Difference between revisions of "Maska Institute"

Latest revision as of 00:30, 4 April 2021

V Imenu Ljudstva (In the name of the people), directed by Jure Novak, producer Maska Institute, co-producer Glej Theatre, 2010.

Known for integrating innovative and socially engaged approaches to contemporary art practice since 1993, Maska Institute engages in contemporary art production, publishing, education, research, and activism. Since 2017, Maska runs The New Post Office project together with Mladinsko Theatre.

Maska productions

Maska Productions produces performances and other interdisciplinary, visual, and new media events by established and innovative artists as well as first projects of the youngest generation. The performances range from engaged interdisciplinary performances tackling issues such as identity, intimacy, (Slovene) political reality, and mass entertainment to more genre dance works. Maska regularly enters co-productions with other cultural and contemporary art organisations, its productions are often awarded and featured in the programmes of the Gibanica (Moving Cake) Festival of Slovene Dance, Borštnik Theatre Festival, and Week of Slovenian Drama.

Dušan Jovanović - Spomenik G by prodoktv on YouTube

Monument G (Spomenik G) trailer

Visual and intermedia production, among others, includes co-productions with Aksioma Institute, Cona Institute, Intima Virtual Base, the International Centre of Graphic Arts – MGLC, etc.

Maska publishing

Maska's wide-ranging publishing programme is aimed at offering critical writing on media and society as well as on reflecting the broadest area of contemporary performing arts, from theatre, contemporary dance and new ballet to performance, multimedia, and new-media/intermedia art.

Book series

The TRANSformations (TRANSformacije) book series covers contemporary performing arts theory, introducing some new terminology and conceptual frameworks by Slovene or foreign authors, such as Hans-Thies Lehmann, Amelia Jones, Mladen Dolar, Aleš Erjavec, Jonathan Burrows, Nicolas Bourriaud, Bojana Kunst, Aldo Milohnić, Andrew Hewitt, etc.

The Mediactions (Mediakcije) book series offers some critical, even subversive titles from the fields of media and society. The series has thus far brought translations of authors such as Jacques Rancière, Chantal Mouffe, Serge Halimi, Oliver Razac, Robert Phaller, Naomi Klein, Sandra B. Hrvatin and Lenart J. Kučič, etc.

For a detailed list of titles see below.

Maska, Performing Arts Journal

The institute has been publishing the performing arts journal Maska (The Mask), a successor to the modernist magazine of the same name launched in 1920, since 1993, with bilingual (English and Slovenian) editions available since 2002. For a detailed overview see Maska Journal.

Maska symposium

Maska symposium's basic project is the Seminar of Contemporary Performing Arts, a year-round programme featuring internationally acclaimed scholars and artists, aimed at enhancing analytical and critical thinking about performing arts and facilitating the understanding of historical, aesthetic, and cultural contexts to create new forms of reflection. The seminar has thus far hosted some prominent names in the fields of philosophy and theory as well as makers themselves, such as Amelia Jones, Jacques Rancière, Bojana Cvejić, Chantall Mouffe, Bojana Kunst, Tim Etchells, Rabih Mroué, Svetlana Mintcheva, etc.

The participants of the seminar take part in the ongoing platform The Audience Council, organised by Bunker Institute, Via Negativa, and City of Women since 2013, which aims to encourage reflection and stimulate an exchange of the audience's views.

External links

My Name Is Janez Janša by aksioma on Vimeo

Gallery

V Imenu Ljudstva (In the name of the people), directed by Jure Novak, producer Maska Institute, co-producer Glej Theatre, 2010.

