Difference between revisions of "Depot:PlatformaSCCA Magazine"

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{{Article
 
{{Article
| status      = ROBOT WRITING INFOBOX TOPROOFREAD NIFERTIK!
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| status      = TOPROOFREAD NIFERTIK!
 
| maintainer  = Admin
 
| maintainer  = Admin
 
}}
 
}}
 
{{Infobox
 
{{Infobox
| name                = Platforma SCCA
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| name                = PlatformaSCCA
| street address      = SCCA-Ljubljana, Zavod za sodobno umetnost, Metelkova 6, SI-1000 Ljubljana, Slovenia
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| street             = Metelkova 6
 +
| town                = SI-1000 Ljubljana
 
| telephone          = 386 (0) 1 431 8385
 
| telephone          = 386 (0) 1 431 8385
 
| fax                = 386 (0) 1 430 0629
 
| fax                = 386 (0) 1 430 0629
 
| email              = info@scca-ljubljana.si
 
| email              = info@scca-ljubljana.si
| website            = http://www.scca-ljubljana.si/platforma.htm
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| website            = http://www.scca-ljubljana.si/platformaengl.htm
| proprietor          = SCCA-Ljubljana Centre for Contemporary Arts
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| published by        = SCCA-Ljubljana Centre for Contemporary Arts
 
| contacts = {{Contact
 
| contacts = {{Contact
| name                = Barbara Borčić
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| name                = Dušan Dovč
| role                = Editor in Chief
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| role                = Production manager
 
}}
 
}}
 
}}
 
}}
  
 
{{Teaser|
 
{{Teaser|
[[Platforma SCCA]] is a series of occasional contemporary art publications focused on the themes that contribute considerably to the understanding of contemporary art practice and its context. As a rule they are a part of broader research projects conceived and elaborated by the [[SCCA-Ljubljana Centre for Contemporary Arts]]. Apart from providing information on the centre’s activities, they include original texts and translations from the fields of art theory, critical theory and art criticism. The special section entitled Open Scene is aimed at encouraging writers from a younger, less experienced generation, to offer their contributions.
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[[Platforma SCCA]] is a series of occasional contemporary art publications (2000-2005) focused on the themes that contribute considerably to the understanding of contemporary art practice and its context. As a rule they are a part of broader research projects conceived and elaborated by the [[SCCA-Ljubljana Centre for Contemporary Arts]]. Apart from providing information on the centre’s activities, they include original texts and translations from the fields of art theory, critical theory and art criticism. Articles in PlatformaSCCA are published in Slovene, Croatian, Serbian and English and available in the selected book shops (also in Berlin and Istanbul) as well as on-line (open access).
 
}}
 
}}
  
The first and second issues (2000) were dedicated to the project Manifesta in our Backyard, which took as their theme the 3rd [[Manifesta]] European Biennial of Contemporary Art, hosted in 2000 by Ljubljana. The aim was threefold: an exploration of the M3 self-image, a study of the influence of M3 upon the local art scene, and an analysis of works of art exhibited at the M3. The third issue, called Art, Ideology and Theory (2002), was still partially linked to [[Manifesta]] 3 while questioning the role of art theory in relation to artistic practices and critical theory. The title of the fourth issue of 2005 was What Is to Be Done with 'Balkan Art'? This thematic number was a part of a broader research project of the same title that was conceived with the initial objective to reflect upon and interpret the reinvention and (re)definition of the Balkans and 'Balkan art'.
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==Themes==
 +
The first and second issues (2000) were dedicated to the project ''Manifesta in our Backyard'', which took as their theme the 3rd Manifesta, European Biennial of Contemporary Art, hosted in 2000 by Ljubljana. The aim was threefold: an exploration of the M3 self-image, a study of the influence of M3 upon the local art scene, and an analysis of works of art exhibited at the M3. The third issue, called ''Art, Ideology and Theory'' (2002), was still partially linked to Manifesta 3 while questioning the role of art theory in relation to artistic practices and critical theory. The title of the fourth issue of 2005 was ''What Is to Be Done with 'Balkan Art'?'' This thematic number was a part of a broader research project of the same title that was conceived with the initial objective to reflect upon and interpret the reinvention and (re)definition of the Balkans and 'Balkan art'.
  
Articles in Platforma SCCA are published in Slovene, Croatian, Serbian and English and are also available at the website.
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==See also==
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* [[SCCA-Ljubljana Centre for Contemporary Arts]]
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==External link==
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* [http://www.scca-ljubljana.si/platformaengl.htm PlatformaSCCA web page], on-line articles
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* [http://www.manifesta.org/manifesta3/ Manifesta 3 website] (archive)
  
 
[[Category:Visual arts magazines]]
 
[[Category:Visual arts magazines]]
[[Category:Visual arts magazines]]
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[[Category:Magazines]]
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[[Category:Media]]
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[[Category:Press]]

Revision as of 22:31, 28 December 2009




Contact

This logo is missing!

If you have it, please email it to us.

PlatformaSCCA
Metelkova 6, SI-1000 Ljubljana
Phone386 (0) 1 431 8385




Platforma SCCA is a series of occasional contemporary art publications (2000-2005) focused on the themes that contribute considerably to the understanding of contemporary art practice and its context. As a rule they are a part of broader research projects conceived and elaborated by the SCCA-Ljubljana Centre for Contemporary Arts. Apart from providing information on the centre’s activities, they include original texts and translations from the fields of art theory, critical theory and art criticism. Articles in PlatformaSCCA are published in Slovene, Croatian, Serbian and English and available in the selected book shops (also in Berlin and Istanbul) as well as on-line (open access).


Themes

The first and second issues (2000) were dedicated to the project Manifesta in our Backyard, which took as their theme the 3rd Manifesta, European Biennial of Contemporary Art, hosted in 2000 by Ljubljana. The aim was threefold: an exploration of the M3 self-image, a study of the influence of M3 upon the local art scene, and an analysis of works of art exhibited at the M3. The third issue, called Art, Ideology and Theory (2002), was still partially linked to Manifesta 3 while questioning the role of art theory in relation to artistic practices and critical theory. The title of the fourth issue of 2005 was What Is to Be Done with 'Balkan Art'? This thematic number was a part of a broader research project of the same title that was conceived with the initial objective to reflect upon and interpret the reinvention and (re)definition of the Balkans and 'Balkan art'.

See also

External link