallery, Kiberpipa,
-- In February 2011 we established a spin-off company: Ultrasonic audio technologies Ltd., with the purpose of  commercializing some of our research results. Ultrasonic Ltd. will also be one of the main sponsors of the ICMC 2012.
-- Co-producer: University of Ljubljana - Faculty of Computer and Information Science,
-- 6 dni
-- Key-note: Seth Kim-Cohen, Diedrich Diederichsen
-- Invitied compsoer: Johannes Kreidler
-- Had a listening room, concerts, installations,
-===Music Tech fest===
+Another international link is Earzoom's collaboration in the European-wide  platform for field recording practices, called Sounds of Europe. The festival was also supported by the Queen Mary University of London and the UK based The Engineering and Physical Sciences Research Council (EPSRC). A number of private companies has also been involved with lending or contributing their hardware and software for the different purposes of the festival.
-Music Tech Fests which took place in Berlin, Paris, London and Umeå
+===Collaboration with ICMC===
-- #MTFResearch Network coupled with earzoom and had itas sympsium here
+In 2012 the festival was joined with the International Computer Music Conference (ICMC), a travelling annual conference of the Internation Computer Music Association (ICMA), which has been the most important european forum for research, both musical and theoretical, involving computers in creation of music since 1974.
-- 24-hour hack camp and the research symposium
+Each year it is held in different countries and in 2012 it was held in Slovenia, co-produced together with [[Faculty of Computer and Information Science, University of Ljubljana|Faculty of Computer and Information Science]]. It lasted for 6 days, with the key-note speakers being Seth Kim-Cohen and Diedrich Diederichsen. The festival at that featured guests from XY countries.
-Music Tech Fest Central Europe and take part in the #MTFCentral Hack Camp!
+===Collaboration with Music Tech fest===
-The best hackers, makers, designers, inventors, artists & musicians will join forces to help create the future of music, with exclusive access to brand new tech coming out of the top research institutes in Europe.
+The Music Tech Fest is a travelling festival platform that coupled with Earzoom in 2015 (it was previously held in Berlin, Paris, London and Umeå) under the name MTFCentral.
-We will be announcing challenges and allowing time for team formation & brainstorming on Friday evening after Music Tech Fest begins. Hacking begins on the Saturday of the festival and runs through the night, finishing after 24 hours - and you'll showcase your projects on the #MTFStage on Sunday evening.
+Among other, regular Earzoom features, MTFCentral arranged for exclusive access to new technological solution produced top European research institutes. It also
-We've got exclusive electronics & technologies from institutions such as Fraunhofer, IRCAM, Technische Universität Wien and the Music Technology Group at Pompeu Fabra - and you'll get your hands on these before anyone else. There will be awards for the best entries in a range of different categories - and we have some money set aside to support promising projects to develop beyond the festival into real world commercial prototypes.
+ organised 24-hour hack camp, a competitive project that offered electronics & technologies from institutions such as Fraunhofer, IRCAM, Technische Universität Wien and the Music Technology Group at Pompeu Fabra and at the end chose the best applications and implementations of these tools.
 {{YouTube|Qs2CYWp7Yys}}
@@ Line 176: / Line 87: @@
 * [[Institute for Sonic Arts Research]]
 * [[Cankarjev dom]]
-* Škuc
 ==External links==
@@ Line 183: / Line 93: @@
 * [http://www.icmc2012.si International Computer Music Conference in Ljubljana 2012 website]
 * [http://www.computermusic.org International Computer Music Conference website]
-* [http://www.ccp.si/english/izpis.php?id=934 EarZoom Festival description on Slovene Culture Contact Point website]
+* [http://musictechfest.net/ Music Tech Fest website]
-* http://musictechfest.net/
 [[Category:Music]]

Difference between revisions of "Depot talk:EarZoom Sonic Arts Festival"

Revision as of 14:03, 9 December 2015

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