Artists Janez Janša and Janez Janša presenting their Biography

The Slovenec Slovenca gor postavi theatre performance team (from left): Alja Kapun, Miha Brajnik, Katarina Stegnar, Janez Pipan (former director of SNG Drama Ljubljana), and Rok Matke. In front: Marko Bulc (performance director) and Maša Kagao Knez. The performance was co-produced by Slovene National Theatre Drama Ljubljana and Maska Institute

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 {{Article
-| status       = PHOTO NEEDSUPDATE
+| status       = PHOTO
 | maintainer   = Katja Kosi
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 | website             = http://www.maska.si/
 | contacts     = {{Contact
-  | name                = Janez Janša
+  | name                = Alja Lobnik
   | role                = Director
-  | telephone           = 386 (0) 51 321 188
+  | telephone           =
-  | email               = janez.jansa@maska.si
+  | email               =
- }}{{Contact
+  }}
- | name        = Tina Dobnik
+{{Contact
- | role        = Production
+  | name                = Urška Comino
- | street      =
+  | role                = Public Relations
- | town        =
+  | telephone           =
- | website     =
+  | email               = pr@maska.si
- | email       = tina.dobnik@maska.si
- | telephone   = 386 (0) 41 589 300
- | fax         =
-  }}{{Contact
- | name        = Ana Ivanek
- | role        = Secretary
- | street      =
- | town        =
- | website     =
- | email       = ana.ivanek@maska.si
- | telephone   = 386 (0) 31 649 140
- | fax         =
- }}{{Contact
-  | name        = Urška Comino
-  | role        = Public Relations
-  | street      =
- | town        =
- | website     =
-  | email       = urska.comino@maska.si
- | telephone   = 386 (0) 31 357 965
- | fax         =
   }}
 | accounts =
 http://twitter.com/MaskaLjubljana
-http://www.facebook.com/maska.ljubljana
+https://www.facebook.com/zavodmaska/
 }}
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 {{Teaser|
-{{Image|Glej Theatre - 08.jpg}}
+{{Image|Glej Theatre 2010 In the name of the people Photo Urska Boljkovac.jpg}}
-Registered in [[Established::1993]], [[Maska Institute]] is a non-profit, non-governmental organisation for publishing, production, education, and research. It is divided into three departments: Maska Productions (performances, interdisciplinary and visual artworks), Maska Publishing (the performing arts journal ''Maska'' as well as books and other publications on contemporary performance and society), and Maska Symposium (an ongoing seminar about contemporary stage arts). Its activities engage in contemporary art and theory, research, experimental performing practices, interdisciplinary art, and critical theory all with a strong emphasis on international cooperation, especially throughout the entire space of Europe.
+Known for integrating innovative and socially engaged approaches to contemporary art practice since [[Established::1993]], [[Maska Institute]] engages in contemporary art production, publishing, education, research, and activism. Since 2017, Maska runs [[Nova pošta|The New Post Office]] project together with [[Mladinsko Theatre]].
 }}
+{{TeaserSlo|Maska se ukvarja s sodobno umetniško produkcijo, založništvom in izobraževanjem. Vodi projektni prostor Nova Pošta.}}
 == Maska productions ==
-Maska Productions produces performances and other interdisciplinary performing arts events by innovative, exploring artists as well as first projects of the youngest generation. The performances range from engaged interdisciplinary performances tackling issues such as identity, intimacy, (Slovene) political reality, and mass entertainment to more genre dance works. Maska's latest productions have toured in numerous European countries, the USA, Asia and Africa.
