Difference between revisions of "Anton Podbevšek Theatre"
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{{Article | {{Article | ||
− | | status = | + | | status = |
| maintainer = Katja Kosi | | maintainer = Katja Kosi | ||
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| email = info@antonpodbevsekteater.si | | email = info@antonpodbevsekteater.si | ||
| website = http://www.antonpodbevsekteater.si | | website = http://www.antonpodbevsekteater.si | ||
− | | founded by = Novo mesto | + | | founded by = Municipality of Novo mesto |
| contacts = {{Contact | | contacts = {{Contact | ||
| name = Matjaž Berger | | name = Matjaž Berger | ||
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{{Image|Nana Milcinski - Zadnji Livingstonov poljub - Photo Borut Peterlin.jpg}} | {{Image|Nana Milcinski - Zadnji Livingstonov poljub - Photo Borut Peterlin.jpg}} | ||
− | [[Anton Podbevšek Theatre]] (APT) was established in May [[established::2005]]. As such, it is the youngest Slovene professional theatre house as well as the first professional theatre in the history of [[Novo mesto | + | [[Anton Podbevšek Theatre]] (APT) was established in May [[established::2005]]. As such, it is the youngest Slovene professional theatre house as well as the first professional theatre in the history of [[Municipality of Novo mesto|Novo mesto]], a town in the south eastern region of Slovenia. APT's aim is to make engaged, challenging, and contemporary theatre that would surpass the distinction between popular and elite culture. Thus, it seeks to present a wide range of theatre genres (music drama, drama and post-drama theatre, and dance theatre), synthesising literature, dance, music, architecture, painting, and film. In addition, it organises programme-related colloquia and discussions. The choice for the theatre's name, namely after the first Slovene avant-garde artist [[Anton Podbevšek]] (1898–1981), suggests APT's orientation toward research, risk-taking, reflection, and new modes of presentation. |
}} | }} | ||
==Overview of theatre production== | ==Overview of theatre production== | ||
− | APT finds its primary challenge in performing the antagonisms and ground-breaking turns in different societies, circumstances, tastes, and mentalities. The theatre launched its programme with Bertolt Brecht's ''Galileo Galilei'' (2006), directed by Matjaž Berger; followed by the intimate dance spectacle ''Sun City'' (2007), based on the literary utopian text from the 16th-century ''The City of the Sun'' by the Italian theologist and philosopher Tommaso Campanella, co-produced by [[Fičo Balet]]; and the musical fairy tale ''Peter and the Wolf'' [Peter in volk] (2007), directed by Nana Milčinski and Matjaž Berger. | + | APT finds its primary challenge in performing the antagonisms and ground-breaking turns in different societies, circumstances, tastes, and mentalities. The theatre launched its programme with Bertolt Brecht's ''Galileo Galilei'' (2006), directed by [[Matjaž Berger]]; followed by the intimate dance spectacle ''Sun City'' (2007), based on the literary utopian text from the 16th-century ''The City of the Sun'' by the Italian theologist and philosopher Tommaso Campanella, co-produced by [[Fičo Balet]]; and the musical fairy tale ''Peter and the Wolf'' [Peter in volk] (2007), directed by [[Nana Milčinski]] and [[Matjaž Berger]]. |
− | Since then, APT has collaborated with over 150 makers/artists in producing large-scale post-drama theatre performances. Thus, in 2007 APT premièred the inscenation ''Alain Badiou: XX. Century'' [Alain Badiou: XX. stoletje], directed by Berger, which employed the performance model that included a corpus of theatre gestures, Internet art, a rock concert, and sports, and included actors, musicians, dancers, and cyclists. The spectacle took place at the Cycling Velodrome near Novo mesto. In 2008, APT produced a follow-up to this performance, namely Bertolt Brecht's ''Me-ti / Book of Twists and Turns'' [Me-ti / Knjiga obratov], also directed by Berger, which attempted to reflect on the questions opened up in this famous Brecht text, namely, how does a subject constitute and maintain her/his dignity, attitude, gesture in the times permeated with forced choices. APT's programme has also presented projects by Marko Mlačnik, whose performance ''Left Terrorism'' [Levi terorizem] (2008) dealt with the legacy of movements and thinkers of the 1960s, drawing from concrete, "real" destinies of 4 German terrorists, members of the 1st generation of Red Army Faction – RAF; and ''Confessions'' [Spovedi] (2009) by Dušan Jovanović, which reflected on the ambivalent connection between confession, truth, and power, disclosing the nature of confession as a prevailing cultural form. | + | Since then, APT has collaborated with over 150 makers/artists in producing large-scale post-drama theatre performances. Thus, in 2007 APT premièred the inscenation ''Alain Badiou: XX. Century'' [Alain Badiou: XX. stoletje], directed by Berger, which employed