Difference between revisions of "A.A.C. Productions"
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===Short films=== | ===Short films=== | ||
− | Since 1998 A A C Productions produced also three short films. The first one was the experimental, single shot film ''Stari most'' (Old Bridge, 1998) by Vlado Škafar. The shooting took place in Mostar | + | Since 1998 A A C Productions produced also three short films. The first one was the experimental, single shot film ''Stari most'' (Old Bridge, 1998) by Vlado Škafar. The shooting took place in Mostar - a town in Bosnia and Herzegovina where the well known Old Bridge is situated - shortly after the end of the last Balkan war, when at the place where the Old Bridge (destroyed during the war by the Croatian army) stood they built a provisory construction. In 2005 Sonja Prosenc's short fiction film ''Nič novega, nič pretiranega'' (Free Spirited Friends) was produced. It was a co-production between A A C Productions and TV Slovenia. A new co-production - with Vertigo/Emotionfilm, TV Slovenia Viba film - followed in 2007 when Igor Šterk made his short fiction film Every Breath You Take. It was his second collaboration with the writer Sinisa Dragin (who became his regular collaborator on screenplays) and it was selected for the Venice festival's short film competition programme Corto Cortissimo in 2008. |
==See also== | ==See also== |
Revision as of 22:57, 28 January 2010
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2 Nov 2018
9 Nov 2018
The screenings of Express, express, directed by Igor Šterk (A.A.C. Productions, Radio-Television Slovenia (RTV Slovenia)); Spare Parts, directed by Damjan Kozole (E-motion Film); Class Enemy, directed by Rok Biček (Triglav Film); Guardian of the Frontier, directed by Maja Weiss (Bela Film Ltd); Landscape No. 2, directed by Vinko Möderndorfer (Forum Ljubljana); and the restored version of The Valley of Peace (1956), directed by France Štiglic (Triglav Film), with director Maja Weiss and actor Igor Samobor attending the screenings, in the Cinema of Slovenia: Terra Incognita programme,
at the Minsk International Film Festival Listapad
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14 Jul 2018
22 Jul 2018
Screenings of Ivan, directed by Janez Burger (Staragara), The Miner, directed by Hanna A. W. Slak (Nukleus Film), Men Don't Cry, co-produced by Iridium Film, Perseverance, directed by Miha Knific (Nukleus Film), in the Minority Co-Production section; Codelli, directed by Miha Čelar (Astral Film), in the Documentary section; Quiet, directed by Barbara Zemljič (Blade Production) in the Short Film section; Nighthawk, directed by Špela Čadež (Finta, Radio-Television Slovenia (RTV Slovenia), Bonobostudio), Come Along, directed by Igor Šterk (A.A.C. Productions), Koyaa - Naughty Toy Car and Koyaa - Flying Workbook, directed by Kolja Saksida (ZVVIKS, Institute for Film and Audiovisual Production), in the Films for Children section; Back to Me(mories) and What Remains by Neli Maraž and Lucky for Us! by Jure Dostal, all produced by Academy of Theatre, Radio, Film and Television (AGRFT), in the Student section; supported by the Slovenian Film Centre,
at the Pula Film Festival
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17 May 2018
20 May 2018
Days of Slovenian Film in Pula, featuring the screenings of the restored version of the Slovenian classic Real Pests, directed by Jože Bevc (restored by Iridium Film), Slovenia, Australia and Tomorrow the World, directed by Marko Naberšnik (Perfo Production), Come Along, directed by Igor Šterk (A.A.C. Productions), and Let Him Be a Basketball Player, directed by Boris Petkovič (Gustav Film), organised by the Slovenian Film Centre in cooperation with the Slovenian Cultural Association Istra and the Pula Film Festival,
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3 May 2018
23 May 2018
Screenings of Sailing to Paradise, directed by Blaž Završnik (Sever & Sever Production), and Come Along, directed by Igor Šterk (A.A.C. Productions), supported by the Consulate of the Republic of Slovenia Trinidad and Tobago,
at the European Film Festival Trinidad and Tobago
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20 Sep 2017
21 Sep 2017
Screenings of Come with Me, directed by Igor Šterk (A.A.C. Productions), and Nightlife, directed by Damjan Kozole (Vertigo),
at the Leskovac International Film Direction Festival LIFFE
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26 Sep 2016
30 Sep 2016
Screenings of Nika, directed by Slobodan Maksimović (Nora Production Group), Come with Me, directed by Igor Šterk (A.A.C. Productions), The Beat of Love, directed by Boris Petković (Gustav Film), A Well Spent Afternoon, directed by Martin Turk (Bela Film Ltd), Prince Ki-Ki-Do: The Balloon by Grega Mastnak (OZOR), and Last Lunch by Miha Šubic at the 21st International Film Festival for Children and Young Audience Schlingel
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31 May 2016
A screening of Ljubljana, directed by Igor Šterk (A.A.C. Productions), supported by the Consulate General of the Republic of Slovenia Munich,
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14 May 2016
17 May 2016
Screenings of Nightlife, directed by Damjan Kozole (Vertigo), Come with Me, directed by Igor Šterk (A.A.C. Productions), Comedy of Tears, directed by Marko Sosič (Arsmedia), and Houston, We Have a Problem!, directed by Žiga Virc (Studio Virc), presented by the Slovenian Film Centre at the Film Market
