Difference between revisions of "Aksioma Institute"

Latest revision as of 16:30, 19 March 2021

The Aksioma Institute is a production and organisation unit for various endeavours in the field of contemporary art. It runs its own gallery called Aksioma Project Space, presents internationally renowned performances and new media art projects, collaborates in producing new artworks, publishes books and texts on artists and art, sets up lectures, and represents Slovene artists abroad.

Based in Ljubljana, Slovenia, it was founded in 2002 and is run by the multimedia artist Janez Fakin Janša, formerly known as Davide Grassi.

The New Collaborators | Reinventing Critical Art Practice by aksioma on Vimeo

Creed

Aksioma tends to engage in projects which utilise new technologies and reflect on the structures of the (post)modern society, as organised by technology itself. Focusing on artistic production that explores social and political concerns, it endorses practices which – for example – aim at rethinking, subverting or hacking the roles and narratives of mass media, using a variety of mediums to do so.

Though working primarily in the field of new media, or intermedia, art, the institute also produces and presents performing and visual arts works dealing with or commenting on contemporary and emerging technologies and their impact on society.

Projects

In light of more than the dozen (sometimes double that) productions, performances and exhibitions per year, one is hard-pressed to thoroughly sum up the directions explored by Aksioma.

Nevertheless, a very partial listing of its relatively recent projects can give a feel for the topics and means explored: Sonoseismic Earth (a responsive kinetic installation that presents Earth in the age of the Anthropocene); The World Without Us (a group exhibition at Match Gallery exploring "narratives on the age of non-human actors" and curated by Inke Arns); Random Darknet Shopper (a robot/software entity that randomly bought and ordered items on the Darknet); Joey Skaggs in Ljubljana (a visit by the notorious social activist, educator and prankster Joey Skaggs); All Work, No Play (an interactive exhibition of video games that make people critically engage with current socio-political issues); Eternal September (a group exhibition at Škuc Gallery on the relationships between professional art making and the rising tide of amateur cultural movements throughout the Web); and History of the Future (a cinematic archive/multi-media presentation of international science-fiction production and representations of possible realities of the future and the present).

Musée du Lowres by aksioma on Vimeo

Artists

Aksioma Institute tends to work with artists whose approach to new media is not just about technology but also about the issues that resonate with Aksioma's overarching concern. Of the Slovene artists, we can name the multimedia artist Sašo Sedlaček; the self-styled "pseudo-artist and intimate mobile communicator" Igor Štromajer (of the Intima Virtual Base); Neven Korda and his experimental video "theatre"; Marko Batista, a tech-mixed-media artist, sound researcher, video experimentalist and AV performer; the interdisciplinary artist Maja Smrekar, the recipient of the Golden Nica 2017; Boštjan Čadež, creator of the interactive toy Line Rider, whose works merge virtual reality, artificial intelligence and robotics; and Sanela Jahić, whose works investigate the role of automation in work and creating art.

Just a few of the many international artists and collectives with whom Aksioma has collaborated are Jennifer Lyn Morone (US), Pinar Yoldas (TU), Jacob Appelbaum (US), !Mediengruppe Bitnik (CH/UK), Nicolas Maigret (FR), Molleindustria (IT), Golan Levin (US), Josef (Seppo) Gründler (AT), the Critical Engineering Working Group, and Michael Madsen (DN).

Janez Janša name change project

Aksioma has produced several projects by its director Janez Janša, formerly known as Davide Grassi. One very visible enterprise, initiated in 2007, was his official and permanent name change. Alongside two other artists, formerly known as Emil Hrvatin and Žiga Kariž, he took the name of the then prime minister.