the performance model that included a corpus of theatre gestures, Internet art, a rock concert, and sports, and included actors, musicians, dancers, and cyclists. The spectacle took place at the Cycling Velodrome near Novo mesto. In 2008, APT produced a follow-up to this performance, namely Bertolt Brecht's ''Me-ti / Book of Twists and Turns'' [Me-ti / Knjiga obratov], also directed by Berger, which attempted to reflect on the questions opened up in this famous Brecht text, namely, how does a subject constitute and maintain her/his dignity, attitude, gesture in the times permeated with forced choices. APT's programme has also presented projects by [[Marko Mlačnik]], whose performance ''Left Terrorism'' [Levi terorizem] (2008) dealt with the legacy of movements and thinkers of the 1960s, drawing from concrete, "real" destinies of 4 German terrorists, members of the 1st generation of Red Army Faction – RAF; and ''Confessions'' [Spovedi] (2009) by [[Dušan Jovanović]], which reflected on the ambivalent connection between confession, truth, and power, disclosing the nature of confession as a prevailing cultural form. |
+ | ==Additional programme== | ||
Anton Podbevšek Theatre also hosts performances of different Slovene theatre and dance producers, such as [[Slovene People’s Theatre (SLG) Celje]], [[DUM Association of Artists]], [[Maska Institute]], [[EnKnapGroup (EKG)]], [[Betontanc]], etc., as well as organises other cultural and social events. In addition to its performing arts and educational activities, APT also organises an art cinema programme and runs a photographic gallery. | Anton Podbevšek Theatre also hosts performances of different Slovene theatre and dance producers, such as [[Slovene People’s Theatre (SLG) Celje]], [[DUM Association of Artists]], [[Maska Institute]], [[EnKnapGroup (EKG)]], [[Betontanc]], etc., as well as organises other cultural and social events. In addition to its performing arts and educational activities, APT also organises an art cinema programme and runs a photographic gallery. | ||
==International cooperation== | ==International cooperation== | ||
− | In 2008, APT entered its first international co-production with the Theatre City Festival Budva, Monte Negro. The performance ''Kadmopolis – a Look From the Distance'' [Kadmopolis – Udaljeni pogled], directed by Matjaž Berger, investigates the myths of the emergence of settlements in the Mediterranean area, interweaving them with fragments from texts by Beckett, Hegel, Sartre, Eluard, and Pavić. In 2009, APT co-produced with the Bologna-based Teatri di Vita, Italy, the performance ''Portrait of a Lady'' [Portret neke gospe], directed by Matjaž Berger, which won two awards at the [[Borštnik Theatre Festival]] in Maribor in 2009: Matjaž Berger received the [[Borštnik Ring Award and Borštnik Awards|Borštnik Award]] for the unique performing discourse and Peter Penko for best musical score. In 2009, APT co-produced [[EnKnapGroup (EKG)|EnKnapGroup]]'s production ''10 Min East'' [10 minut vzhodno], comprised of 5 choreographic miniatures. The performance was co-produced also by the Workshop Foundation, Hungary; the Zagreb Dance Ensemble, Croatia; and the [[Slovene National Theatre Maribor]]. | + | In 2008, APT entered its first international co-production with the Theatre City Festival Budva, Monte Negro. The performance ''Kadmopolis – a Look From the Distance'' [Kadmopolis – Udaljeni pogled], directed by [[Matjaž Berger]], investigates the myths of the emergence of settlements in the Mediterranean area, interweaving them with fragments from texts by Beckett, Hegel, Sartre, Eluard, and Pavić. In 2009, APT co-produced with the Bologna-based Teatri di Vita, Italy, the performance ''Portrait of a Lady'' [Portret neke gospe], directed by [[Matjaž Berger]], which won two awards at the [[Borštnik Theatre Festival]] in Maribor in 2009: [[Matjaž Berger]] received the [[Borštnik Ring Award and Borštnik Awards|Borštnik Award]] for the unique performing discourse and [[Peter Penko]] for best musical score. In 2009, APT co-produced [[EnKnapGroup (EKG)|EnKnapGroup]]'s production ''10 Min East'' [10 minut vzhodno], comprised of 5 choreographic miniatures. The performance was co-produced also by the Workshop Foundation, Hungary; the Zagreb Dance Ensemble, Croatia; and the [[Slovene National Theatre Maribor]]. |
==APT Academy== | ==APT Academy== | ||
