Difference between revisions of "Biennial of Design (BIO)"

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The 20th Biennial of October 2006 presented over 350 exhibits by designers from 17 countries (Slovene designers contributed 111 works), including Austria, Belgium, Denmark, Finland, France, Croatia, Italy, Japan, China, Germany, the Netherlands, Slovakia, Slovenia, Spain, and Sweden. Works were presented in three groups: ''Regular industrial products'', ''Visual messages'', and ''Design projects''. The venues of the biennial varied (in the centre of the city, at the castle, etc.). A fringe programme was also organised, including panels, exhibitions by foreign designers, presentations by publishing houses, and meetings of designer organisations, held in different cities across Slovenia.
 
The 20th Biennial of October 2006 presented over 350 exhibits by designers from 17 countries (Slovene designers contributed 111 works), including Austria, Belgium, Denmark, Finland, France, Croatia, Italy, Japan, China, Germany, the Netherlands, Slovakia, Slovenia, Spain, and Sweden. Works were presented in three groups: ''Regular industrial products'', ''Visual messages'', and ''Design projects''. The venues of the biennial varied (in the centre of the city, at the castle, etc.). A fringe programme was also organised, including panels, exhibitions by foreign designers, presentations by publishing houses, and meetings of designer organisations, held in different cities across Slovenia.
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YouTubeMKviQvKd8VQ
  
 
The 21st Biennial of Industrial Design in 2008 was modernised in many ways. The BIO awards were redesigned, and the entire event received a new corporate identity, designed by [[Gigodesign]], one of the award-winners of the 20th Biennial. For the first time in the history of the BIO the international Selection Committee examined all entries equally, be it industrial design and visual communications items or design concepts. The online registration for ''BIO 21'' was possible for the first time – out of 421 submitted works only 126 works from 18 countries were exhibited. In addition to the main exhibition, an interesting accompanying program was prepared.
 
The 21st Biennial of Industrial Design in 2008 was modernised in many ways. The BIO awards were redesigned, and the entire event received a new corporate identity, designed by [[Gigodesign]], one of the award-winners of the 20th Biennial. For the first time in the history of the BIO the international Selection Committee examined all entries equally, be it industrial design and visual communications items or design concepts. The online registration for ''BIO 21'' was possible for the first time – out of 421 submitted works only 126 works from 18 countries were exhibited. In addition to the main exhibition, an interesting accompanying program was prepared.

Revision as of 15:19, 10 May 2014




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Bienale oblikovanja (BIO)
Pot na Fužine 2, SI-1000 Ljubljana
Phone386 (0) 1 548 4277
Frequencybiennially (2012, 2014)
Past Events
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Biennial of Design 2010 Exhibition Photo Tanja Vergles.jpgThe 2010 edition of the Biennial of Industrial Design at the Museum of Architecture and Design in Ljubljana. Biennial of Design (BIO) is one of the few international biennial exhibitions dedicated to showcasing industrial, product, and graphic design work selected by professional design institutions.


The Biennial of Design, known also by its Slovene acronym BIO, explores and reflects contemporary developments in international design through a collaborative process; questioning and analysing current conditions in industrial production, public and private space, systems and networks. Established in 1963, and held in Ljubljana since 1964 (named Biennial of Industrial Design up to 2012), the biennial has developed an excellent reputation as one of the world's oldest international design events. The main exhibition is organised by the BIO Secretariat, which operates under the aegis of the Museum of Architecture and Design (MAO) (former Architecture Museum of Ljubljana) since the museum’s founding in 1972.



Mission

The Biennial of Design is a cultural event directly linked to various sectors, naming industry, architecture, the economy, the design profession, innovation, education, and development. In 2014, for its 50th anniversary, a completely new curatorial practice was implemented: the 24th Biennial of Design (BIO 50) has taken a collaborative approach, considering actual changes in a way people nowadays co-work and co-create. A system of awards is therefore not granted for products anymore, but for collaboration, its process and the outcomes.

Involved in a given collaborative process over the course of six months, international and Slovene mentors and participants are discussing solutions through several thematic fields: Affordable Living, Knowing Food, Public Water Public Space, Walking the City, Hidden Crafts, The Fashion System, Hacking Households, Nanotourism, Engine Blocks, Observing Space, and Designing Life. The outcome of the projects will be presented at the Biennial, while the process is continuously updated, documented , and distributed through BIO 50 website and social media channels.

In addition to the main BIO exhibition, many accompanying events take place during the period of the biennial – exhibitions, lectures, panel discussions, creative workshops for children and young people, and educational workshops for adults, among others. The BIO 50 main show will be accompanied by an exhibition on the Biennial's fifty years of history.