Various projects have taken place in the framework of this project and the trio also presented the performance Signature Event Context on the Transmediale 2008 in Berlin. In the same year, the exhibition NAME – Readymade was featured at the steirischer herbst Festival of New Art in Graz. Since then, the Janez Janša name change project has also been presented in ArtLaboratoryBerlin, HONF laboratory Yogyakarta (Indonesia) and at the LASALLE College of the Arts in Singapore. In 2012, Aksioma Institute ran the first successful crowdfunding project in Slovenia, which enabled the postproduction of the My Name Is Janez Janša documentary film. In 2017, the extremely well-attended retrospective exhibition Janez Janša®, curated by Domenico Quaranta, took place at the Museum of Contemporary Art Metelkova.

In December 2020, he changed his name again, this time to Janez Fakin Janša.

My Name Is Janez Janša by aksioma on Vimeo

Publications

Aksioma frequently publishes texts on contemporary art in various formats, books, brochures and catalogues. As a rule, the publications are available to read both as free downloads or as paid print-on-demand. Usually, they are available either in English or as bilingual publications.

The titles include Mladen Dolar's What's in a Name and Domenico Quaranta's Beyond New Media Art; texts on the work of artists like Marko Batista and Sašo Sedlaček; The Pirate Book based on Nicolas Maigret's work (offering a broad view on media piracy as well as a variety of comparative perspectives on recent issues and historical facts regarding piracy); and many others.

Aksioma has also released some albums, among them, an album by the Bast collective Bast – Retinal Cirkus (2007) containing improvisations recorded at Klub Gromka.

Collaborations and partners

The Aksioma Institute collaborates as a producer and co-producer with numerous and diverse institutions. In Slovenia, among its frequent partners include Kino Šiška Centre for Urban Culture, the KiBela Art Space, the Museum of Modern Art, Maska Institute, the Koroška Gallery of Fine Arts, Kapelica Gallery, Match Gallery, Bunker Institute, and the City of Women International Festival of Contemporary Arts.

International cooperation

In 2017, Aksioma received its second Creative Europe grant for the international cooperation project State Machines: Art, Work, and Identity in an Age of Planetary-Scale Computation (2017–2019), featuring partners Drugo more udruge (HR), Furtherfield.org (UK), NeMe (CY), and Institute for Network Cultures (of the Stichting Hogeschool van Amsterdam, NL).

Aksioma also led the Creative Europe international cooperation project Masters & Servers: Networked Culture in the Post-digital Age (2014–2016), with partners Drugo more udruge (HR), Abandon Normal Devices (UK), d-i-n-a/The Influencers (ES) and Link Art Center (IT).

Aksioma was also a partner project ARSCOPE: Art-Science Co-Operation Environment (2011–2013) funded by the European programme Culture 2007–2013.

The institute has also worked with festivals and institutions abroad, among them the MNAC – National Museum of Contemporary Art in Bucharest, MMSU – Museum of Contemporary Art in Rijeka (RE:akt!), the Institute FH JOANNEUM Graz (Brainloop), V:NM Festival in Graz, Kunsthaus Graz etc.

External links

Projects

Gallery

Janez Janša at his multimedia performance Vročica satelitne noči [Satellite Night Fever] in the Simulaker Gallery, 2007

Artist Janez Janša at his Machina ZOIS, the Article 23 exhibition, held at Škuc Gallery in 2008

Portrait of Davide Grassi, 2018.