APT also launched an interdisciplinary programme of reflection on the arts in general and the contemporary theatre discourse in particular. Aiming to inform the viewer with topical reflections as well as to prepare him for new modes of presentation, APT is developing 2 models. It organises colloquia and symposiums, thematically related to APT's theatre projects, which commonly host philosophers, theatre researchers, directors, and translators, and a weekly educational programme for the Novo mesto secondary school population, offering knowledge about the basic paradigms of 20th-century theatre practices through practical insights. | APT also launched an interdisciplinary programme of reflection on the arts in general and the contemporary theatre discourse in particular. Aiming to inform the viewer with topical reflections as well as to prepare him for new modes of presentation, APT is developing 2 models. It organises colloquia and symposiums, thematically related to APT's theatre projects, which commonly host philosophers, theatre researchers, directors, and translators, and a weekly educational programme for the Novo mesto secondary school population, offering knowledge about the basic paradigms of 20th-century theatre practices through practical insights. | ||
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==External links== | ==External links== | ||
* [http://www.antonpodbevsekteater.si/ Anton Podbevšek Theatre website] (in Slovenian) | * [http://www.antonpodbevsekteater.si/ Anton Podbevšek Theatre website] (in Slovenian) | ||
* [http://www.antonpodbevsekteater.si/si/teater/dvorana Technical information about the venue] (in Slovenian) | * [http://www.antonpodbevsekteater.si/si/teater/dvorana Technical information about the venue] (in Slovenian) | ||
+ | * [http://en.wikipedia.org/wiki/Anton_Podbev%C5%A1ek Anton Podbevšek on Wikipedia] | ||
* [http://nl.ijs.si/e-zrc/podbevsek/index-en.html Collected poems by Anton Podbevšek – with facsimiles and commentary] | * [http://nl.ijs.si/e-zrc/podbevsek/index-en.html Collected poems by Anton Podbevšek – with facsimiles and commentary] | ||
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[[Category:Theatre venues]] | [[Category:Theatre venues]] | ||
[[Category:Venues]] | [[Category:Venues]] | ||
+ | [[Category:Theatre education]] | ||
+ | [[Category:Education]] |
Revision as of 01:09, 10 July 2011
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28 Aug 2024
"Beograjski Trio - Belgrade trio", a theatre play adapted after Goran Marković's eponymous novel. Directed by Matjaž Berger and produced by Anton Podbevšek Theatre in cooperation with Cankarjev dom, Cultural and Congress Centre.
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22 Feb 2024
"Invisible Woman", a stage adaptation of a collection of short stories by Slavenka Drakulić, directed by Ivana Djilas. Produced by Anton Podbevšek Theatre.
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21 Aug 2021
Andrej Inkret's And the century will blush. The Kocbek Case directed by Matjaž Berger, produced by Anton Podbevšek Theatre
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20 Jun 2021
21 Jun 2021
Three Sisters directed by Gregor Luštek, coproduced by Anton Podbevšek Theatre and Dance Theatre Ljubljana, Inter-View Multigenre and Multigenerational performance for four dancers with texts by Žigan Krajnčan and Andreja Kopač
at the Laiks Dejot Festival
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22 Aug 2020
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30 Sep 2018
Croatia Mljet Mljet National Park
The performance Janez Vrečko: KONS:O:VEL, directed by Matjaž Berger and produced by Anton Podbevšek Theatre and Studia humanitatis in cooperation with Cankarjev dom, Cultural and Congress Centre,
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25 Aug 2018
The performance The Triple Life of Antigone, written by Slavoj Žižek and directed by Matjaž Berger, produced by Anton Podbevšek Theatre in cooperation with Cankarjev dom, Cultural and Congress Centre,
at the Korčula Summer Festival
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1 Oct 2017
Slavoj Žižek’s The Triple Life of Antigone, a theatre performance directed by Matjaž Berger and produced by Anton Podbevšek Theatre,
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27 Aug 2017
Heraklit/Zenon: Time is a child playing with droughts: The lordship is to the child, produced by the Anton Podbevšek Theatre,
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13 May 2017
Georgij Gospodinov's The Physics of Sorrow, directed by Tjaša Črnigoj and performed by the ensemble of the Anton Podbevšek Theatre,
at the Tararabumbiya Festival
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10 Dec 2015
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12 May 2015
13 May 2015
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11 Sep 2013
Welcome to the Spiritual Kingdom of Animals, a play based on Slavoj Žižek's writings and produced by Anton Podbevšek Theatre,
Overview of theatre production
APT finds its primary challenge in performing the antagonisms and ground-breaking turns in different societies, circumstances, tastes, and mentalities. The theatre launched its programme with Bertolt Brecht's Galileo Galilei (2006), directed by Matjaž Berger; followed by the intimate dance spectacle Sun City (2007), based on the literary utopian text from the 16th-century The City of the Sun by the Italian theologist and philosopher Tommaso Campanella, co-produced by Fičo Balet; and the musical fairy tale Peter and the Wolf [Peter in volk] (2007), directed by Nana Milčinski and Matjaž Berger.
