Zavod za sodobno umetniško prakso in teorijo 0.1
Trnovska ulica 2, SI-1000 Ljubljana
Difference between revisions of "0.1 Institute"
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| − | The [[0.1 Institute]], founded in [[established:: 2016]], is a creative and conceptual platform for research into and the production of contemporary art practice and theory, with a particular focus on movement as it pertains to the performing (dance, puppetry, physical theatre) and non-performing | + | The [[0.1 Institute]], founded in [[established:: 2016]], is a creative and conceptual platform for research into and the production of contemporary art practice and theory, with a particular focus on movement as it pertains to the performing (dance, puppetry, physical theatre) and non-performing (film, visual arts, music, intermedia) arts. |
==Concept== | ==Concept== | ||
| − | While at first glance it retains all the features of a contemporary dance company, particularly for an audience perhaps unaware of the institute's theoretical underpinnings, the professional profiles of the three main players show the wider perspectives they are keen to bring to movement: [[Jernej Bizjak]] is a contemporary dancer, choreographer and teacher | + | While at first glance it retains all the features of a contemporary dance company, particularly for an audience perhaps unaware of the institute's theoretical underpinnings, the professional profiles of the three main players show the wider perspectives they are keen to bring to movement: [[Jernej Bizjak]] is a contemporary dancer, choreographer and teacher; [[Sara Živkovič Kranjc]], a scriptwriter and producer; and [[Klemen Janežič]], an actor and director. The institute's commitment to research and to an interdisciplinary approach is exemplified by ''Za Ludwiga'' (For Ludwig), an ongoing project developed in Denmark to coincide with the 250th anniversary of Beethoven's birth in 2020. |
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==Projects== | ==Projects== | ||
| − | The 0.1 Institute began with two projects in its first year of operation: ''Torzo'' (Torso), performed by Janežič at the [[Railway Museum of Slovenske železnice|Slovenian Railway Museum]] in Ljubljana and co-produced with [[Academy of Theatre, Radio, Film and Television (AGRFT)|AGRFT]] | + | The 0.1 Institute began with two projects in its first year of operation: ''Torzo'' (Torso), performed by Janežič at the [[Railway Museum of Slovenske železnice|Slovenian Railway Museum]] in Ljubljana and co-produced with [[Academy of Theatre, Radio, Film and Television (AGRFT)|UL AGRFT]]; and ''V objemu sprožilca ali pot do točke nič'' (In the Embrace of a Trigger, or the Road to Point Zero), Jernej Bizjak's first self-choreographed work, an intimate exploration of anxiety and powerlessness. |
| − | The institute's educational concerns were highlighted in the first of three projects in 2020. ''Gibarna'' was a series of workshops given by Janežič, Bizjak and | + | The institute's educational concerns were highlighted in the first of three projects in 2020. ''Gibarna'' was a series of workshops given by Janežič, Bizjak and several Slovenian and international mentors, largely online as a result of the 2020 Covid-19 pandemic, that aimed to explore how movement intersected with a range of performing arts. It was supported financially by the public institute [[Young Dragons Public Institute|Mladi zmaji (Young Dragons)]]. ''Postaja samobitno'' (Station Selbstein), choreographed and performed by Janežič, examined the effect of contemporary Western environments on notions of integration and autonomy. It was produced by [[Flota Institute|Flota]], with 0.1 and [[Bunker Institute|Bunker]] co-producing, and premiered at [[Stara Elektrarna - Old Power Station|Stara Elektrarna]] in March 2020. It was reportedly the last live cultural event to take place in Slovenia before the first Covid-19 lockdown. |
{{Vimeo|384462550}} | {{Vimeo|384462550}} | ||