+Maska Productions produces performances and other interdisciplinary, visual, and new media events by established and innovative artists as well as first projects of the youngest generation. The performances range from engaged interdisciplinary performances tackling issues such as identity, intimacy, (Slovene) political reality, and mass entertainment to more genre dance works. Maska regularly enters co-productions with other cultural and contemporary art organisations, its productions are often awarded and featured in the programmes of the [[Gibanica (Moving Cake) Festival of Slovene Dance]], [[Borštnik Theatre Festival]], and [[Week of Slovenian Drama]].
-Since 2009 Maska also runs the rehearsal space in the former elementary school in the Šentjakob suburb of Ljubljana. The space offers two small rooms for rehearsals, meetings, and lectures.
-===Performances===
-[[Janez Janša]] has made reconstructions of the founding performances of experimental Slovene theatre from the 1960s (''Pupilia Papa Pupilo and the Pupilčeks'' [Pupilija papa pupilo in pupilčki] (2006), awarded at the 41st ''Bitef'' in Belgrade, and ''Monument G'' [Spomenik G] (2009)). His ''Slovene National Theatre'' [Slovensko narodno gledališče] (2008) won the award for innovation and aesthetic breakthrough at the 43rd [[Borštnik Theatre Festival]] (2008). [[Irena Tomažin]] received the [[Golden Bird Award]] 2006 for her performance ''Caprice'' [Kaprica], co-produced by the [[City of Women]] festival. Maska has also produced work by [[Ivan Peternelj]], [[Magdalena Reiter]], [[Mare Bulc]], [[Neda R. Bric]], etc.). Maska's productions regularly appear in the [[Gibanica (Moving Cake) Festival of Slovene Dance]].
 {{YouTube|07jig45wq4I}}
-''Monument G'' [Spomenik G] trailer
+''Monument G'' (Spomenik G) trailer
-===International coproductions===
+Visual and intermedia production, among others, includes co-productions with [[Aksioma Institute]], [[Cona Institute]], [[Intima Virtual Base]], the [[International Centre of Graphic Arts, Ljubljana|International Centre of Graphic Arts &ndash; MGLC]], etc.
-''We Are All Marlene Dietrich FOR'' (2005) was a Maska co-production with Iceland Dance Company, in collaboration with Reykjavik Arts Festival. The project was funded through the Trans Danse Europe 2003&ndash;2004 which received support from the Culture 2000 programme of the European Commission. Yasmine Hugonnet's ''Of Other'' [O drugem] (2007) was co-produced by Synalephe (France), the [[French Cultural Institute Charles Nodier, Ljubljana]], and [[City Museum of Ljubljana]].
-In 2008 Maska organised the ''East Dance Academy'', a project aimed at interdisciplinarity and a strong social contextualisation of artistic production. The event included reconstructed performances, screenings of dance and performances from the 1960s and 1970s, live archiving, debates, and lectures. With the project, Maska introduced the platform ''ARTCHIVE – Contaminated with History'', a one-year programme intended to examine the historicisation of contemporary performing arts in Eastern Europe. East Dance Academy is part of the international project ''What to Affirm What to Perform?'', a cooperation between Allianz Kulturstiftung, Centre for Drama Art Zagreb, The National Center of Dance Bucharest, and Tanzquartier Wien.
+== Maska publishing ==
-The 2009 event ''Shocking Gala Show'', marking the 40th anniversary of the emergence of the experimental theatre group Pupilija Ferkeverk, included performances, exhibitions, a conference, and lectures (among others by Hans-Thies Lehmann and Ramsey Burt). The events were financed also through Erste Stiftung, Allianz Kulturstiftung, and the [[European Cultural Foundation (ECF)]].
+Maska's wide-ranging publishing programme is aimed at offering critical writing on media and society as well as on reflecting the broadest area of contemporary performing arts, from theatre, contemporary dance and new ballet to performance, multimedia, and new-media/intermedia art.
-Visual and intermedia production includes co-productions with [[Cona Institute]] and [[Intima Virtual Base]], whose project ''Oppera Internettikka Bollywooddikka'', co-produced by Maska, was performed live in New Delhi, India, in the frame of the ''CeC & CaC - The Carnival of e-Creativity & Change-Agents Conclave'', presented by The Academy of Electronic Arts and The India International Centre in 2006.