@@ Line 1: / Line 1: @@
 {{Article
-| status       = TOPROOFREAD NIFERTIK!
+| status       = NIFERTIK!
-| maintainer   = Eva Lučka Kozak
+| maintainer   = Anže Zorman
 }}
 {{Infobox
 | name                = Aksioma Institute
 | local name          = Aksioma, Zavod za sodobne umetnosti, Ljubljana
-| street              = Neubergerjeva 25
+| logo                = Aksioma Institute (logo).svg
+| street              = Jakopičeva ulica 11
 | town                = SI-1000 Ljubljana
-| telephone           = 386 (0) 1 430 1511
+| telephone           = 386 (0) 41 250 830
-| fax                 = 386 (0) 1 430 1511
 | email               = aksioma005@gmail.com
 | website             = http://www.aksioma.org
@@ Line 24: / Line 24: @@
 }}
 | accounts =
-https://twitter.com/aksiomaorg
+http://twitter.com/aksiomaorg
-https://www.facebook.com/aksioma.org
+http://www.facebook.com/aksioma.org
-https://www.youtube.com/user/aksioma007/
+https://www.youtube.com/user/aksioma007
 http://vimeo.com/aksioma
 http://www.flickr.com/photos/aksioma-org/
@@ Line 32: / Line 32: @@
 {{Teaser|
-[[Aksioma Institute|Aksioma - Institute for Contemporary Arts]] is a non-profit cultural organisation based in Ljubljana, Slovenia, co-founded in [[Established::2002]] by multimedia artist [[Davide Grassi]], today known as [[Janez Janša]]. Aksioma engages in projects that take advantage of new technologies in order to investigate and discuss the structures of (post)modern society. It focuses on artistic production that explores social, political, aesthetic and ethical concerns. In 2011 Aksioma opened its [[Aksioma Project Space|Project Space]] at Komenskega street in the centre of Ljubljana. The venue presents internationally renowned new media art projects.
+The [[Aksioma Institute]] is a production and organisation unit for various endeavours in the field of contemporary art. It runs its own gallery called [[Aksioma Project Space]], presents internationally renowned performances and new media art projects, collaborates in producing new artworks, publishes books and texts on artists and art, sets up lectures, and represents Slovene artists abroad.
+Based in Ljubljana, Slovenia, it was founded in [[Established::2002]] and is run by the multimedia artist [[Janez Fakin Janša]], formerly known as [[Davide Grassi]].
 }}
+{{TeaserSlo|Aksioma je neprofitna kulturna organizacija, aktivna na področju novomedijske umetnosti in raziskovalnih umetniških praks.}}
+{{Vimeo|251619912}}
+==Creed==
+Aksioma tends to engage in projects which utilise new technologies and reflect on the structures of the (post)modern society, as organised by technology itself. Focusing on artistic production that explores social and political concerns, it endorses practices which &ndash; for example &ndash; aim at rethinking, subverting or hacking the roles and narratives of mass media, using a variety of mediums to do so.
+Though working primarily in the field of new media, or intermedia, art, the institute also produces and presents performing and visual arts works dealing with or commenting on contemporary and emerging technologies and their impact on society.
+==Projects==
+In light of more than the dozen (sometimes double that) productions, performances and exhibitions per year, one is hard-pressed to thoroughly sum up the directions explored by Aksioma.
+Nevertheless, a very partial listing of its relatively recent projects can give a feel for the topics and means explored: ''Sonoseismic Earth'' (a responsive kinetic installation that presents Earth in the age of the Anthropocene); ''The World Without Us'' (a group exhibition at [[Match Gallery]] exploring "narratives on the age of non-human actors" and curated by Inke Arns); ''Random Darknet Shopper'' (a robot/software entity that randomly bought and ordered items on the Darknet); ''Joey Skaggs in Ljubljana'' (a visit by the notorious social activist, educator and prankster Joey Skaggs); ''All Work, No Play'' (an interactive exhibition of video games that make people critically engage with current socio-political issues); ''Eternal September'' (a group exhibition at [[Škuc Gallery]] on the relationships between professional art making and the rising tide of amateur cultural movements throughout the Web); and ''History of the Future'' (a cinematic archive/multi-media presentation of international science-fiction production and representations of possible realities of the future and the present).
