Difference between revisions of "Aksioma Institute"

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(Updated 2017; needs polish!!!!)
(Updated 2017: še vedno ni perfektno, je pa za silo)
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{{Article
 
{{Article
 
| status      = TOPROOFREAD NIFERTIK!
 
| status      = TOPROOFREAD NIFERTIK!
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| maintainer  = Eva Lučka Kozak
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| maintainer  = Anže Zorman
 
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{{Infobox
 
{{Infobox
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{{Teaser|
 
{{Teaser|
−
The [[Aksioma Institute]] is a production and organisation unit for various dealings with contemporary art. It runs its own gallery called [[Aksioma Project Space]] and presents internationally renowned performance and new media art projects, collaborates in producing new artworks, publishes books and texts on artists and art, sets up lectures, and represents Slovene artists abroad.  
+
The [[Aksioma Institute]] is a production and organisation unit for various endeavours in the field of contemporary art. It runs its own gallery called [[Aksioma Project Space]], presents internationally renowned performances and new media art projects, collaborates in producing new artworks, publishes books and texts on artists and art, sets up lectures, and represents Slovene artists abroad.  
  
−
Based in Ljubljana, Slovenia, it was founded in [[Established::2002]] and is run by the multimedia artist [[Davide Grassi]], today known as [[Janez Janša]].  
+
Based in Ljubljana, Slovenia, it was founded in [[Established::2002]] and is run by the multimedia artist [[Janez Janša]], formerly known as [[Davide Grassi]].  
 
}}
 
}}
  
 
==Creed==
 
==Creed==
  
−
Aksioma foremost engages in projects which utilise new technologies, reflecting on the structures of the (post)modern society, as (often) organised also by the technology itself. Focusing on artistic production that explores social and political concerns, it endorses practices which, for example, aim at hacking the role of mass media in contemporary society through various mediums, interpreting the narratives in subversive, critical, or ironic manner.
+
Aksioma tends to engage in projects which utilise new technologies and which reflect on the structures of the (post)modern society, as organised by technology itself. Focusing on artistic production that explores social and political concerns, it endorses practices which – for example – aim at rethinking, subverting or hacking the roles and narratives of mass media, using a variety of mediums to do so.
  
−
Though working primarily in the field the new media art, the institute is also active in performing and visual arts.
+
Though working primarily in the field of new media art, the institute also deals with performing and visual arts.
  
 
==Projects==
 
==Projects==
  
−
In light of more than a dozen (sometimes double so) productions, performances and exhibitions per year, it would be rather hard to thoroughly sum up the directions explored by Aksioma.  
+
In light of more than a dozen (sometimes double so) productions, performances and exhibitions per year, one would be hard pressed to thoroughly sum up the directions explored by Aksioma.  
  
−
Nevertheless, a somewhat random list of its relatively recent projects can give a feel for the topics explored: ''Sonoseismic Earth'' (a responsive kinetic installation that presents Earth in the age of the Anthropocene), ''The World Without Us'' (a group exhibition exploring 'Narratives on the age of non-human actors'); ''Random Darknet Shopper'' (a robot/software entity that was randomly buying and ordering on the 'darknet'); ''Joey Skaggs in Ljubljana'' (a visit by the social activist, educator and prankster Joey Skaggs); ''All Work, No Play'' (an interactive exhibition of video games that make people critically engage with current socio-political issues; ''Eternal September'' (a group exhibition on the relationships between professional art making and the rising tide of amateur cultural movements throughout the Web); and ''History of the Future'' (a cinematic archive/multi-media presentation of international science-fiction production and representations of possible realities of the future and the present).  
+
Nevertheless, a very partial listing of its relatively recent projects can give a feel for the topics and means explored: ''Sonoseismic Earth'' (a responsive kinetic installation that presents Earth in the age of the Anthropocene), ''The World Without Us'' (a group exhibition exploring "narratives on the age of non-human actors"); ''Random Darknet Shopper'' (a robot/software entity that was randomly buying and ordering on the 'darknet'); ''Joey Skaggs in Ljubljana'' (a visit by the social activist, educator and prankster Joey Skaggs); ''All Work, No Play'' (an interactive exhibition of video games that make people critically engage with current socio-political issues; ''Eternal September'' (a group exhibition on the relationships between professional art making and the rising tide of amateur cultural movements throughout the Web); and ''History of the Future'' (a cinematic archive/multi-media presentation of international science-fiction production and representations of possible realities of the future and the present).  
 +
 