| − | The third of the projects to receive its premiere in 2020, ''For Ludwig'', was developed at the Bora Bora Residency Centre in Aarhus, Denmark, by Bizjak, Živkovič Kranjc, and Dutch teacher and choreographer Joan van der Mast. The research phase of the project in Denmark involved immersion in a number of different fields, including visual art, sound art, sign language and astrophysics, with the premiere of Variation I of the project taking place in August 2020 at the [[Front@ Contemporary Dance Festival]] in Murska Sobota. Further performances (and variations) are to be expected, with the project having secured a | + | The third of the projects to receive its premiere in 2020, ''For Ludwig'', was developed at the Bora Bora Residency Centre in Aarhus, Denmark, by Bizjak, Živkovič Kranjc, and Dutch teacher and choreographer Joan van der Mast. The research phase of the project in Denmark involved immersion in a number of different fields, including visual art, sound art, sign language and astrophysics, with the premiere of Variation I of the project taking place in August 2020 at the [[Front@ Contemporary Dance Festival]] in Murska Sobota. Further performances (and variations) are to be expected, with the project having secured a place in the regular programme at the Bora Bora Dance and Visual Theatre in Aarhus. |
The majority of 0.1's projects have been financially supported by the Slovenian [[Ministry of Culture]]. | The majority of 0.1's projects have been financially supported by the Slovenian [[Ministry of Culture]]. | ||
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== External links == | == External links == | ||
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[[Category:Theatre & Dance]] | [[Category:Theatre & Dance]] | ||
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| + | [[Category:Updated 2020]] | ||
| + | [[Category:Dance_education_and_research]] | ||
Latest revision as of 00:36, 19 February 2021
Contact
Projects
The 0.1 Institute began with two projects in its first year of operation: Torzo (Torso), performed by Janežič at the Slovenian Railway Museum in Ljubljana and co-produced with UL AGRFT; and V objemu sprožilca ali pot do točke nič (In the Embrace of a Trigger, or the Road to Point Zero), Jernej Bizjak's first self-choreographed work, an intimate exploration of anxiety and powerlessness.
The institute's educational concerns were highlighted in the first of three projects in 2020. Gibarna was a series of workshops given by Janežič, Bizjak and several Slovenian and international mentors, largely online as a result of the 2020 Covid-19 pandemic, that aimed to explore how movement intersected with a range of performing arts. It was supported financially by the public institute Mladi zmaji (Young Dragons). Postaja samobitno (Station Selbstein), choreographed and performed by Janežič, examined the effect of contemporary Western environments on notions of integration and autonomy. It was produced by Flota, with 0.1 and Bunker co-producing, and premiered at Stara Elektrarna in March 2020. It was reportedly the last live cultural event to take place in Slovenia before the first Covid-19 lockdown.
The third of the projects to receive its premiere in 2020, For Ludwig, was developed at the Bora Bora Residency Centre in Aarhus, Denmark, by Bizjak, Živkovič Kranjc, and Dutch teacher and choreographer Joan van der Mast. The research phase of the project in Denmark involved immersion in a number of different fields, including visual art, sound art, sign language and astrophysics, with the premiere of Variation I of the project taking place in August 2020 at the Front@ Contemporary Dance Festival in Murska Sobota. Further performances (and variations) are to be expected, with the project having secured a place in the regular programme at the Bora Bora Dance and Visual Theatre in Aarhus.
The majority of 0.1's projects have been financially supported by the Slovenian Ministry of Culture.
External links
... more about "0.1 Institute"
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The 0.1 Institute … The 0.1 Institute, founded in 2016, is a creative and conceptual platform for research into and the production of contemporary art practice and theory, with a particular focus on movement as it pertains to the performing (dance, puppetry, physical theatre) and non-performing (film, visual arts, music, intermedia) arts.ilm, visual arts, music, intermedia) arts. +
The 0.1 Institute, founded in 2016, is a … The 0.1 Institute, founded in 2016, is a creative and conceptual platform for research into and the production of contemporary art practice and theory, with a particular focus on movement as it pertains to the performing (dance, puppetry, physical theatre) and non-performing (film, visual arts, music, intermedia) arts.ilm, visual arts, music, intermedia) arts. +
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