Culture of Slovenia

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Drugajanje Festival


The Drugajanje Festival is an annual festival initiated in 2002, co-organised by the Bunker Institute at the Second Grammar School in Maribor, which hosts the festival. The festival was conceived as a response to the gap in the supply of cultural content for youth in the city of Maribor and aims to affirm contemporary dance and performing arts, especially among teenage audiences, with a programme of performances, workshops and lectures.

NOT ROBOT, WRITING DONE, INFOBOX DONE, PROOFREAD DONE, NOVERIFY, NODEPO, Articles maintained by Katja Kosi, Article, Dance, Theatre & Dance, Theatre, NIFERTIK, Festivals, Festivals in November, NO PHOTO, Updated 2020, Theatre festivals, Dance festivals

Drugajanje 2022 Še neznano foto Janez Klenovšek (12).jpg The project Still Unknown at Drugajanje Festival, Maribor 2022. Author: Janez Klenovšek



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Slovene art abroad 2010 – 2024

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Festivals


Festivals in Slovenia


Festivals are up and running!

Our graphic calendar of festivals shows 160 festivals in 2024.

Explore all the upcoming festivals at the interactive Festivals in Slovenia infographic.

Festivals in slovenia 2012.jpgThe printed version of the calendar of Festivals in Slovenia in 2012 contains 141 festivals. Later on, in 2019, the festival number rose to 199. Check out the current annual festivalscape.

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Overview



Fields of Experimental Music in Slovenia

Luka T. Zagoričnik


Let's take a ride on the term experimental music, which currently mainly defines certain more fringe musical practices, across the expanses of various musical plains, styles and genres. We can apply this (overly) broad term to designate the varied creative simmering in certain segments of the present-day Slovenian music scene. A scene that spans the realms of electro-acoustic music, musique concrète, experimental music in the context of modern classical music, free improvisation, experimental electronic music and sound art as well as their associated present-day trends. This scene is diverse and exceptionally agile. It has developed a strong infrastructure for itself (festivals, concert series, labels, international networks) and exists in the space between self-organising and DIY models and institutional environments.

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Zarkolom Tadej Droljc Lunchmeat Festival 2020.jpg Žarkolom, Tadej Droljc at Lunchmeat Festival, 2020


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