 +
{{Vimeo|213089831}}
  
 
===Artists===
 
===Artists===
  
−
Known for its vigorous production and co-production realised in Slovenia and abroad  Aksioma Institute tends to work with artists whose approach to new media is not just about technology but also about a particular content that suits Aksioma's greater mission. Of the Slovene artists, one can thus name the multimedia artist [[Sašo Sedlaček]]; the self-styled pseudo-artist and intimate mobile communicator [[Igor Štromajer]] (of the [[Intima Virtual Base]]); [[Neven Korda]] and his experimental video 'theatre'; [[Marko Batista]], a tech-mixed-media artist, sound researcher, video experimentalist and AV performer; and the interdisciplinary artist [[Maja Smrekar]], the recipient of the Golden Nica 2017.
+
Aksioma Institute tends to work with artists whose approach to new media is not just about technology but also about a particular content that suits Aksioma's greater mission. Of the Slovene artists, one can thus name the multimedia artist [[Sašo Sedlaček]]; the self-styled 'pseudo-artist and intimate mobile communicator' [[Igor Štromajer]] (of the [[Intima Virtual Base]]); [[Neven Korda]] and his experimental video 'theatre'; [[Marko Batista]], a tech-mixed-media artist, sound researcher, video experimentalist and AV performer; and the interdisciplinary artist [[Maja Smrekar]], the recipient of the Golden Nica 2017.
  
−
Among the many artists with whom Aksioma has collaborated are Jennifer Lyn Morone (US), Pinar Yoldas (TU), Jacob Appelbaum (US), Jacob Appelbaum (US), !Mediengruppe Bitnik (CH/UK), Nicolas Maigret (FR), Molleindustria (IT), Golan Levin (US), Josef (Seppo) Gründler (AT), Julian Oliver and Danja Vasiliev (NZ), Michael Madsen (DN), etc.  
+
But a few of the many artists and collectives with whom Aksioma has collaborated are Jennifer Lyn Morone (US), Pinar Yoldas (TU), Jacob Appelbaum (US), !Mediengruppe Bitnik (CH/UK), Nicolas Maigret (FR), Molleindustria (IT), Golan Levin (US), Josef (Seppo) Gründler (AT), Julian Oliver and Danja Vasiliev (NZ), and Michael Madsen (DN).  
  
 
===Janez Janša namechange project===
 
===Janez Janša namechange project===
  
−
Aksioma has produced several projects by its director [[Janez Janša]], formerly known as [Davide Grassi]. Very visible among them was the project (initiated in 2007) of renaming himself (alongside two other artists, [[Emil Hrvatin]] and [[Žiga Kariž]]), all three officially taking the name of the then prime minister.  
+
Aksioma has produced several projects by its director [[Janez Janša]], formerly known as [Davide Grassi]. One very visible enterprise, initiated in 2007, was his official and permanent namechange. Alongside two other artists, formerly known as [[Emil Hrvatin]] and [[Žiga Kariž]], he took the name of the then prime minister.  
  
−
Various projects have taken place in the framework of this namechange and the trio presented it also as the performance Signature Event Context on the Transmediale 2008 in Berlin. In the same year the exhibition curated by [[Zdenka Badovinac]] entitled ''NAME - Readymade'' was featured in the frame of the Steirischer Herbst Festival of New Art in Graz. Since than it was presented also in ArtLaboratoryBerlin, HONF laboratory Yogyakarta (Indonesia) and in LASALLE College of the Arts, Faculty of Media Arts in Singapore. In 2012 Aksioma Institute ran the first successful crowdfunding project in Slovenia, which enabled the postproduction of the ''My Name Is Janez Janša'' documentary film.
+
Various projects have taken place in the framework of this and the trio presented it also as the performance ''Signature Event Context'' on the Transmediale 2008 in Berlin. In the same year the exhibition called ''NAME - Readymade'' was featured at the Steirischer Herbst Festival of New Art in Graz. Since than it was also presented in ArtLaboratoryBerlin, HONF laboratory Yogyakarta (Indonesia) and at the LASALLE College of the Arts in Singapore. In 2012 Aksioma Institute ran the first successful crowdfunding project in Slovenia, which enabled the postproduction of the ''My Name Is Janez Janša'' documentary film.
  