+=== Book series ===
-== Maska publishing ==
-Maska is engaged in publishing books related to the broadest area of contemporary performing arts, from theatre, opera, contemporary dance and new ballet to performance, multimedia and new-media art.
+The '''TRANSformations''' (TRANSformacije) book series covers contemporary performing arts theory, introducing some new terminology and conceptual frameworks by Slovene or foreign authors, such as Hans-Thies Lehmann, Amelia Jones, [[Mladen Dolar]], [[Aleš Erjavec]], Jonathan Burrows, Nicolas Bourriaud, [[Bojana Kunst]], [[Aldo Milohnić]], Andrew Hewitt, etc.
-=== Book series ===
+The '''Mediactions''' (Mediakcije) book series offers some critical, even subversive titles from the fields of media and society. The series has thus far brought translations of authors such as Jacques Rancière, Chantal Mouffe, Serge Halimi, Oliver Razac, Robert Phaller, Naomi Klein, [[Sandra B. Hrvatin]] and [[Lenart J. Kučič]], etc.
-The '''TRANSformations book series''' [TRANSformacije] covers contemporary performing arts theory, introducing some new terminology and conceptual frameworks by Slovene or foreign authors, including titles such as Hans-Thies Lehmann's ''Postdramatic Theatre'', Amelia Jones's ''Body Art: Performing the Subject'', co-published by [[Študentska založba Publishing House]], Nicolas Bourriaud's ''Relational Aesthetics and Postproduction'', Bojana Kunst's ''Dangerous Connections'', Alexei Monroe's ''Plural Monolith: [[Laibach|Laibach]] and [[Neue Slowenische Kunst - NSK State|NSK]]'', Jacques Attali's ''Noise'', and [[Aldo Milohnić|Aldo Milohnić's]] ''Theories of Contemporary Theatre and Performance Art'', etc.
-The '''Mediactions book series''' [Mediakcije] introduces critical writing on media and society. The series brought translations of ''New Watchdogs'' by Serge Halimi, followed by Naomi Klein’s ''No Logo'', and ''Monopoly'' by [[Sandra B. Hrvatin]] and [[Lenart J. Kučič]], dealing with the issue of ownership in Slovene media. The series also includes ''A Hacker Manifesto'' by McKenzie Wark, Mike Davis's ''Buda's Wagon: A Brief History of the Car Bomb'', and Ariel Dorfmann's and Armand Mattelart's ''How to Read Donald Duck''.
-Special issues include books related to performance practice and its reflection, such as ''Janez Janša &ndash; Life [in Progress]'', containing 55 instructions from the performance and exhibition of the same title and is accompanied with critical writing, [[Marcel Štefančič JR|Marcel Stefančič's]] ''Janez Janša: Biography'' (in Slovenian), and two joint issues of ''Maska'' journal with the Croatian journal for performing arts ''Frakcija'' and ''Performance Research''.
+For a detailed list of titles see below.
 === Maska, Performing Arts Journal ===
-The performing arts journal ''Maska'' (The Mask) is a successor to the modernist magazine of the same name launched in 1920 (for more on the journal's history see [[Janez Janša|Janez Janša's]] text below). In 1993 the publication of the journal was taken over by Maska Institute, bringing critical reflection on current productions (domestic and international), texts about the key reformers of the 20th-century scene, and translations of contemporary theoretical texts. Since 2002, the bilingual (English and Slovenian) journal appears three times a year and is mostly topic-related. For a detailed overview see [[Maska, Performing Arts Journal|Maska Journal]].
+The institute has been publishing the performing arts journal ''Maska'' (The Mask), a successor to the modernist magazine of the same name launched in 1920, since 1993, with bilingual (English and Slovenian) editions available since 2002.
+For a detailed overview see [[Maska, Performing Arts Journal|Maska Journal]].
 == Maska symposium ==