+{{Vimeo|213089831}}
+===Artists===
+Aksioma Institute tends to work with artists whose approach to new media is not just about technology but also about the issues that resonate with Aksioma's overarching concern. Of the Slovene artists, we can name the multimedia artist [[Sašo Sedlaček]]; the self-styled "pseudo-artist and intimate mobile communicator" [[Igor Štromajer]] (of the [[Intima Virtual Base]]); [[Neven Korda]] and his experimental video "theatre"; [[Marko Batista]], a tech-mixed-media artist, sound researcher, video experimentalist and AV performer; the interdisciplinary artist [[Maja Smrekar]], the recipient of the Golden Nica 2017; [[Boštjan Čadež]], creator of the interactive toy ''Line Rider'', whose works merge virtual reality, artificial intelligence and robotics; and [[Sanela Jahić]], whose works investigate the role of automation in work and creating art.
+Just a few of the many international artists and collectives with whom Aksioma has collaborated are Jennifer Lyn Morone (US), Pinar Yoldas (TU), Jacob Appelbaum (US), !Mediengruppe Bitnik (CH/UK), Nicolas Maigret (FR), Molleindustria (IT), Golan Levin (US), Josef (Seppo) Gründler (AT), the Critical Engineering Working Group, and Michael Madsen (DN).
-In 2012 Aksioma Institute ran the first successful crowdfunding project in Slovenia, which enabled the postproduction of the ''My Name Is Janez Janša'' documentary film. The film focuses on three Slovene artists who officially changed their names into the name of the Prime Minister of Slovenia, [[Janez Janša]] in 2007.
+===Janez Janša name change project===
-==New media projects==
+Aksioma has produced several projects by its director [[Janez Fakin Janša|Janez Janša]], formerly known as [[Davide Grassi]]. One very visible enterprise, initiated in 2007, was his official and permanent name change. Alongside two other artists, formerly known as [[Emil Hrvatin]] and [[Žiga Kariž]], he took the name of the then prime minister.
-Aksioma has produced many projects by [[Janez Janša]], such as ''DemoKino'' (Virtual Biopolitical Agora), an anti-entertainment interactive film questioning modern democracy. ''Demokino'' is a virtual parliament that provides participants the opportunity to decide about the questions of life.
-The Institute has also produced several projects by [[Sašo Sedlaček]], including his overview exhibition ''Supertrash'' (coproduction with [[Koroška Gallery of Fine Arts]] and [[Museum and Galleries of Ljubljana]]) shown in [[Koroška Gallery of Fine Arts]] in Slovenj Gradec (2011) and [[Jakopič Gallery]] (2012) where visitors could see the selection of [[Sašo Sedlaček|Sedlaček's]] projects created during the last ten years. The exhibition was accompanied by a catalogue.
+Various projects have taken place in the framework of this project and the trio also presented the performance ''Signature Event Context'' on the Transmediale 2008 in Berlin. In the same year, the exhibition ''NAME &ndash; Readymade'' was featured at the steirischer herbst Festival of New Art in Graz. Since then, the Janez Janša name change project has also been presented in ArtLaboratoryBerlin, HONF laboratory Yogyakarta (Indonesia) and at the LASALLE College of the Arts in Singapore. In 2012, Aksioma Institute ran the first successful crowdfunding project in Slovenia, which enabled the postproduction of the ''My Name Is Janez Janša'' documentary film. In 2017, the extremely well-attended retrospective exhibition ''Janez Janša®'', curated by Domenico Quaranta, took place at the [[Moderna galerija / Museum of Modern Art, Ljubljana plus Museum of Contemporary Art Metelkova|Museum of Contemporary Art Metelkova]].