 
{{Vimeo|46937250}}
 
{{Vimeo|46937250}}
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==Publications==
 
==Publications==
  
−
Aksioma frequently publishes texts on contemporary art in various formats, books, brochures and catalogues. The publications are as a rule available to read online as well as in print, and are usually available either in English or bilingual.  
+
Aksioma frequently publishes texts on contemporary art in various formats, books, brochures and catalogues. As a rule the publications are available to read both online and in print, and are usually available either in English or as bilingual publications.  
  
 
The titles include [[Mladen Dolar|Mladen Dolar's]] ''What’s in a Name'' and Domenico Quaranta's ''Beyond New Media Art''; texts on the work of artists like [[Marko Batista]] and [[Sašo Sedlaček]]; The Pirate Book (offering a broad view on media piracy as well as a variety of comparative perspectives on recent issues and historical facts regarding piracy); and many others.
 
The titles include [[Mladen Dolar|Mladen Dolar's]] ''What’s in a Name'' and Domenico Quaranta's ''Beyond New Media Art''; texts on the work of artists like [[Marko Batista]] and [[Sašo Sedlaček]]; The Pirate Book (offering a broad view on media piracy as well as a variety of comparative perspectives on recent issues and historical facts regarding piracy); and many others.
  
−
Aksioma also released some albums, among them an album by the [[Bast]] collective ''Bast – Retinal Cirkus'' (2007) containing improvisations recorded at [[Klub Gromka]], during the project ''Burn Out'' produced by Aksioma.  
+
It also released some albums, among them an album by the [[Bast]] collective ''Bast – Retinal Cirkus'' (2007) containing improvisations recorded at [[Klub Gromka]].  
  
 
==Collaborations and partners==
 
==Collaborations and partners==
  
−
The Aksioma Institute as a producer and co-producer collaborates with plenty of national and international institutions. In Slovenia, it's frequent partners are or have been [[Kino Šiška Centre for Urban Culture]], the [[KiBela Art Space]], the [[Moderna galerija / Museum of Modern Art, Ljubljana plus Museum of Contemporary Art Metelkova|Museum of Modern Art]], the [[Maska Institute]], the [[Koroška Gallery of Fine Arts]], the [[Kapelica Gallery]], the [[Match Gallery]], the [[P.A.R.A.S.I.T.E. Institute]], [[Bunker Institute]], the [[City of Women International Festival of Contemporary Arts]], and [[Simulaker Gallery Novo Mesto]].
+
The Aksioma Institute as a producer and co-producer collaborates with numerous different institutions. In Slovenia, it's frequent partners are or have been [[Kino Šiška Centre for Urban Culture]], the [[KiBela Art Space]], the [[Moderna galerija / Museum of Modern Art, Ljubljana plus Museum of Contemporary Art Metelkova|Museum of Modern Art]], the [[Maska Institute]], the [[Koroška Gallery of Fine Arts]], the [[Kapelica Gallery]], the [[Match Gallery]], the [[P.A.R.A.S.I.T.E. Institute]], [[Bunker Institute]], the [[City of Women International Festival of Contemporary Arts]], and [[Simulaker Gallery Novo Mesto]].
  
 
==International cooperation==
 
==International cooperation==
  
−
In 2017 they won a Creative Europe grant, this time for a project called ''State Machines. Art, Work, and Identity in an Age of Planetary-Scale Computation'', featuring Drugo more udruge (HR), Furtherfield.org (UK), NeMe (CY), Stichting Hogeschool van Amsterdam (NL).
+
In 2017 Aksioma won a Creative Europe grantfor a project called ''State Machines. Art, Work, and Identity in an Age of Planetary-Scale Computation'', featuring Drugo more udruge (HR), Furtherfield.org (UK), NeMe (CY), Stichting Hogeschool van Amsterdam (NL). Their previous projects under the auspices of Creative Europe have been the international cooperation projects ''Masters & Servers: Networked Culture in the Post-digital Age'' (2014–2016) and ARSCOPE: Art-Science Co-Operation Environement (2011–2013).
−
 
 
−
Their previous projects under the auspices of Creative Europe have been the international cooperation projects ''Masters & Servers: Networked Culture in the Post-digital Age'' (2014–2016) and ARSCOPE: Art-Science Co-Operation Environement (2011–2013).
 
