Difference between revisions of "Ljubljana Documentary Film Festival"

Revision as of 15:48, 11 March 2010

In 1994 a section for documentaries was introduced at the Ljubljana International Film Festival (LIFFe) and it immediately received a great response from the audience. It quickly became clear that the documentary film production has its audience, even a large one, although documentaries were rarely – if at all – screened in cinemas. It became one of the most popular sections among the audience of the Ljubljana International Film Festival (LIFFe), until it was discontinued from the official programme after 1996. Thus, it is not surprising that in the 1998 the Documentary Film Festival was established. In the first few years it was a specialised non-competitive festival that offered a general, quite unselective overview of the contemporary documentary film production. Later it introduced a competitive section for Mountain and Adventure Films (in 2007 it became a separate festival event). In the last few years – actually from 2007 when Simon Popek became the director and the selector of the festival – it has become a specialised competitive festival focusing on contemporary documentary film production, mostly on films that deal with social issues and social phenomena. The 8-day festival takes place annually in March at the Cankarjev dom Culture and Congress Centre and in Kinodvor Cinema.

Sections and awards

The Documentary Film Festival has 5 sections: Competitive; Myths, Icons, Media; Intimate Portrayals; Topical, Socially Critical; and Retrospective.

The main Competitive section, introduced in 2009 at the 11th Documentary Film Festival, is prepared in collaboration with Amnesty International Slovenia and is dedicated to documentaries that deal with human rights issues. Each year 5 or 6 films compete for the main award, the Human Rights Film Award for the best film on human rights issues. The winning film is selected by an international jury composed of three members (selected by the Amnesty International Slovenia).

The Myths, Icons, Media section includes films on cultural icons, social and cultural phenomena, music and film stars, trends in mass culture and arts. In the previous years films like We Jam Econo: The Story of The Minutemen by Tim Irwin, Requiem for Billy the Kid by Anne Feinsilber and Soul Power by Jeffrey Levy-Hinte were screened. The Intimate Portrayals section offers intimate encounters with well known personalities or ordinary people, while the Topical, Socially Critical sections brings films that are critically focusing on actual social issues. The last is the Retrospective section which presents domestic and foreign directors or national productions. In the past years this section brought personal retrospectives of Jože Pogačnik, Mako Sajko, Nicolas Philibert, and Raymond Depardon, as well as an overview of Bosnian documentary film production.

Some of the films screened at the festival are later distributed by Cankarjev dom and screened in various theatres, including Cankarjev dom's Kosovel Hall and Kinodvor Cinema).

External links

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-In 1994 the documentary section was introduced at the [[Ljubljana International Film Festival (LIFFe)]] and it immediately
+In 1994 a section for documentaries was introduced at the [[Ljubljana International Film Festival (LIFFe)]] and it immediately received a great response from the audience. It quickly became clear that the documentary film production has its audience, even a large one, although documentaries were rarely &ndash; if at all &ndash; screened in cinemas. It became one of the most popular sections among the audience of the Ljubljana International Film Festival (LIFFe), until it was discontinued from the official programme after 1996. Thus, it is not surprising that in the [[established::1998]] the [[Documentary Film Festival]] was established. In the first few years it was a specialised non-competitive festival that offered a general, quite unselective overview of the contemporary documentary film production. Later it introduced a competitive section for Mountain and Adventure Films (in 2007 it became a separate festival event). In the last few years &ndash; actually from 2007 when Simon Popek became the director and the selector of the festival &ndash; it has become a specialised competitive festival focusing on contemporary documentary film production, mostly on films that deal with social issues and social phenomena. The 8-day festival takes place annually in March at the [[Cankarjev dom Culture and Congress Centre]] and in [[Kinodvor Cinema]].
-received a great response from the audience. It quickly became clear that the documentary film production has its audience, even a large one although the documentaries were rarely &ndash; if at all &ndash; screened in cinemas. Until 1996 when the documentary sections was included in the official programme of the Ljubljana International Film Festival (LIFFe) for the last time it became one of the most popular sections among audience. So it is not surprising that in the [[established::1998]] the International Documentary Film Festival was established. In the first few years it was a specialised non-competitive festival that was offering a general, quite unselective overview of the contemporary documentary film production, later it introduced also a competitive section for Mountain and Adventure Films (in 2007 it became a separate festival event)  while in the last few years &ndash; actually from 2007 when Simon Popek became the director and the selector of the festival &ndash; it became a specialised competitive festival focusing on contemporary documentary film production, mostly on films that deals with social issues and social phenomenons. The festival is taking place annually at the [[Cankarjev dom Culture and Congress Centre]] and in [[Kinodvor Cinema]] in the month of March and it lasts 8 days.
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 ==Sections and awards==
-The International Documentary Film Festival has five sections. The main Competitive section that was introduced in 2009, at the 11. International Documentary Film Festival, is dedicated to documentaries that are dealing with human rights issues and it is prepared in collaboration with Amnesty International Slovenia. Each year five or six films are competing for the main award, the Human Rights Film Award for the best film on human rights issues. The winning film is selected by the international jury composed of three members (selected by the Amnesty International Slovenia).
+The Documentary Film Festival has 5 sections: Competitive; Myths, Icons, Media; Intimate Portrayals; Topical, Socially Critical; and Retrospective.
-The Myths, Icons, Media section includes films on cultural icons, social and cultural phenomenons, music and film stars, trends in mass culture and arts. In the previous years films like We Jam Econo: The Story of The Minutemen by Tim Irwin, Requiem for Billy the Kid by Anne Feinsilber and Soul Power by Jeffrey Levy-Hinte were screened. The Intimate Portrayals section offers intimate encounters with well known personalities or ordinary people, while the Topical, Socially Critical sections brings films that are critically focusing on actual social issues. The last is the Retrospective section. Through it domestic and foreign directors or national productions are presented. In the past years this section brought personal retrospectives of Jože Pogačnik, Mako Sajko, Nicolas Philibert and Raymond Depardon, but also the overview on Bosnian documentary film production.
+The main Competitive section, introduced in 2009 at the 11th Documentary Film Festival, is prepared in collaboration with Amnesty International Slovenia and is dedicated to documentaries that deal with human rights issues. Each year 5 or 6 films compete for the main award, the Human Rights Film Award for the best film on human rights issues. The winning film is selected by an international jury composed of three members (selected by the Amnesty International Slovenia).
-Some of the films screened at the festival are later on distributed by Cankarjev dom and released in various theatres, next to Kosovel Hall usually in [[Kinodvor Cinema]]).
+The Myths, Icons, Media section includes films on cultural icons, social and cultural phenomena, music and film stars, trends in mass culture and arts. In the previous years films like ''We Jam Econo: The Story of The Minutemen'' by Tim Irwin, ''Requiem for Billy the Kid'' by Anne Feinsilber and ''Soul Power'' by Jeffrey Levy-Hinte were screened. The Intimate Portrayals section offers intimate encounters with well known personalities or ordinary people, while the Topical, Socially Critical sections brings films that are critically focusing on actual social issues. The last is the Retrospective section which presents domestic and foreign directors or national productions. In the past years this section brought personal retrospectives of Jože Pogačnik, Mako Sajko, Nicolas Philibert, and Raymond Depardon, as well as an overview of Bosnian documentary film production.
+Some of the films screened at the festival are later distributed by Cankarjev dom and screened in various theatres, including Cankarjev dom's Kosovel Hall and [[Kinodvor Cinema]]).
 ==See also==

Difference between revisions of "Ljubljana Documentary Film Festival"

Revision as of 15:48, 11 March 2010

Sections and awards

See also

External links

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