Muzej premoderne umetnosti
Spodnji Hotič 19, SI-1270 Litija
Phone386 (0) 31 570 052
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Difference between revisions of "Museum of Too Modern Art"
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| − | Although the autonomous theoretical concept of | + | Although the autonomous theoretical concept of "too modern art" originates in an anecdotal refusal of [[Oliver Marčeta]]'s paintings by a local gallery, the [[Museum of Too Modern Art]] dates from [[established::1999]] when [[Tomaž Drnovšek - Vinči]] sold his cows and offered his stable for contemporary art exhibitions to a group of disappointed founding artists [[Boštjan Plesničar]], [[Oliver Marčeta]], [[Grega Mastnak]], [[Vladimir Leben]], and [[Ervin Potočnik]]. |
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| − | In the last decade the | + | In the last decade the museum has developed into an unorthodox contemporary art venue which also offers space to local musicians, organises occasional concerts (ranging from the renown drummer and percussionist [[Zlatko Kaučič]] to the youth section of the local tambura orchestra) and art workshops (stone carving in collaboration with the local Regional Development Centre in 2009). |
| − | Apart from | + | Apart from regular exhibitions by the founding artists, the museum shows works by established Slovene artists such as [[Marko A. Kovačič]], [[Marko Jakše]], and [[Domestic Research Society]] and strives to develop stronger international contacts. In collaboration with SKC and the French Cultural Institute (both from Belgrade) the recent ''Hybrid Object'' exhibition in 2010 presented works by artists from Serbia, France, and Slovenia, mostly created during the residency in Spodnji Hotič, as the first incarnation of what is to become a regular Too Modern Sculpting Festival. |
Revision as of 20:42, 6 December 2010
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In the last decade the museum has developed into an unorthodox contemporary art venue which also offers space to local musicians, organises occasional concerts (ranging from the renown drummer and percussionist Zlatko Kaučič to the youth section of the local tambura orchestra) and art workshops (stone carving in collaboration with the local Regional Development Centre in 2009).
Apart from regular exhibitions by the founding artists, the museum shows works by established Slovene artists such as Marko A. Kovačič, Marko Jakše, and Domestic Research Society and strives to develop stronger international contacts. In collaboration with SKC and the French Cultural Institute (both from Belgrade) the recent Hybrid Object exhibition in 2010 presented works by artists from Serbia, France, and Slovenia, mostly created during the residency in Spodnji Hotič, as the first incarnation of what is to become a regular Too Modern Sculpting Festival.
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Although the autonomous theoretical concep … Although the autonomous theoretical concept of "too modern art" originates in an anecdotal refusal of Oliver Marčeta's paintings by a local gallery, the Museum of Too Modern Art dates from 1999 when Tomaž Drnovšek - Vinči sold his cows and offered his stable for contemporary art exhibitions to a group of disappointed founding artists Boštjan Plesničar, Oliver Marčeta, Grega Mastnak, Vladimir Leben, and Ervin Potočnik.Potočnik]]. +
Although the autonomous theoretical concep … Although the autonomous theoretical concept of "too modern art" originates in an anecdotal refusal of Oliver Marčeta's paintings by a local gallery, the Museum of Too Modern Art dates from 1999 when Tomaž Drnovšek - Vinči sold his cows and offered his stable for contemporary art exhibitions to a group of disappointed founding artists Boštjan Plesničar, Oliver Marčeta, Grega Mastnak, Vladimir Leben, and Ervin Potočnik.stnak, Vladimir Leben, and Ervin Potočnik. +
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