  
 
The institute has also worked with festivals and institutions abroad, among them the MNAC - National Museum of Contemporary Art in Bucharest, MMSU - Museum of Contemporary Art in Rijeka (''RE:akt!''), Institute FH JOANNEUM Graz (''Brainloop''),  V:NM Festival in Graz, Kunsthaus Graz etc.
 
The institute has also worked with festivals and institutions abroad, among them the MNAC - National Museum of Contemporary Art in Bucharest, MMSU - Museum of Contemporary Art in Rijeka (''RE:akt!''), Institute FH JOANNEUM Graz (''Brainloop''),  V:NM Festival in Graz, Kunsthaus Graz etc.
Line 93: Line 93:
  
 
* [http://www.aksioma.org Aksioma Institute website]
 
* [http://www.aksioma.org Aksioma Institute website]
−
* [http://www.aksioma.org/brochures/index.html Online brochures by Aksioma Institute]
+
* [http://aksioma.org/books?lang=en Online books and brochures by Aksioma Institute]
−
* [http://culturebase.net/artist.php?15 Davide Grassi on Culturebase.net]
 
  
 
<br><br>
 
<br><br>
Line 102: Line 101:
 
<br><br>
 
<br><br>
  
−
* [http://www.aksioma.org/jj/ More on the ''My Name is Janez Janša'' film project]
 
−
* [http://www.verkami.com/projects/1752 ''My Name is Janez Janša'' on verkami crowdfunding platform]
 
 
* [http://free.janezjansa.si/ Free Janez Janša project]
 
* [http://free.janezjansa.si/ Free Janez Janša project]
 
* [http://www.mastersandservers.org/ Masters & Servers project]
 
* [http://www.mastersandservers.org/ Masters & Servers project]

Revision as of 18:15, 10 July 2017




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Aksioma, Zavod za sodobne umetnosti, Ljubljana
Jakopičeva ulica 11, SI-1000 Ljubljana
http://www.aksioma.org
aksioma005@gmail.com
Phone386 (0) 41 250 830
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The Aksioma Institute is a production and organisation unit for various endeavours in the field of contemporary art. It runs its own gallery called Aksioma Project Space, presents internationally renowned performances and new media art projects, collaborates in producing new artworks, publishes books and texts on artists and art, sets up lectures, and represents Slovene artists abroad.

Based in Ljubljana, Slovenia, it was founded in 2002 and is run by the multimedia artist Janez Janša, formerly known as Davide Grassi.


Creed

Aksioma tends to engage in projects which utilise new technologies and which reflect on the structures of the (post)modern society, as organised by technology itself. Focusing on artistic production that explores social and political concerns, it endorses practices which – for example – aim at rethinking, subverting or hacking the roles and narratives of mass media, using a variety of mediums to do so.

Though working primarily in the field of new media art, the institute also deals with performing and visual arts.

Projects

In light of more than a dozen (sometimes double so) productions, performances and exhibitions per year, one would be hard pressed to thoroughly sum up the directions explored by Aksioma.

Nevertheless, a very partial listing of its relatively recent projects can give a feel for the topics and means explored: Sonoseismic Earth (a responsive kinetic installation that presents Earth in the age of the Anthropocene), The World Without Us (a group exhibition exploring "narratives on the age of non-human actors"); Random Darknet Shopper (a robot/software entity that was randomly buying and ordering on the 'darknet'); Joey Skaggs in Ljubljana (a visit by the social activist, educator and prankster Joey Skaggs); All Work, No Play (an interactive exhibition of video games that make people critically engage with current socio-political issues; Eternal September (a group exhibition on the relationships between professional art making and the rising tide of amateur cultural movements throughout the Web); and History of the Future (a cinematic archive/multi-media presentation of international science-fiction production and representations of possible realities of the future and the present). 

Musée du Lowres by aksioma on Vimeo

Artists

Aksioma Institute tends to work with artists whose approach to new media is not just about technology but also about a particular content that suits Aksioma's greater mission. Of the Slovene artists, one can thus name the multimedia artist Sašo Sedlaček; the self-styled 'pseudo-artist and intimate mobile communicator' Igor Štromajer (of the Intima Virtual Base); Neven Korda and his experimental video 'theatre'; Marko Batista, a tech-mixed-media artist, sound researcher, video experimentalist and AV performer; and the interdisciplinary artist Maja Smrekar, the recipient of the Golden Nica 2017.

