Difference between revisions of "Katalena"

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Deftly merging various idioms of popular music with the legacies of Slovenian folklore culture, [[Katalena]] are certainly amongst the more curious rock collectives in Slovenia. By way of unearthing archival folklore materials and fusing them with rock grooves, a quirky vocal performance and a certain explorative jazz sensibility, the band has created a diverse and yet also very recognizable body of work.
 
Deftly merging various idioms of popular music with the legacies of Slovenian folklore culture, [[Katalena]] are certainly amongst the more curious rock collectives in Slovenia. By way of unearthing archival folklore materials and fusing them with rock grooves, a quirky vocal performance and a certain explorative jazz sensibility, the band has created a diverse and yet also very recognizable body of work.

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Katalena 2011 photo Luka Kase.jpgKatalena group portrait by Luka Kaše, 2011

Deftly merging various idioms of popular music with the legacies of Slovenian folklore culture, Katalena are certainly amongst the more curious rock collectives in Slovenia. By way of unearthing archival folklore materials and fusing them with rock grooves, a quirky vocal performance and a certain explorative jazz sensibility, the band has created a diverse and yet also very recognizable body of work.

Treating tradition as a vital part of contemporary culture, they've set up a number of unique projects, from collaborations with some of the finest Slovene poets, like Dane Zajc and Svetlana Makarovič, to complex stage performances that, for example, involved the choreographers Edward Clug and Valentina Turcu.


Background

The band members met almost accidentally in the summer of 2001 in an idyllic village in the Southeast of Slovenia. Coming from different musical backgrounds, from rock (Sfiltrom, Bast) and blues (Moj boogie band) to folk (Terrafolk) and trip hop (Melodrom), the musicians then experimented for a week with several old Slovene folk tunes they had discovered in the archives of the Institute of Ethnomusicology.

After that, they've gained a lot of attention in a rather short time, and their first public appearance in December 2001 at the Novi Rock (New Rock) festival in Ljubljana was, to everyone's surprise, completely sold out.

Performances

Katalena has played all major festivals and venues in Slovenia, including the prestigious Druga Godba Festival, where they've been invited to play 4 times up until now. Other festivals include Lent Festival, Rock Otočec, Carniola Festival, Mediterranean Festival, Izola, Trnfest Festival, Zmaj 'ma mlade Festival, Days of Poetry and Wine Festival and Kamfest.

In 2009 they've sold out the Gallus Hall in Cankarjev dom with a special event that included 13 ballet dancers from the Slovene National Theatre Maribor. That same year, as a part of Animateka Festival, the band also did an audio-visual concert that featured a crew of Slovene animators, who (beforehand) created short animated films, based on their songs. Another of their performances in this explorative vein is the Enci benci Katalenci show, which was created explicitly for children and which debuted in Cankarjev dom in 2015.

Katalena also has an enviable list of performances abroad, having played in the USA, Switzerland, Hungary, France, Germany, Austria, Italy, Israel and Croatia.

Members and their solo works

The Katalena line-up has remained the same since their beginning and consists of Vesna Zornik (vocal), Polona Janežič (keyboards, backing vocals), Tibor Mihelič (bass, backing vocals), Boštjan Narat (guitar, mandolin, backing vocals), Robert Rebolj (drums, percussion), and Boštjan Gombač (clarinet, flutes, percussion, backing vocals and more).

The members are all very productive outside Katalena as well. For example, Boštjan Narat is highly successful as a singer-songwriter, Vesna Zornik created a well received tango oriented solo project TangoApasionada in 2010, Polona Janežič plays keyboards in Melodrom. As for Boštjan Gombač, he is undoubtedly one of the most active Slovene musicians, and was in recent years a main performer in the cabaret Patty Diphusa – Confessions of Porno Diva, directed by Ivana Djilas, with whom the band has also collaborated.

Releases

Katalena releases are quite diverse and often concept-driven. This 2002 début established their operational principle of mnodernising Slovene traditional folk idioms, which they continued on the second album Babje leto (2004).

Kmečka ohcet (2006) featured songs that have a lyrical connection to weddings and wedding-related themes, and Cvik cvak! (2008) reached into Resian folk music (Resia is a remote valley, close to the border in Italy, where a Slovene minority lives and is known for its specific language and culture). Their 2015 release, Enci benci Katalenci, remodelled children's songs in such a way that they are equally appealing to children as well as to their more 'demanding' audiences.

See also

External links

Gallery

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Deftly merging various idioms of popular music with the legacies of Slovenian folklore culture, Katalena are certainly amongst the more curious rock collectives in Slovenia. +
Deftly merging various idioms of popular music with the legacies of Slovenian folklore culture, Katalena are certainly amongst the more curious rock collectives in Slovenia. +