-==Music and Performance==
+In December 2020, he changed his name again, this time to [[Janez Fakin Janša]].
-Aksioma collaborated with the music project [[Bast]] (1998&ndash;2007) and co-organized several performances for the V:NM Festival in Graz in 2007.
-Some of the most important performances produced by Aksioma are ''SilentCell Network'', an artistic network for interventions in public spaces by [[Mare Bulc]], [[Janez Janša]], [[Bojana Kunst]], [[Igor Štromajer]]; Nicole Blackman's performance ''The Courtesan Tales'' in Café Belvedere, Vila Bled where visitors could order the courtesan's service a la carte; ''paraSITE'' by Michael Rakowitz and ''Brainloop'' by [[Janez Janša]]. ''Brainloop'' is an interactive performance platform that utilizes a Brain Computer Interface (BCI) system which allows a subject to operate devices merely by imagining specific motor commands. In the second part of the performance, ''Brainloop'' is used to compose a custom soundtrack.
+{{Vimeo|46937250}}
 ==Publications==
-Aksioma published a catalogue of [[Davide Grassi|Davide Grassi's]] selected works in 2004, ''DemoKino'' - Virtual Biopolitical Agora, a book edited by Ivana Ivković and [[Janez Janša]] (2006), [[Janez Janša|Janez Janša's]] biography (2008) written by [[Marcel Štefančič jr]] and published by [[Mladina Magazine|Mladina]] and co-produced by [[Maska Institute]] and Aksioma; and ''RE:akt! Reconstruction, Re-enactment, Re-reporting'' (2009) among others.
-Many of the catalogues are bilingual, for example a monograph of the late Slovene photographer [[Diego Andrés Gómez]] (2007, in Slovene and Spanish) or ''Signature'' (2010, in Slovene and English).
+Aksioma frequently publishes texts on contemporary art in various formats, books, brochures and catalogues.  As a rule, the publications are available to read both as free downloads or as paid print-on-demand. Usually, they are available either in English or as bilingual publications.
-Aksioma publishes or collaborates with others to publish a brochure for its exhibitions. Aksioma brochure #1 ''Name Radymade'' was published in 2010 (the catalogue with the same title was published two years sooner by [[Moderna galerija / Museum of Modern Art, Ljubljana plus Museum of Contemporary Art Metelkova|Museum of Modern Art]]). Since then they publish about six brochures per year and the publications are available online as well.
-Aksioma also released some albums, an album by the [[Bast]] collective ''Bast – Retinal Cirkus'' (2007) containing improvisations recorded at [[Klub Gromka]], during the project ''Burn Out'' produced by Aksioma.
+The titles include [[Mladen Dolar|Mladen Dolar's]] ''What's in a Name'' and Domenico Quaranta's ''Beyond New Media Art''; texts on the work of artists like [[Marko Batista]] and [[Sašo Sedlaček]]; ''The Pirate Book'' based on Nicolas Maigret's work (offering a broad view on media piracy as well as a variety of comparative perspectives on recent issues and historical facts regarding piracy); and many others.
-==Cooperation==
+Aksioma has also released some albums, among them, an album by the [[Bast]] collective ''Bast – Retinal Cirkus'' (2007) containing improvisations recorded at [[Klub Gromka]].
-Aksioma Institute cooperates with many other institutions, for example with the [[Kapelica Gallery]] with which Aksioma has co-produced or co-organized many projects, ''H220'' by [[Marko Batista]] in 2010 being one of them. They also cooperate with [[Vžigalica Gallery]] (exhibitions ''EKMRZ'' by Ubermorgen.com, ''15 objects'' by Peter Rauch and ''Fuck the System'' by Eva and Franco Mattes), [[Koroška Gallery of Fine Arts]] (exhibition ''Signature'', for instance), [[Moderna galerija / Museum of Modern Art, Ljubljana plus Museum of Contemporary Art Metelkova|Museum of Modern Art]] (exhibition ''Triglav'' in [[Mala Gallery]]), [[P.A.R.A.S.I.T.E. Institute]], [[Maska Institute]], [[Intima Virtual Base]], [[SCCA-Ljubljana Centre for Contemporary Arts]], [[Zank]], [[Bunker Institute]] and many organisations and festivals abroad, among them the MNAC - National Museum of Contemporary Art in Bucharest, MMSU - Museum of Contemporary Art in Rijeka (''RE:akt!''), Institute FH JOANNEUM Graz (''Brainloop''), Kunsthaus Graz etc.