But a few of the many artists and collectives with whom Aksioma has collaborated are Jennifer Lyn Morone (US), Pinar Yoldas (TU), Jacob Appelbaum (US), !Mediengruppe Bitnik (CH/UK), Nicolas Maigret (FR), Molleindustria (IT), Golan Levin (US), Josef (Seppo) Gründler (AT), Julian Oliver and Danja Vasiliev (NZ), and Michael Madsen (DN).

Janez Janša namechange project

Aksioma has produced several projects by its director Janez Janša, formerly known as [Davide Grassi]. One very visible enterprise, initiated in 2007, was his official and permanent namechange. Alongside two other artists, formerly known as Emil Hrvatin and Žiga Kariž, he took the name of the then prime minister.

Various projects have taken place in the framework of this and the trio presented it also as the performance Signature Event Context on the Transmediale 2008 in Berlin. In the same year the exhibition called NAME - Readymade was featured at the Steirischer Herbst Festival of New Art in Graz. Since than it was also presented in ArtLaboratoryBerlin, HONF laboratory Yogyakarta (Indonesia) and at the LASALLE College of the Arts in Singapore. In 2012 Aksioma Institute ran the first successful crowdfunding project in Slovenia, which enabled the postproduction of the My Name Is Janez Janša documentary film. 

My Name Is Janez Janša by aksioma on Vimeo

Publications

Aksioma frequently publishes texts on contemporary art in various formats, books, brochures and catalogues. As a rule the publications are available to read both online and in print, and are usually available either in English or as bilingual publications.

The titles include Mladen Dolar's What’s in a Name and Domenico Quaranta's Beyond New Media Art; texts on the work of artists like Marko Batista and Sašo Sedlaček; The Pirate Book (offering a broad view on media piracy as well as a variety of comparative perspectives on recent issues and historical facts regarding piracy); and many others.

It also released some albums, among them an album by the Bast collective Bast – Retinal Cirkus (2007) containing improvisations recorded at Klub Gromka.

Collaborations and partners

The Aksioma Institute as a producer and co-producer collaborates with numerous different institutions. In Slovenia, it's frequent partners are or have been Kino Šiška Centre for Urban Culture, the KiBela Art Space, the Museum of Modern Art, the Maska Institute, the Koroška Gallery of Fine Arts, the Kapelica Gallery, the Match Gallery, the P.A.R.A.S.I.T.E. Institute, Bunker Institute, the City of Women International Festival of Contemporary Arts, and Simulaker Gallery Novo Mesto.

International cooperation

In 2017 Aksioma won a Creative Europe grantfor a project called State Machines. Art, Work, and Identity in an Age of Planetary-Scale Computation, featuring Drugo more udruge (HR), Furtherfield.org (UK), NeMe (CY), Stichting Hogeschool van Amsterdam (NL). Their previous projects under the auspices of Creative Europe have been the international cooperation projects Masters & Servers: Networked Culture in the Post-digital Age (2014–2016) and ARSCOPE: Art-Science Co-Operation Environement (2011–2013).

The institute has also worked with festivals and institutions abroad, among them the MNAC - National Museum of Contemporary Art in Bucharest, MMSU - Museum of Contemporary Art in Rijeka (RE:akt!), Institute FH JOANNEUM Graz (Brainloop), V:NM Festival in Graz, Kunsthaus Graz etc.

Awards and mentions

See also

External links



Projects



Gallery

Janez Janša at his multimedia performance Vročica satelitne noči [Satellite Night Fever] in the Simulaker Gallery, 2007

Janez Janša at his multimedia performance Vročica satelitne noči [Satellite Night Fever] in the Simulaker Gallery, 2007

Artist Janez Janša at his Machina ZOIS, the Article 23 exhibition, held at Škuc Gallery in 2008

Artist Janez Janša at his Machina ZOIS, the Article 23 exhibition, held at Škuc Gallery in 2008

Portrait of Davide Grassi, 2018.

Portrait of Davide Grassi, 2018.
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The Aksioma Institute is a production and organisation unit for various endeavours in the field of contemporary art. +
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The Aksioma Institute is a production and organisation unit for various endeavours in the field of contemporary art. +
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Aksioma je neprofitna kulturna organizacija, aktivna na področju novomedijske umetnosti in raziskovalnih umetniških praks. +
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