-Maska symposium's basic project is the ''Seminar of Contemporary Performing Arts'', co-organised by [[Cankarjev dom Culture and Congress Centre]]. The seminar is an all-year programme featuring internationally acclaimed scholars, artists, dramaturgs, and writers. The seminar aims at enhancing analytical and critical thinking about performing arts and facilitating the reading of historical, aesthetic, and cultural contexts to create new forms of reflection on and fulfill the potential of contemporary stage arts. The seminars have discussed topics such as the historicisation of contemporary performing arts, dance dramaturgy procedures, parallel practices of contemporary art, artistic and social assemblage of bodies, animated forms, etc. The participants of the seminar are taking part in ''The Audience Council'', organised by [[Bunker Institute]], [[Via Negativa]], and [[Contemporary Dance Association Slovenia]], which aims to form the space for reflection, discussion, and dialogue and to propel a vibrant exchange of exclusively spectator’s experience, opinions, reflections and expectations.
+Maska symposium's basic project is the Seminar of Contemporary Performing Arts, a year-round programme featuring internationally acclaimed scholars and artists, aimed at enhancing analytical and critical thinking about performing arts and facilitating the understanding of historical, aesthetic, and cultural contexts to create new forms of reflection. The seminar has thus far hosted some prominent names in the fields of philosophy and theory as well as makers themselves, such as Amelia Jones, Jacques Rancière, Bojana Cvejić, Chantall Mouffe, [[Bojana Kunst]], Tim Etchells, Rabih Mroué, Svetlana Mintcheva, etc.
-The Symposium has thus far hosted some prominent names in the fields of philosophy and theory as well as makers themselves, such as Amelia Jones, Bojana Cvejić, Chantall Mouffe, [[Bojana Kunst]], Tim Etchells, Rabih Mroué, Svetlana Mintcheva etc. In 2015, upon the Slovenian translation of Rancière's ''Aisthesis: Scenes from the Aesthetic Regime of Art'', Maska co-organised with the [[Slovene Society of Aesthetics]] an international conference ''The Aesthetic Regime of Art: Dimensions of Rancière’s theory'', which hosted a number of panelists as well as the author himself. In 2013, upon the publication Maurizio Lazzarato's book ''The Making of the Indebted Man'' in Slovenian by Maska Publications, the symposium organised a lecture and a round-table, in cooperation with [[Tribuna Magazine]].
-In June 2009, Maska's Symposium organised the panel ''Difficulties With Contemporaneity. On Historicization Processes in Contemporary Performing Arts'' in the frame of the 15th Performance Studies International Conference, held in Zagreb, Croatia, the purpose of which was to reflect on the processes of historicisation in contemporary performing arts which were analysed through theoretical reflections, presentations of working methods, and artistic research. The panel was part of Maska's one-year programme East Dance Academy and the project ARTCHIVE - Contaminated with History.
+The participants of the seminar take part in the ongoing platform ''The Audience Council'', organised by [[Bunker Institute]], [[Via Negativa]], and [[City of Women]] since 2013, which aims to encourage reflection and stimulate an exchange of the audience's views.
 == See also ==
 * [[Maska, Performing Arts Journal]]
+* [[Contemporary Dance Association Slovenia]]
 ==External links==
 * [http://www.maska.si/index.php?id=132&L=1 Maska Institute website]
+* [http://www.maska.si/index.php?id=129&L=1 A list of titles in Maska Publishing programme]
 * [http://www.youtube.com/watch?v=07jig45wq4I&feature=related The ''Monument G'' performance's trailer on YouTube]
+{{Vimeo|46937250}}
 {{Gallery}}
@@ Line 141: / Line 115: @@
 [[Category:EU funding of Slovene organisations (Culture and MEDIA Programmes)]]
 [[Category:EU Culture funding recipient]]
+[[Category:Literature publishers]]
+[[Category:Updated 2020]]
+[[Category:Theatre & Dance]]
+[[Category:Courses_and_workshops]]
+[[Category:Dance_education_and_research]]
+[[Category:Education_and_research]]
+[[Category:Theatre_courses_and_workshops]]
+[[Category:Theatre_education_and_research]]

Difference between revisions of "Maska Institute"

Latest revision as of 00:30, 4 April 2021

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