at the Cannes International Film Festival
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5 Nov 2015
8 Nov 2015
Screenings of Šiška Deluxe, directed by Jan Cvitkovič (Perfo Production), 9:06, directed by Igor Šterk (A.A.C. Productions), Dad, directed by Vlado Škafar (Gustav Film), Little Houses, directed by Darko Sinko and Matjaž Ivanišin (Nosorogi), and Karpotrotter, directed by Matjaž Ivanišin (Studio Legen), and Igor Šterk as member of the jury at the 25th Film Festival Cottbus
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29 Sep 2010
7 Oct 2010
9:06 by Igor Šterk (A.A.C. Productions) presented at the Best of Europe Strand section
at the Raindance Film Festival
Igor Šterk's feature films
Ekspres Ekspres [Gone with the train] – produced in 1995 but publicly premiered two years later, in 1997 – is regarded by many as the film that marked the beginning of the renaissance of Slovene cinema in the mid-1990s. With its international success it turned the attention of the international audience towards Slovene cinema again. Ekspres Ekspres won 15 international awards at film festivals (it is one of the most awarded films in the history of Slovene cinema), including the Grand Prix (Golden Antigone), the Audience and Critics Award in Montpellier (France), the Audience and "Findling" Award in Cottbus (Germany), the Grand Prix at Alpe Adria Festival in Trieste (Italy), the Special Jury Award at the Molodist Film Festival in Kiev (Ukraine) and in Tromso (Norway), the Coup de Coeur Award in Mons (Belgium) and the Best Foreign Film Award in Palić (Serbia), etc. With Ekspres Ekspres Slovene cinema also re-entered the European film distribution network after an absence of more than 20 years (Ekspres Ekspres was distributed in Germany during 1999–2000). The film also was quite successful on the domestic front since it won several awards at the Festival of Slovene Film in Portorož (1997) including awards for Best Director, Best Photography, and Best Sound, the FIPRESCI Award, and the STOP Magazine Award for Best Actor (received by Gregor Baković) – and attracted a much bigger audience to cinemas than was usual for Slovene film in the past 20 years (when Slovene film nearly lost its audience). For the directing of the film Igor Šterk received also the prestigious Prešeren Foundation Award.
Šterk's second feature Ljubljana – made in 2002 – was the first Slovene film ever to be screened in the competition programme at the Rotterdam Film Festival. It ran for the Tiger Award in 2002. Ljubljana was also later selected for many other important international festivals around the world (Karlovy Vary, Seattle, St. Petersburg, Moscow, Thessaloniki, Montpellier, etc.) but it didn't win any international awards. In the domestic sphere it won two Vesna Awards (Best Photography and Best Actor for Gregor Zorc) at the 2002 Festival of Slovene Film in Portorož and it became Šterk's commercially most successful film. Ljubljana is regularly included in retrospectives of contemporary Slovene film abroad (such as the Austrian National Film Festival in Graz in March 2003 or at the Chennai International Film Festival in New Delhi in 2008).
Tuning [Uglaševanje], the third feature film by Igor Šterk, also had an excellent festival start: its world premiere was in the competition programme of the 40th Karlovy Vary International Film Festival in 2005. But the film's biggest success came later, in November 2005, with the 54th International Film Festival in Mannheim-Heidelberg where Tuning received the Main Award for the Best Feature Film. After that it also received the Vesuvio Award for the Best Feature Film at Napoli Film Festival. Its festival career went on with screenings at festivals all over Europe and America: Montreal, Chicago, Edinburgh, Buenos Aires, Ghent (competition), Montpellier (competition), Denver, Kerala, etc. At the 8th Festival of Slovene Film in 2005 it won the Vesna Award for Best Directing.
Šterk's most recent feature to date is 9:06. The absolute winner of the 2009 Festival of Slovene Film, it won the majority of the official awards, all in all 9 Vesna Awards: Best Film, Best Directing, Best Screenplay, Best Photography, Best Music, Best Editing, Best Sound, Best Actor (Igor Samobor), Best Supporting Actress (Silva Čušin). Its international career started at the Montreal Film Festival with its international premiere and continued with the screening in the competition programme of the Montpellier Film Festival.
Short films
Since 1998 A A C Productions produced also three short films. The first one was the experimental, single shot film Stari most (Old Bridge, 1998) by Vlado Škafar. The shooting took place in Mostar - a town in Bosnia and Herzegovina where the well known Old Bridge is situated - shortly after the end of the last Balkan war, when at the place where the Old Bridge (destroyed during the war by the Croatian army) stood they built a provisory construction. In 2005 Sonja Prosenc's short fiction film Nič novega, nič pretiranega (Free Spirited Friends) was produced. It was a co-production between A A C Productions and TV Slovenia. A new co-production - with Vertigo/Emotionfilm, TV Slovenia Viba film - followed in 2007 when Igor Šterk made his short fiction film Every Breath You Take. It was his second collaboration with the writer Sinisa Dragin (who became his regular collaborator on screenplays) and it was selected for the Venice festival's short film competition programme Corto Cortissimo in 2008.