Background

The Biennial of Industrial Design was founded as an exhibition which also demonstrated the capacity of the economy from the point of view of design. In the past, the biennial exhibitions were held at various locations in Ljubljana. In 2004 BIO 19 was held for the first time in the vast exhibition space at the Fužine Castle. In 2012 the biennial acquired a shorter name Biennial of Design and was curated by Margriet Vollenberg and Margo Konings (Studio Organisation in Design).

One of the few international biennial exhibitions dedicated to showcasing industrial, product, and graphic design work selected by professional design institutions, has undergone significant transformation in 2014, under the guidance of Belgian critic and curator Jan Boelen. From awarding and exhibiting products it has evolved into a much larger and multi–layered field of collaboration, investigation, innovation – an experiment, appreciating interconnection and the process itself.

Recent editions

The 20th Biennial of October 2006 presented over 350 exhibits by designers from 17 countries (Slovene designers contributed 111 works), including Austria, Belgium, Denmark, Finland, France, Croatia, Italy, Japan, China, Germany, the Netherlands, Slovakia, Slovenia, Spain, and Sweden. Works were presented in three groups: Regular industrial products, Visual messages, and Design projects. The venues of the biennial varied (in the centre of the city, at the castle, etc.). A fringe programme was also organised, including panels, exhibitions by foreign designers, presentations by publishing houses, and meetings of designer organisations, held in different cities across Slovenia.

YouTubeMKviQvKd8VQ

The 21st Biennial of Industrial Design in 2008 was modernised in many ways. The BIO awards were redesigned, and the entire event received a new corporate identity, designed by Gigodesign, one of the award-winners of the 20th Biennial. For the first time in the history of the BIO the international Selection Committee examined all entries equally, be it industrial design and visual communications items or design concepts. The online registration for BIO 21 was possible for the first time – out of 421 submitted works only 126 works from 18 countries were exhibited. In addition to the main exhibition, an interesting accompanying program was prepared.

In October 2010 the BIO 22 presented works exhibited in three groups: Products, Product graphics and Information design, and Concepts. An accompanying exhibition Alvar Aalto, timeless expression was organised by the BIO Secretariat, Alvar Aalto Foundation and the Embassy of Finland in Slovenia at the National Museum of Slovenia - Metelkova.

Awards

The traditional model of bestowing several awards of the Biennial of Design (BIO Gold Medal, the BIO Quality Concept Award, the BIO Honourable Mentions, and the BIO Award for a Student Work), is in 2014 replaced by the one and only Award for Best Collaboration, selected by international jury and presented at the opening ceremony. They represent a recognition of quality in design and all awarded works of the Biennial of Design are included in the international design collection of the Museum of Architecture and Design. Find more about the former highest award in the article BIO Gold Medal.

International cooperation

The BIO Secretariat consolidated its orientation and independence in 1977 when it became an associate member of the International Council of Societies of Industrial Design (ICSID). Furthermore it obtained the membership in the Bureau of European Designers' Associations (BEDA). It is also an active participant in the International Council of Graphic Design Associations (ICOGRADA) and one of the partners in the SEE project (Sharing Experience Europe: Policy Innovation Design).

In 2008 the Biennial of Industrial Design expanded its international promotion and cooperation to incorporate some of the most important international design organisations. BIO 21 was therefore advertised in all countries of the European Union and also in the USA, Australia, New Zealand, China, South Africa, and Japan. During the exhibition BIO 21 hosted a presentation of Design Management Europe Award, attended by the most notable experts on design and management in the world.

In autumn 2009 the travelling exhibition of BIO 21 award-winners was showcased in Tallin, Estonia in cooperation with the Estonian Association of Designers (EDL) as part of the Design Night 2009 event, and in Riga, Latvia in cooperation with the Design Information Center (DIC) as part of the Riga International Young Designers Biennial. The exhibition showed also the selection of Slovene works that were on display at the 21th Biennial of Industrial Design.

See also

External links

International networks

International projects

Gallery

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biennial +
Bienale oblikovanja (BIO) +
SI-1000 Ljubljana +
Rusjanov trg 7 +
The Biennial of DesignThe Biennial of Design, known also by its Slovene acronym BIO, explores and reflects contemporary developments in international design through a collaborative process; questioning and analysing current conditions in industrial production, public and private space, systems and networks.c and private space, systems and networks. +
One of the Biennial of Design exhibitions, held at the Museum of Architecture and Design, 2019 +
The Biennial of Design, known also by its The Biennial of Design, known also by its Slovene acronym BIO, explores and reflects contemporary developments in international design through a collaborative process; questioning and analysing current conditions in industrial production, public and private space, systems and networks.c and private space, systems and networks. +
+386 / 1 548 4279 +
Ljubljana +
SI-1000 +
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