Difference between revisions of "0.1 Institute"
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− | The third of the projects to receive its premiere in 2020, ''For Ludwig'', was developed at the Bora Bora Residency Centre in Aarhus, Denmark, by Bizjak, Živkovič Kranjc and Dutch teacher and choreographer Joan van der Mast. The research phase of the project in Denmark involved immersion in a number of different fields, including visual art, sound art, sign language and astrophysics, with the premiere of Variation I of the project taking place in August 2020 at the [[Front@ Contemporary Dance Festival]] in Murska Sobota. Further performances (and variations) are to be expected, with the project having secured a place in the place in the regular programme at Bora and Visual Theatre in Aarhus. | + | The third of the projects to receive its premiere in 2020, ''For Ludwig'', was developed at the Bora Bora Residency Centre in Aarhus, Denmark, by Bizjak, Živkovič Kranjc and Dutch teacher and choreographer Joan van der Mast. The research phase of the project in Denmark involved immersion in a number of different fields, including visual art, sound art, sign language and astrophysics, with the premiere of Variation I of the project taking place in August 2020 at the [[Front@ Contemporary Dance Festival]] in Murska Sobota. Further performances (and variations) are to be expected, with the project having secured a place in the place in the regular programme at the Bora Bora Dance and Visual Theatre in Aarhus. |
The majority of 0.1's projects have been financially supported by the Slovenian [[Ministry of Culture]]. | The majority of 0.1's projects have been financially supported by the Slovenian [[Ministry of Culture]]. |
Revision as of 20:27, 4 January 2021
Projects
The 0.1 Institute began with two projects in its first year of operation: Torzo (Torso), performed by Janežič at the Slovenian Railway Museum in Ljubljana and co-produced with AGRFT, and V objemu sprožilca ali pot do točke nič (In the Embrace of a Trigger, or the Road to Point Zero), Jernej Bizjak's first self-choreographed work and an intimate exploration of anxiety and powerlessness.
The institute's educational concerns were highlighted in the first of three projects in 2020. Gibarna was a series of workshops given by Janežič, Bizjak and a series of Slovenian and international mentors, largely online as a result of the 2020 Covid emergency, that aimed to explore how movement intersected with a range of performing arts. It was supported financially by the Young Dragons Public Institute. Postaja samobitno (Station Selbstein), choreographed and performed by Janežič, examined the effect of contemporary Western environments on notions of integration and autonomy. It was produced by Flota, with 0.1 and Bunker co-producing, and premiered at Stara Elektrarna in March 2020, reportedly the last live cultural event in Slovenia before the first Covid lockdown.
The third of the projects to receive its premiere in 2020, For Ludwig, was developed at the Bora Bora Residency Centre in Aarhus, Denmark, by Bizjak, Živkovič Kranjc and Dutch teacher and choreographer Joan van der Mast. The research phase of the project in Denmark involved immersion in a number of different fields, including visual art, sound art, sign language and astrophysics, with the premiere of Variation I of the project taking place in August 2020 at the Front@ Contemporary Dance Festival in Murska Sobota. Further performances (and variations) are to be expected, with the project having secured a place in the place in the regular programme at the Bora Bora Dance and Visual Theatre in Aarhus.
The majority of 0.1's projects have been financially supported by the Slovenian Ministry of Culture.
See also
- Slovenian Railway Museum
- AGRFT
- Young Dragons Public Institute
- Flota Institute
- Bunker
- Stara Elektrarna
- Front@ Contemporary Dance Festival
- Ministry of Culture