-They cooperated with [[City of Women International Festival of Contemporary Arts]] to present a lectures ''Hack the Gender!'' by Tatiana Bazzichelli on hacker ethics and Jannifer Doyle's ''Between Friends'' in 2007.
+==Collaborations and partners==
+The Aksioma Institute collaborates as a producer and co-producer with numerous and diverse institutions. In Slovenia, among its frequent partners include [[Kino Šiška Centre for Urban Culture]], the [[KiBela Art Space]], the [[Moderna galerija / Museum of Modern Art, Ljubljana plus Museum of Contemporary Art Metelkova|Museum of Modern Art]], [[Maska Institute]], the [[Koroška Gallery of Fine Arts]], [[Kapelica Gallery]], [[Match Gallery]], [[Bunker Institute]], and the [[City of Women International Festival of Contemporary Arts]].
+==International cooperation==
+In 2017, Aksioma received its second Creative Europe grant for the international cooperation project State Machines: Art, Work, and Identity in an Age of Planetary-Scale Computation (2017&ndash;2019), featuring partners Drugo more udruge (HR), Furtherfield.org (UK), NeMe (CY), and Institute for Network Cultures (of the Stichting Hogeschool van Amsterdam, NL).
+Aksioma also led the Creative Europe international cooperation project Masters & Servers: Networked Culture in the Post-digital Age (2014&ndash;2016), with partners Drugo more udruge (HR), Abandon Normal Devices (UK), d-i-n-a/The Influencers (ES) and Link Art Center (IT).
+Aksioma was also a partner project ARSCOPE: Art-Science Co-Operation Environment (2011&ndash;2013) funded by the European programme Culture 2007&ndash;2013.
+The institute has also worked with festivals and institutions abroad, among them the MNAC &ndash; National Museum of Contemporary Art in Bucharest, MMSU &ndash;  Museum of Contemporary Art in Rijeka (''RE:akt!''), the Institute FH JOANNEUM Graz (''Brainloop''), V:NM Festival in Graz, Kunsthaus Graz etc.
 == See also ==
 * [[Aksioma Project Space]]
-* [[Bast]]
-* [[Kapelica Gallery]]
 == External links ==
 * [http://www.aksioma.org Aksioma Institute website]
-**[http://www.aksioma.org/brochures/index.html Online brochures by Aksioma Institute]
+* [http://aksioma.org/books?lang=en Online books and brochures by Aksioma Institute]
+<br><br>
 Projects
-* [http://www.aksioma.org/jj/ More on the ''My Name is Janez Janša'' project]
-* [http://www.verkami.com/projects/1752 ''My Name is Janez Janša'' on verkami crowdfunding platform]
+<br><br>
-References
-* [http://culturebase.net/artist.php?15 Davide Grassi on Culturebase.net]
+* [http://www.statemachines.eu/ State Machines project]
+* [http://www.mastersandservers.org/ Masters & Servers project]
+* [http://janezjansa.si/ Janez Janša project]
 {{Gallery}}
@@ Line 81: / Line 120: @@
 [[Category:New media art producers]]
 [[Category:New media art workshop organisers]]
 [[Category:Visual arts]]
@@ Line 90: / Line 128: @@
 [[Category:EU funding of Slovene organisations (Culture and MEDIA Programmes)]]
 [[Category:EU Culture funding recipient]]
+[[Category:EU Creative Europe, Culture funding recipient]]
+[[Category:Updated 2017]]
+[[Category:Film producers]]
+[[Category:KONS Platform]]
+[[Category:Updated 2020]]
+[[Category:New_media_art_course_and_workshop_organisers]]
+[[Category:New_media_art_education_and_research]]

Difference between revisions of "Aksioma Institute"

Latest revision as of 16:30, 19 March 2021

Contents

Creed

Projects

Artists

Janez Janša name change project

Publications

Collaborations and partners

International cooperation

See also

External links

Gallery

Operated by

Financed by