Since then, APT has collaborated with over 150 makers/artists in producing large-scale post-drama theatre performances. Thus, in 2007 APT premièred the inscenation Alain Badiou: XX. Century [Alain Badiou: XX. stoletje], directed by Berger, which employed the performance model that included a corpus of theatre gestures, Internet art, a rock concert, and sports, and included actors, musicians, dancers, and cyclists. The spectacle took place at the Cycling Velodrome near Novo mesto. In 2008, APT produced a follow-up to this performance, namely Bertolt Brecht's Me-ti / Book of Twists and Turns [Me-ti / Knjiga obratov], also directed by Berger, which attempted to reflect on the questions opened up in this famous Brecht text, namely, how does a subject constitute and maintain her/his dignity, attitude, gesture in the times permeated with forced choices. APT's programme has also presented projects by Marko Mlačnik, whose performance Left Terrorism [Levi terorizem] (2008) dealt with the legacy of movements and thinkers of the 1960s, drawing from concrete, "real" destinies of 4 German terrorists, members of the 1st generation of Red Army Faction – RAF; and Confessions [Spovedi] (2009) by Dušan Jovanović, which reflected on the ambivalent connection between confession, truth, and power, disclosing the nature of confession as a prevailing cultural form.
Additional programme
Anton Podbevšek Theatre also hosts performances of different Slovene theatre and dance producers, such as Slovene People’s Theatre (SLG) Celje, DUM Association of Artists, Maska Institute, EnKnapGroup (EKG), Betontanc, etc., as well as organises other cultural and social events. In addition to its performing arts and educational activities, APT also organises an art cinema programme and runs a photographic gallery.
International cooperation
In 2008, APT entered its first international co-production with the Theatre City Festival Budva, Monte Negro. The performance Kadmopolis – a Look From the Distance [Kadmopolis – Udaljeni pogled], directed by Matjaž Berger, investigates the myths of the emergence of settlements in the Mediterranean area, interweaving them with fragments from texts by Beckett, Hegel, Sartre, Eluard, and Pavić. In 2009, APT co-produced with the Bologna-based Teatri di Vita, Italy, the performance Portrait of a Lady [Portret neke gospe], directed by Matjaž Berger, which won two awards at the Borštnik Theatre Festival in Maribor in 2009: Matjaž Berger received the Borštnik Award for the unique performing discourse and Peter Penko for best musical score. In 2009, APT co-produced EnKnapGroup's production 10 Min East [10 minut vzhodno], comprised of 5 choreographic miniatures. The performance was co-produced also by the Workshop Foundation, Hungary; the Zagreb Dance Ensemble, Croatia; and the Slovene National Theatre Maribor.
APT Academy
APT also launched an interdisciplinary programme of reflection on the arts in general and the contemporary theatre discourse in particular. Aiming to inform the viewer with topical reflections as well as to prepare him for new modes of presentation, APT is developing 2 models. It organises colloquia and symposiums, thematically related to APT's theatre projects, which commonly host philosophers, theatre researchers, directors, and translators, and a weekly educational programme for the Novo mesto secondary school population, offering knowledge about the basic paradigms of 20th-century theatre practices through practical insights.
External links
- Anton Podbevšek Theatre website (in Slovenian)
- Technical information about the venue (in Slovenian)
- Anton Podbevšek on Wikipedia
- Collected poems by Anton Podbevšek – with facsimiles and commentary